The Henry Kronberg Papers is comprised of photographs, newspaper clippings, and business records from 1945 to 2017 that document Henry Kronberg's business, Stoney's Pawn Shop, his personal life, and his involvement with the Jewish community in Las Vegas, Nevada. The collection also includes A Place of Hope, a documentary about the Warsaw Remembrance Garden at Temple Beth Sholom in Las Vegas featuring Kronberg.

Oral history interview with Ruben Acherman conducted by Monserrath Hernandez and Laurents Bañuelos-Benítez on July 18, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Acherman discusses growing up in Palmira, Colombia, where his father emigrated to from Romania. He talks about how accepted he felt in a Catholic community, moving to Cali, Colombia to study medicine, and describes completing his rural residency in San Pedro, Colombia. Acherman then recalls specializing in cardiology at the University of Southern California (USC). Later, Acherman explains why he chose to specialize in cardiology, his interests in pediatric cardiology, and his inability to continue studying due to the lack of financial stability and his immigration status. Acherman describes his move to the Summerlin residential community in Las Vegas, Nevada after being offered a position to work for Dr. Bill Evans in 2001, and compares the differences in health care between the United States and Columbia. Lastly, Acherman discusses his first balloon dilation procedure and talks about the illustrations he has created in cardiology textbooks.

The UNLV Libraries Collection on Claes Oldenburg's Flashlight sculpture is comprised primarily of correspondence, photographs, and information dating from approximately 1972 to 1981, and 2011 about the planning and installation of the Flashlight at the University of Nevada, Las Vegas (UNLV) campus. The materials include correspondence between Brock Dixon, Dean of Administration, and the sculpture grant committee, the National Endowment for the Arts, and sculptors considered for the job such as Richard Serra and Claes Oldenburg. The collection also includes photographs of Flashlight maquettes and installation on campus and postcards depicting the Flashlight on the UNLV campus. Also included is a written history of the commissioned sculpture, a UNLV News Center article about the sculpture from 2011, and an autographed copy of Claes Oldenburg: Large Scale Projects, 1977 to 1980.