Search Results
Transcript of interview with Oliver Crickman by William Hawley, March 3, 1979
Date
Archival Collection
Description
On March 3, 1979, William Hawley interviewed Oliver Crickman (born 1933 in Apex, North Carolina) about his experiences from living in Nevada and working in restaurants. Crickman first describes his background and his first occupations prior to starting as a cook in Las Vegas restaurants. He then explains how he gradually moved from the position of cook’s helper to sous chef and his then-current position of executive chef at the Royal Inn. Crickman goes into detail about the operation of those restaurants and other Las Vegas Strip and Downtown Las Vegas properties, and he describes the demographics of cooks as well as how the hospitality industry has changed over time. The latter part of the interview involves a discussion of Crickman’s various residences in Las Vegas over time, the extent of crime, the first places to shop, and a brief discussion on mobile homes.
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Interview with Michael Bordner, June 8, 2005
Date
Archival Collection
Description
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Photographs of Maxim signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint
Mixed Content
Emily McKinley interview, March 1, 1981: transcript
Date
Archival Collection
Description
On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.
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John Robinson Pacheco interview, June 24, 2019: transcript
Date
Archival Collection
Description
Interviewed by Laurents Bañuelos-Benitez. John Pacheco's father, Francisco, arrived in Las Vegas in 1942. John was born in 1947 and raised mostly on 27th Street. He is a graduate of Rancho High School and UNLV. He is a retired artist known for hand-painting signage for many local businesses. As a very civic minded person, John has received many local awards and served on committees for the Las Vegas Chamber of Commerce, East Las Vegas community, and much more.
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Transcript of interview with Eldon Cooper by Kamal Whilelm, March 3, 1975
Date
Archival Collection
Description
On March 3, 1975, Kamal Wilhelm interviewed Eldon G. Cooper (born 1922 in Overton, Nevada) about his experiences in Southern Nevada. Also present are Cooper’s wife and several unnamed adults in the background. Cooper first talks about his background and his eventual move to Las Vegas before describing the recreational activities in which he and his family took part. He later describes the atomic testing, environmental changes, modes of transportation, social changes, and tourism in Las Vegas. Cooper also discusses the Stewart Ranch, and his wife describes the setting of multiple photographs taken of properties in the Downtown Las Vegas area.
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Transcript of interview with Wayne Earl by Diane Donovan, March 14, 1981
Date
Archival Collection
Description
On March, 14, 1981, collector Diane Donavan interviewed her neighbor, pharmacist Wayne Earl (born June 21, 1926 in St. George, Utah) at the collector’s home in Las Vegas, Nevada. This interview covers Earl’s early recollections of Nevada and his life after moving to Las Vegas in 1940. Earl also talks about World War II, McCarran Airport, Nellis Air Force Base, North Las Vegas politics, Jaycees, and the Chamber of Commerce. Additionally, Earl recalls his involvement in civic affairs, social and religious activities, including his affiliation with the Mormon Church.
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Transcript of interview with Gail S. McQuary by Joanne L. Goodwin, April 14, 1997, May 25, 1997, & May 28, 1997
Date
Archival Collection
Description
Interviewed by Joanne L. Goodwin. Gail Spaulding (Jaros) was born on October 16, 1937, in Cicero, Illinois. a suburb of Chicago. Both of her parents were in show business. Gail began tap and ballet lessons when she was five years old. She signed as a dancer with Moro-Landis Productions in 1956, and she worked for that company at the Sahara Hotel and Casino in Las Vegas, the Riverside Hotel and Casino in Reno, and the Beverly Hills Country Club in Covington, Kentucky. Gail was promoted to line captain and did choreography at the Beverly Hills Country Club. She stopped dancing shortly before her daughter was born and worked as a cocktail waitress at the Riverside Hotel and Casino and at the Mapes Hotel in Reno. In 1964 she moved back to Las Vegas, trained in real estate, became general sales manager and corporate broker for Realty Executives in Las Vegas and later worked as an associate with Dyson and Dyson Real Estate in Indian Wells, California.
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Transcript of interview with Dan Hill by John Bennett, March 1, 1979
Date
Archival Collection
Description
On March 1, 1979, John L. Bennett interviewed Dan Hill (born May 20, 1914 in Illinois) in his home at 2130 Walnut Road, Las Vegas, Nevada, about his memory of Southern Nevada. In addition to the collector and informant, there is an unidentified woman present during the interview. Hill explains that he originally came to Nevada in search of work. He briefly moved to Europe during the First World War where he served in the Army; at the end of the war, Hill returns to Las Vegas to work at the Nevada Test Site. Hill then goes in-depth about his experience as a worker at the Nevada Test Site and different mining sites that he had also worked at. The two briefly discuss the different sheriffs that had been in charge of Las Vegas, and how many people came to Las Vegas to work at the Henderson Magnesium Plant and Hoover Dam in addition to the Nevada Test Site.
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Transcript of interview with Lomie Heard by Stephen Singer, February 9, 1980
Date
Archival Collection
Description
On February 9, 1980, collector Stephen M. Singer interviewed schoolteacher, Lomie Heard (born January 22nd, 1906 in Carlsbad, New Mexico) in her home in Las Vegas, Nevada. This interview covers education over the span of thirty years, and includes an overview on the building of the University of Nevada Las Vegas. Also discussed during this interview: Nellis Air Force Base, jet airplanes at Nellis, military families, and the Nevada Test Site.
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