Information about the The Beat Coffeehouse sign that sits at 520 Fremont St.
Site address: 520 Fremont St
Sign owner: Michael and Jennifer Cornthwaite
Sign details: This location opened in 2009, but closed in 2016. It will reopen as Eureka!, which is a chain of restaurants based in California.
Sign condition: 5- was a relatively new sign and shined brightly
Sign form: Hanging sign
Sign-specific description: This sign was skeletal neon making the letters "the beat" in a bubble letter font. The word 'the' lights up blue and 'beat' is red neon.
Sign - type of display: Neon
Sign - media: Steel
Sign environment: This location is in the Fremont East District on Fremont and 6th Street in the Emergency Arts Center.
Sign - date of redesign/move: Currently this sign is not visible from public view
Sign - thematic influences: This sign showcases a good use of skeletal neon.
Sign - artistic significance: The property's decor is representative of the bohemian, indie, hipster trend of the mid 2000s into the the 2010s.
Survey - research locations: Review Journal article https://www.reviewjournal.com/entertainment/food/the-beat-coffeehouse-in-downtown-las-vegas-to-close-later-this-year/ , The Beat website http://www.thebeatlv.com/ , Las Vegas Weekly article https://lasvegasweekly.com/intersection/2016/jul/12/losing-the-beat-coffeehouse-detriment-to-downtown/ , Vegas Eater website https://vegas.eater.com/2016/9/26/13051480/the-beat-coffeehouse-closes
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-09-17
Sign keywords: Neon; Hanging

I've known Christie Young for many years and was grateful she agreed to be interviewed for the Las Vegas Gay Archives Oral History Project. Not only is she frank in what she says, but her background as a researcher in sexual issues and as a straight woman involved in the gay community give her a unique perspective. Ancillary to her donation of this interview transcript to the University of Nevada, Las Vegas, Christie has generously donated her personal journals which detail more than a decade of her life including the years she worked with Las Vegas's gay community . Christie shares the project's concern that documentation of the gay community is ephemeral and vanishes rapidly; her determination that her contribution to that community be preserved greatly enriches our knowledge and will benefit future scholars.