Folder from the Flora Dungan Papers (MS-00193) -- Series 4. University of Nevada Regents Material.

Born in 1939, Sharon Maurer-Schwartz’s life experiences have traversed a groundbreaking era: she’s a female, Jewish and a married to a Protestant lesbian. This oral history reveals what it has been like for her as she explored her Judaism and recognized her personal identity. Her Judaic foundation began in the Reconstructionist movement in Indianapolis, Indiana. She has never wavered from her religious identity, though she has belonged to various types of synagogues. She and Ande (Edna) Rice, who also participates in this interview, were legally married in California in 2008, but have been together since the 1980s. They raised Sharon’s daughter Julie, pursued careers and moved to Las Vegas in 1999. Ande is a Protestant and the topic of blended religious couples is discussed. Sharon is devoted to her life coaching business – Growth Unlimited – and to helping others.

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.