The Hotel Sahara float entry in the Helldorado Parade, May 1958. The float is titled "Hotel Sahara Toasts Wondrous Women." Smaller sections of the float are names "Birth of Venus" featuring a woman seated in a large clam shell that is being pulled by a large seahorse. The main portion of the float features three women seated beneath a large champagne glass, and a fourth woman seated on a large throne made of flowers. A side section of the float is titled "Joan of Arc," but the woman is obscured behind the horse sculpture she is riding. They are in front of the Boulder Club, located at 118 Fremont Street. The Boulder Club was in operation from 1931-1960. A sign on the Boulder Club reads ""Farmer" Page - Enjoy the Old West - Jackpots, Craps, Bar, Keno, Roulette, Twenty-One." They have just passed Joe W. Brown's Horseshoe Club (in operation from 1935-1958), located 128 Fremont Street at the corner of Fremont Street and 2nd Street. The Hotel Apache and the Fremont Casino are visible in the background.
James Frey was born in Eureka, South Dakota, in 1941. His father worked in creamery and his mother was a registered nurse. When Frey was nine, the family, including his twin sister, relocated in Sioux Falls where his dad was plant manager for a dairy. He joined the YMCA in the fourth grade and ended up working for them until around the age of 22. He attended Augustana College in Sioux Falls, graduating with a major in sociology and a minor in history. After graduation, he worked for three years at the YMCA in Sioux Falls as program director.
The corporate records (1920-1990) for Hughes Productions consist of administrative, distribution, financial, and legal records, as well as records from the Motion Picture Association of America and United Artists Corporation and records pertaining to unproduced works.
Administrative records contain correspondence, as well as vault inventories, assets list, and personnel files. Distribution records contain agreements, correspondence, and information pertaining to The Outlaw's ban. Financial records include ledgers, correspondence, invoices, and international profit reports. Legal records include contracts for actors and screenwriters, as well as correspondence, agreements, and affidavits pertaining to loan information and court case proceedings.
Motion Picture Association of America (MPAA) records consist primarily of weekly reports from the MPAA detailing film title registration reports either held or withdrawn, as well as memoranda. United Artists Corporation records include contract analyses, settlement statements and ledgers detailing The Outlaw's domestic and international earnings. Unproduced works contain screenplays, synopses, story treatments, right's agreements, and correspondence pertaining to stories sent to Hughes Productions.
Archival Collection
Howard Hughes Film Production Records
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Collection Number: MS-01036 Collection Name: Howard Hughes Film Production Records Box/Folder: N/A
James “Jim” Bonaventure worked from thirteen years of age, entering the hotel casino industry at sixteen. The weekend buffet at the Hacienda was not his cup of tea but he hit his stride at his second job, the Horseshoe, and stayed there for seven and half years. But it was the work at the Union Hall that he loved. He stayed there for over thirty years developing the grievance department into today’s state-of-the-art entity that negotiates between employees and employers. Bonaventure served on the front lines of major disputes including strikes. In the beginning, the Las Vegas Police Department sided with hotel casino owners but over the years as personnel changed, they became more egalitarian in the treatment of strikers. The 1984 strike was one of the most contentious and up to that time, the largest in the history of the union. More than 17,000 workers walked off their jobs to protest conditions at 32 Hotel Resorts. Arrests were plentiful. As soon as the leadership reached the picket line, they were immediately handcuffed. The bitterness did not end when the 9-month strike concluded. Bonaventure remembers Bally’s putting up $100,000 to fight grievances. Still, the union won 85% of the cases. Then several downtown casinos reared their collective heads. The Golden Gate Hotel and Casino, Las Vegas Club, and the Plaza Hotel Casino were dubbed the Downtown Three. Strained relationships turned into a lawsuit where the Culinary Union was paid $40,000. Then in 1989 Fitzgerald’s Hotel Casino’s actions called for a picket line. Bonaventure and other leaders agreed on a Noise Night. Union member brought pot and pans and banged on them. The night ended with a lawsuit filed by police officers claiming hearing loss. From the bottom of his heart, Bonaventure is a Union Man. It has been his life’s work. He is most proud of and humbled by his work as a trustee of the Culinary Academy of Las Vegas. Anyone can train there for most positions in the hotel industry and be hired into the industry upon graduation. And it’s the place when U.S. citizenship classes are given to all those ready to apply. During this 2014 interview Jim Bonaventure was thinking about retirement or at least slowing down. I would not be surprised if he’s still at his Culinary Workers Union Local 226 desk handling more grievances than anyone else in his department.
Ron Lawrence is one of the busiest people in the gay community, so I want him to know how much I appreciate his reserving time for me so that I could complete this oral history interview. The importance of his work toward the well-being of the gay community in Las Vegas cannot be measured, and much of what he's accomplished and otherwise made possible will live long after he leaves us. With Ron's consent to this interview, our knowledge of Nevada's gay history is greatly enriched and our record preserved.