The William S. Park Photograph Collection (approximately 1870-1960) consists of black-and-white photographic prints and negatives of the families of William S. Park, John S. Park, and John William Park, as well as photographs of the Thomas children, half-siblings of John William Park's daughter Virginia. The majority of the images show locations in Las Vegas, Nevada with a smaller number taken in Kentucky, Oklahoma, Colorado, and California. Also included are three photograph albums of William S. and John William Park as children.
The Joanne de Longchamps Papers date from 1938 to 1985 and document de Longchamps' career as a poet as well as her personal life. The collection contains photocopies of her published poems, poetry journals and magazines containing her work, and photocopies of her unpublished typewritten poetry. It also contains original correspondence from Joanne de Longchamps to her mother, Ruth Cutten, as well as photocopies of her correspondence to poet Harold Witt.
The Ernie W. and Lucille Marleau Cragin Photograph Collection contains photographic prints, negatives, and slides depicting early Las Vegas and Boulder City, Nevada events, buildings, and people between approximately 1900 and 1950.
The Baneberry Nuclear Test Trial Records (1969-1989) contain documents of a federal court case regarding a 1970 Nevada Test Site nuclear test and the resultant radioactive cloud which may have exposed and subsequently injured the test site workers. The consolidated suits, William Nunamaker vs. the United States and Harley Roberts vs. the United States, came to trial January 1979, in Federal District Court, Las Vegas, U.S. District Judge Roger Foley presiding. The materials in the collection consist of court documents, such as transcripts of the trial, briefs, findings and statements, an appeal, orders, defense and plaintiff exhibits, and indices to the exhibits and witnesses as well as a glossary of terms.
The Las Vegas Ambassadors Collection (1968-1985) primarily consists of a scrapbook, newspaper articles, and photographs documenting the activities of the Las Vegas Ambassadors youth singing group. The materials were compiled by Harry LaFavor, the Ambassadors' business manager, who co-founded the group with Norman Kaye and Richie Astone to promote a positive image of Las Vegas. The collection also includes a songbook, vinyl record and ¼” tape recording, and promotional materials.
The Harry Hayden Whiteley Architectural Records are comprised of architectural records (1931-1970) created and/or maintained by the American architect Harry Hayden Whiteley and/or his architectural firm, known as Harry Hayden Whiteley and Associates. This collection includes 30.21 linear feet of materials including 45 items from over 30 projects. The collection focuses on his work in the Las Vegas and Reno, Nevada areas. The materials feature both architectural drawings and project files. Architectural drawings include pencil and ink on tracing paper preliminary sketches and mounted artist’s renderings used for presentations and promotional materials. Project files include project correspondence, photographs, and structural calculations. The drawings also contain work from the architect Paul Revere Williams. The collection includes architectural drawings for hotels, shopping plazas, residential developments, and office buildings.
Oral history interview with Lauren M. Brown conducted by Claytee D. White on February 21, 2018 for the Remembering 1 October Oral History Project. In this interview, Lauren M. Brown discusses her history with Las Vegas, Nevada, starting from when she moved to the city in 1997. She describes her experience as one of the many who stood in line to donate blood on October 2, 2017, the day after the 2017 Las Vegas mass shooting. Brown talks about what stood out on that day, including the overwhelming amount of people waiting to donate blood and the people who brought drinks and pastries for those waiting. She speaks about how that day showed her the heart of Las Vegas and changed her perspective of the city. Brown also discusses her correspondence with the Healing Garden to give ideas for the design of a permanent memorial for the tragedy.