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Program for the Design and Operation of The Nathan Adelson Hospice, circa 1980

Date

1979 to 1981

Archival Collection

Description

A program for the design and operation of The Nathan Adelson Hospice in Las Vegas, Nevada. Included in the program are several appendices on functions, regulations, services, and standards, along with several pages on establishing goals for the hospice. Pages near the end include hand-drawn diagrams and several monetary finance charts.

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Richard Ronzone Photographs

Identifier

PH-00343

Abstract

The Richard Ronzone Photographs depict Las Vegas, Nevada storeowner and politician Richard “Dick” Ronzone and his family from 1920 to 1989 and 2001. The photographs primarily depict Ronzone at Ronzone’s Store in Las Vegas, at events with politicians such as Nevada Governor Paul Laxalt, or at the Las Vegas Valley Water District. The photographs also depict Ronzone during his service with the Nevada National Guard; portraits of Ronzone, his wife Ann Roeth Ronzone, and his mother Bertha Ronzone; and events during Ronzone’s tenure as a Clark County Commissioner from 1972 to 1980.

Archival Collection

The Production Company Audiovisual Collection

Identifier

MS-00930

Abstract

The Production Company Audiovisual Collection consists of commercials, advertising, and political campaigns from approximately 1965 to 1995 created by The Production Company, a television production company founded by Thomas “Bob” Patrick in Las Vegas, Nevada. The collection consists of primarily 16 mm film and video formats such as VHS, U-Matic, Betacam, open reel, Type C, and quadruplex. The videotapes and films in this collection represent advertising and marketing for hotels and casinos, entertainment companies, politicians, and local businesses located in Las Vegas, Nevada.

Archival Collection

Transcript of interview with Sandra Peña by Lada Mead and Stefani Evans, March 27, 2017

Date

2017-03-27

Description

Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.

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