The Josephine Johnson Foster Photograph Collection depicts the Manor, Howard, Johnson, and Foster families in Nevada from approximately 1906 to 1946. The photographs depict family members and miners in the towns of Tonopah, Millers, and Goldfield, Nevada. The photographs also include family photographs taken in Oregon.

The collection is comprised of long time Nevada resident Eunice Claxton's papers from 1982 to 2011. Included are photographs, memorial service programs, her maternal family history, and the 41st and 50th church convocations held in the Church of God in Christ, Las Vegas, Nevada.

The Bertha Gresh Photograph Collection dates between approximately 1902 and 1974. Materials include photographic prints and a corresponding photographic negative. Images depict Gresh as a young woman in Cedarburg, Wisconsin; with her husband Cyrus Gresh in Los Angeles, California; and at her home in Nelson, Nevada. Also included are images of the Rand Mine and the Wall Street Mine near Gresh's home in Nelson.

The Marco Dobro Photograph Collection, approximately 1910 to 1960, contains black-and-white photographic prints, negatives, slides, and postcards. Images consist primarily of locations in and around Tonopah, Goldfield, and Wells, Nevada, including Dobro's Nevada Cafe in Tonopah. Many images feature Dobro with friends and associates. A small number of images show locations in Southern California.

The Las Vegas Art Museum Records (1952-2009) contain administrative files, press, marketing materials, and scrapbooks that document the history of the Las Vegas Art Museum (LVAM). Collection materials include exhibition files, annual reports, financial statements, board meeting agendas and minutes, event invitations, press releases, and newspaper and magazine clippings documenting the museum's activities. Materials include photographs from museum events as well as photographs of artwork displayed as part of visiting and permanent exhibitions. Audio and video recordings include interviews with museum staff and local news coverage of events. Also included are architectural floor plans for the Sahara West Library, which was used as a gallery space for LVAM. Digital files in this collection include recordings and presentation slides from LVAM lectures with curators and artists. Other digital files include photographs from LVAM events and workings files from LVAM staff.