The Lee and Thomas Beam Music Center Architectural Records (1998-1999) contain architectural drawing sets for the Lee and Thomas Beam Music Center's design and construction. Located on the University of Nevada, Las Vegas campus, the Lee and Thomas Beam Music Center provides professional and liberal arts education to students seeking a career in the study and creation of music. The school enrolls more than 400 music majors and attracts students throughout America and internationally.
The Washington University, School of Fine Arts Collection of Calendars consists of thirty-three calendars created by students in the Washington University, School of Fine Arts created in 1983.
The Raymond Germain Photograph Collection (approximately 1960-1970) consists of two black-and-white photographic prints of Raymond Germain and one black-and-white photographic print of his wife, Mary Germain. All of the photographs have corresponding negatives.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains poems, quotations, essays, and short stories. It also contains Living Blues magazine (autumn 1971), a concert poster for vibraphonist Jay Hoggard, magazine clippings, visual art, letters, programs, and The Nixon Theater booklet (season 1903 and 1904, not digitized in its entirety).
The sign for Backstage Bar & Billiards sits at 601 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 601 Fremont St Sign owner: DJ Lethal co-owned with DJ Scotty Sign details: This building dates back to 1957. Triple B opened in 2012 as a billiard hall bar and concert venue. It is filled with a lot of Rock Memorabilia which includes a "turntable library" which they claim showcases over 8 decades of rock history. This location was furnished by rock outfitter Anvil Cases. This property got its name by being "backstage" to the adjoining Fremont Country Club. Sign condition: 5- looks relatively new and still in great condition Sign form: Variation of a Bull Nose Sign Sign-specific description: Their entrance is on the corner of 6th (going South) and Fremont with a blue bull nose type sign in a triangle shape. The base of the triangle sign is right above the entrance. The triangle border has a blue (argon) strip with incandescents lining both sides of the neon tubing. At the base of the sign there is a blue (argon) curved platform (half circle placed adjoining to the base of the triangle). On this platform there are 5 separate strips of argon tubes. Above the platform states "Backstage Bar & Billiards" in white cursive channeled letters. Above the words Backstage and Billiards there are two martini glasses with a pool ball and flag in each glass. At the top of the triangle portion of the sign there is their logo "Triple B" in cursive with Triple in Blue and B in white. Below the bull nose sign there is a reader board that wraps around the building. This reader board is also lined with incandescent light bulbs. In the middle of the of the reader board there is a black background rectangle with 3 rhombus's lined in incandescent light bulbs in a design. Sign - type of display: Neon, incandescent and reader board Sign - media: Steel and Plastic Sign - non-neon treatments: Reader Board Sign animation: Flasher for incandescent light bulbs Sign environment: Fremont East district East District, next to other bars and restaurants. This location is right across the street from the El Cortez. Also they claim to be "backstage" to the adjoining Fremont Country Club which inspired their name. Sign manufacturer: Ultra Signs' recently bought out by Jones Las Vegas ( of Jones SIgns) who did not have records of this sign. Sign - date of installation: 2012 when the bar opened Sign - thematic influences: On Fremont many of the entrances are at the corner intersections, so the bull nose sign has been prominent design type to draw attention to the entrance of the company. This is remnant of the Golden Nugget and Binion's Horseshoe put up their bull nose signs in 1961. Sign - artistic significance: The curved platform at the bottom of their bull nose sign looks like an old retro movie theater style sign platform that you would see in the 1940's/50's. Particularly with their reader board with incandescent light bulbs speaks to this era as well. Survey - research locations: Assessor's page, triple B website http://www.backstagebarlv.com/ , Las Vegas Weekly Newspaper article https://lasvegasweekly.com/nightlife/lowball-diary/2012/dec/05/triple-b-fills-downtowns-watering-hole-hole/ Survey - research notes: Fremont Bars.com has a photo of their main sign being installed. http://www.fremontstreetbars.com/2012/11/29/welcome-to-the-neighborhood-backstage-bar-billiards/ Survey - other remarks: The Ultra Signs logo is visible on the left side of the sign. Surveyor: Emily Fellmer Survey - date completed: 2017-08-11 Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Bullnose; Marquee
Until her passing in 2017, Millicent (Siegel) Rosen was the living link to Benjamin “Bugsy” Siegel, one of Las Vegas’ most notorious links to the Jewish mob. A steadfastly independent woman herself, Millicent recalls Benjamin as a loving father to her and her younger sister. She is proud of his status as a Las Vegas visionary, though she affixes a footnote that the city of today might not be to his liking. She includes a few anecdotes about common names of the early days, including Meyer Lansky who walked her down the aisle when she married Jack Rosen. They had three children: Benjamin, Cindy, and Wendy. Millicent moved to Las Vegas to be with her daughter and her family in about 2000 and cherished her role as a grandmother. Always an artist at heart, Millicent once painted canvases for needlepoint and in 2015 promoted her clothing line.
The Harmon Family Papers consist of the political and personal correspondence of Las Vegas, Nevada pioneer Harley A. Harmon from 1910 to 1934, and his son, Harley E. Harmon, from 1950 to 1966. The collection also includes correspondence, personal papers, and photographs of Harley L. Harmon from approximately 1950 to 1999. Also included are family scrapbooks with wedding announcements, photographs, birthday cards, newspaper clippings, and other ephemera.
The Gene Hertzog Professional Papers (approximately 1930-2015) are comprised of photographs, slides, transparencies, publications, video cassettes, correspondence, and digital files spanning Gene Hertzog's working years with the United States Army, the Bureau of Reclamation, and as a freelance photographer and videographer based in Southern Nevada, New Mexico, and Washington state. The collection documents the complicated infrastructure required to supply water to the Las Vegas Valley and includes still and moving images of the Springs Preserve, Lake Mead National Recreation Area, the Colorado River, and the Columbia Basin. The majority of the collection comes from Hertzog's time as a regional photographer for the Bureau of Reclamation and offers a unique glimpse into the Bureau's work in Southern Nevada, the southwest, and the Pacific Northwest from the 1950s to the mid-1990s.
Kevin Brady was born in Chicago, Illinois and grew up in Pennsylvania. Brady started in the gaming industry in 1993 as a surveillance officer for Players International Lake Charles and eventually became a surveillance supervisor at Paragon Casino Resort. He later became a surveillance manager and casino controller at Harrah’s St. Louis where he worked in finance while also earning his master’s degree in business administration. Brady later entered the position of eastern division director of slot operations for Harrah’s in 2001 before transferring to Harrah’s Shreveport to work in slot operations. He worked there during Boyd’s purchase of the property and then went to Delta Downs to manage several areas of that location. Brady became vice president of slot operations at Mohegan Sun in 2005 and after two years moved to the Sands Casino in Pennsylvania where he worked for another seven years. Brady currently works at Resorts Mohegan Sun in Atlantic City as vice president of casino operations. The interview with Brady begins with his narrative of his journey through his various positions and roles in the gaming industry. During the discussion, he also talks about his experience and approach in negotiating with vendors for new slot games on the floor, and he provides his philosophy on how to lay out a slot floor. Brady then discusses his view on what makes a good slot manager, with a focus on how to lead employees, and he then talks about the changes in technology since he first started in the slot industry. He also describes how the gaming business has changed overall since he first started, and he gives his opinion on what he believes the future of slots will hold, specifically regarding skill-based gaming and millennials. The interview concludes with Brady describing his personal gambling and his own advice to young people who might want to go into slot operations.