The Jamey Stillings Photograph Collection (2009-2019) is primarily comprised of photographs taken by professional photographer, Jamey Stillings, of the Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project, the Ivanpah Solar Electric Generating System project, and the Crescent Dunes Solar project. The Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project depict the construction of the Mike O’Callaghan-Pat Tillman Memorial Bridge from 2009 to 2012. The Ivanpah Solar Electric Generating System project depict aerial views of Ivanpah Solar in the Mojave Desert of California from 2010 to 2014. The Crescent Dunes Solar project consists of a range of aerial and ground-based work documenting SolarReserve's Crescent Dunes Solar, a 110MW concentrated solar plant with molten salt storage near Tonopah, Nevada, from 2014 to 2015.
The Production Company Audiovisual Collection consists of commercials, advertising, and political campaigns from approximately 1965 to 1995 created by The Production Company, a television production company founded by Thomas “Bob” Patrick in Las Vegas, Nevada. The collection consists of primarily 16 mm film and video formats such as VHS, U-Matic, Betacam, open reel, Type C, and quadruplex. The videotapes and films in this collection represent advertising and marketing for hotels and casinos, entertainment companies, politicians, and local businesses located in Las Vegas, Nevada.
On November 1, 1974, collector James M. Greene, interviewed widow and mine leaser, Bertha Gresh (born August 29th, 1883, in Cedarburg, Wisconsin) in her home in Nelson, Nevada. This interview covers early mining days, Bertha’s personal history, and the history of Nelson County. She also discusses her art, social activities, and the prizes she won as a visual artist in Nevada.
Includes meeting agenda and minutes with additional information about the requests for funds, tentative schedule, posters, and the judicial council meeting.
The Young Audiences New York, Nevada Humanities Photograph Collection (approximately 1970-1979) contains black-and-white photographic prints, slides, and negatives of the Las Vegas, Nevada chapter of the Young Audiences New York arts organization. Images include scenes of concerts, workshops, and chapter outings at public parks. There are images of specific bands within the chapter such as the Brass Quintet, Vocal Quartet, and Woodwind Quintet. Lastly, there are images of celebratory banquets honoring members of the Las Vegas chapter.