Oral history interview with Edwin "Tony" Wuehle conducted by David Schwartz on December 21, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Wuehle discusses his early life in Hettinger, North Dakota and his career as an educator. He recalls his first experiences playing poker, participating in home poker games while living in Michigan’s Upper Peninsula, and using a pseudonym as a player. Wuehle then talks about writing a book, founding the Gamblers Book Club Press in Las Vegas, Nevada, and writing for religious publications. Later, Wuehle explains the tension between participating in religion and playing poker. He describes Las Vegas poker rooms during the 1960s and 1970s and shares his thoughts on online poker. Lastly, Wuehle discusses why casinos use prop players and his efforts to organize a poker tournament to raise funds for Bay de Noc Community College in Michigan.

The Las Vegas Jazz Society Records (approximately 1975-2003) are comprised of organizational records including meeting agendas, minutes, and membership statistics of the Las Vegas Jazz Society (LVJS). Included in the collection are issues of the LVJS's newsletter Jazz Notes, promotional materials, blank membership applications, correspondence, information on other regional jazz societies, and photographic prints depicting various events and festivals. A portion of this collection documents LVJS's involvement in saving the KUNV 91.5 FM radio station.

Oral history interview with Carolyn Freeman conducted on January 30, 2006 for the Boyer Early Las Vegas Oral History Project. Freeman begins by discussing her upbringing, her father, who was the president of the Japanese American Citizens League, and her early interest in dancing. She also details her experiences as a Japanese American during World War II and being relocated by the federal government. Freeman then describes how she began her career as a dancer after getting a role in a Broadway play in New York City, New York, and her later experiences dancing in productions in Reno, Nevada and San Francisco, California during the 1950s and 1960s. Lastly, Freeman discusses the differences between living in Las Vegas, Nevada compared to California and being offered the chance to dance in a Frank Sinatra show by himself and Sammy Davis Jr.