The Billie Milton Grace Photograph Collection, approximately 1948 to 1960, consists of twenty black-and-white photographic prints and negatives depicting images of downtown Las Vegas, Nevada, the annual Helldorado Parade, the Marion Hicks family, local labor union dinners, Thunderbird Hotel employees, and various hotels and casinos.
Archival Collection
The Southern Nevada Women's Political Caucus Records (1981-1992) document a chapter of the National Women's Political Caucus. It was active in child care issues and in aiding women who aspired to be elected to public office. Included are chapter bylaws, minutes, newsletters, and information on local child care and the Act for Better Child Care Services of 1987. Also included are records of forums, conferences, dinners, newspaper advertisements, financial records, and membership information. There is national information, including a bumper sticker, and a poster.
Archival Collection
The Carratelli Family Collection on Gay Rights in Nevada (1992-2002) consists of documents and ephemera from various gay rights organizations and events in Las Vegas, Nevada. In addition to documents, fliers, and meeting minutes, the collection houses a box of t-shirts from various gay events and campaigns. The collection is especially focused on issues of Gay Pride organizing.
Archival Collection
The collection consists of seven numbered art prints, hand signed by Arizona artist, Erni Cabat, with accompanying certificates of authenticity. The prints were created from original gouache paintings of scenes from casino life, and distributed by Nevada Magazine to mark the 50th anniversary of gambling in Nevada in 1981.
Archival Collection
The corporate records (1920-1990) for Hughes Productions consist of administrative, distribution, financial, and legal records, as well as records from the Motion Picture Association of America and United Artists Corporation and records pertaining to unproduced works.
Administrative records contain correspondence, as well as vault inventories, assets list, and personnel files. Distribution records contain agreements, correspondence, and information pertaining to The Outlaw's ban. Financial records include ledgers, correspondence, invoices, and international profit reports. Legal records include contracts for actors and screenwriters, as well as correspondence, agreements, and affidavits pertaining to loan information and court case proceedings.
Motion Picture Association of America (MPAA) records consist primarily of weekly reports from the MPAA detailing film title registration reports either held or withdrawn, as well as memoranda. United Artists Corporation records include contract analyses, settlement statements and ledgers detailing The Outlaw's domestic and international earnings. Unproduced works contain screenplays, synopses, story treatments, right's agreements, and correspondence pertaining to stories sent to Hughes Productions.
Archival Component
James Frey was born in Eureka, South Dakota, in 1941. His father worked in creamery and his mother was a registered nurse. When Frey was nine, the family, including his twin sister, relocated in Sioux Falls where his dad was plant manager for a dairy. He joined the YMCA in the fourth grade and ended up working for them until around the age of 22. He attended Augustana College in Sioux Falls, graduating with a major in sociology and a minor in history. After graduation, he worked for three years at the YMCA in Sioux Falls as program director.
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