Search Results
Photographs of Maxim signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint
Mixed Content
"100 Las Vegas African American Educators Past and Present" booklet
Date
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Ivy Leaf magazines and event souvenir programs file. Full title of booklet: "100 Las Vegas African American Educators Past and Present. Happy 100th Birthday Las Vegas, 1905-2005. Presented to the Public by the Ivy Reading AKAdemy Staff & Students, Alpha Kappa Alpha Sorority, Inc./Theta Theta Omega Chapter of Las Vegas."
Text
Transcript of interview with David and Iris Torjman by Barbara Tabach, November 12, 2015
Date
Archival Collection
Description
In this interview, the Torjmans recall meeting at Temple Beth Sholom and their careers in Las Vegas. David Torjman was a Hebrew School teacher at Temple Beth Sholom, and later became a dealer at the Rainbow Club and Tropicana. Iris was a health aide for the Clark County School District.
In 1964, a young Hebrew school teacher was recruited to teach at Temple Beth Sholom. Soon he met Iris Schwartz who had moved to Las Vegas to live with her aunt. Less than two years later David proposed to Iris in Jack Entratter's suite at the Sands; had a New York wedding and then a local wedding thrown by the Sisterhood at Temple Beth Sholom. The couple came from distinctively different Jewish backgrounds. David was born and raised in Morocco and was educated in trades at the ORT Vocational School in Fez, Morocco. He then studied at Sunderland Talmudical College in England before immigrating to the United States. Iris was a native of Bronx, New York. And tells how before the couple met in Las Vegas that they actually lived within blocks of each other in New York. She moved to Las Vegas to live with relatives as a young woman. In 1964 destiny brought them together. David?s career as a Hebrew school teacher brought him to Temple Beth Sholom, a career that lasted for three years. He then worked for Jerry Hory?s Hock Shop and later became a dealer for the Rainbow Club and the Tropicana. Iris worked for the Clark County School District as a health aide. They have been successful investors in local property and enjoy their retirement. They tell the story of meeting and creating a life in Las Vegas where they raised their three children.
Text
Katrina Sandigo oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Katrina Sandigo conducted by Nathalie Martinez and Barbara Tabach on August 28, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Katrina talks about her family's history and her grandfather's immigration to the United States from Nicaragua. She discusses her education and her time spent studying at the University of Nevada Las Vegas (UNLV) and her work with the Clark County School District (CCSD). She is currently the Education Director for Nevada's Anti-Defamation League (ADL). Katrina also shares her religious faith and how she is active in the Jewish community of Las Vegas.
Text
Nevada Southern University law program: reports and correspondence
Date
Archival Collection
Description
Folder contains memorandums, correspondence related to the law program at Nevada Southern University (later UNLV). It includes a report on the NSU law program (fall term 1967-1968), a report of the Association of American Law Schools Committee on Guidelines for New Law Schools (1966), and a report of Dean Willard H. Pedrick, Arizona State University College of Law (1967). From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).
Text
Dina Neal (Nevada Legislature, Senator) oral history interview conducted by Magdalena Martinez and Makada Henry-Nickie: transcript
Date
Archival Collection
Description
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Elected official interviews file.
Text
Transcript of interview with Norma Morrow Zuckerman by Barbara Tabach, April 18, 2016 & March 13, 2017
Date
Archival Collection
Description
Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.
Text