Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 90521 - 90530 of 91629

Photograph of Evel Pie sign, Las Vegas (Nev.), June 28, 2017

Date

2017-06-28
2017-08-22

Description

The Evel Pie sign sits at 508 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 508 Fremont St
Sign owner: High Horse Group
Sign details: Original construction year of the building was 1949. Previous to this property being Evel pie it house the short lived F. Pigalle fondue restaurant, and the Radio City Pizza. This 1979 Evel Knievel themed pizza restaurant and bar opened in late 2016. Their motto is Live Hard, Ride Fast, Eat Pizza. In the restaurant there is an Evel Knievel Pinball machine and a Stunt Cycle Game.
Sign condition: 5 - new sign, just over a year old
Sign form: Sign above the entrance
Sign-specific description: Above the entrance there are red channeled cursive letters Evel Pie filled with neon tubes that illuminate red at night. To the left and right of the letters there are little white wings that are plastic but are illuminated with neon tubes I behind it.
Sign - type of display: Neon
Sign - media: Steel and Plastic
Sign - non-neon treatments: Plastic for "wings" of sign
Sign environment: Located in the East Fremont District
Sign manufacturer: Diamond Head Signs
Sign - date of installation: Late 2016
Sign - artistic significance: The logo is the same font as Evel Knievels old advertisements. This font this was a close representation of his signature but more of a bubble font cursive letters rather than the flat signature that would have been done with a pen/pencil. Also the wings on the sign represent the theme since he was known for jumping such long distances that they said he would fly.
Survey - research locations: Assessor's website
Survey - research notes: Eater Vegas https://vegas.eater.com/2016/12/16/13979544/evel-knievel- evel-pie- pizza-las- vegas, Las Vegas weekly https://lasvegasweekly.com/dining/dining-news/2016/sep/28/evel- pie-fremont- east-downtown-las- vegas/
Survey - other remarks: The High Horse ownership group that owns this property is comprised of Barden Powers, Jeff Fine, Seth Schorr and Kelly Knievel.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-22
Sign keywords: Plastic; Steel; Neon; Fascia; Building-front design

Mixed Content

Brian Sandoval (University of Nevada, Reno) oral history interview conducted by Magdalena Martinez and Elia Del Carmen Solano-Patricio: transcript

Date

2022-10-10

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.

Text

Sylvia Alvarado interview, April 12, 2019: transcript

Date

2019-04-12

Description

Interviewed by Rodrigo Vazquez, Monserrath Hernández, and Barbara Tabach. Sylvia Alvarado talks about growing up in North Las Vegas and her Catholic upbringing in a Mexican household. Her studies in Journalism & Media Studies led her to her career as a radio host on English and Spanish-speaking programs. She also talks about speaking "pocha" Spanish and the Latinx influence in radio programming.

Text

Transcript of interview with Ken Hanlon by Claytee D. White, November 29, 2006

Date

2006-11-29

Archival Collection

Description

Ken Hanlon was born in Baltimore, Maryland, in 1941. He attended 2nd grade through high school in Parkville schools. He took up his first instrument, the snare drum, at the age often, and by eighth grade had taken up baritone horn and trombone. His parents were very supportive of his interests. Ken developed a very strong work ethic early on, through the influence and example of his parents. He earned money in high school to pay for things he wanted by assisting on a paper route. He also took private lessons, which he paid for, and played in a dance band. After graduation, he attended Peabody Conservatory on a scholarship. He finished his last two years there with the principal of the Baltimore Symphony. He taught at Peabody Preparatory for seven years as undergraduate and graduate. He continued his Master's degree at Peabody Conservatory while working as a public school instrumental music teacher. He also played in the rock and roll band and worked in a city concert band. In 1968, Ken and his family moved to Las Vegas. He connected with the Si Zentner band and went on the road with him, then played in hotels up and down the Strip. Ken worked in bands that backed many famous headliners and has many anecdotes and memorable stories to share about those days. In 1970, Ken interviewed with Howard Chase, chair of the music department at UNLV. He was hired and his first UNLV job at the age of 29 was chair of the music department. He kept this position for 16 years, with one year off to establish residency for his doctorate. Dr. Hanlon has had a long and varied career, filled with people, places and events vital to the music industry. Today he continues to teach a graduate course, is currently Las Vegas president of the International Trombone Association, and runs the Arnold Shaw Popular Music Research Center.

Text

Photographs of Maxim signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the Maxim Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint

Mixed Content

LaVerne Ligon, B. J. Thomas, and Leonard Polk oral history interview: audio clip

Date

all of the dates: 2012-07-09, 2012-07-18

Description

LaVerne Ligon discusses auditioning for the show Hallelujah Hollywood at the new MGM. She auditioned for Bob Mackie and Donn Arden, who wanted her to be topless in the show. She refused. Three weeks later, Donn Arden called her and said that she had changed his mind and he really wanted her in the show and she didn't have to go topless. In fact the entire line of Black dancers that he was putting together for the show did not have to go topless.

Sound