The Southern Nevada Community Concerts Association (SNCCA) Records (1939-2004) document the activities of the SNCCA and consist of meeting minutes, financial records, correspondence, promotional papers, newspaper clippings, scrapbooks, photographs, and recordings of select concerts on VHS, Betamax, and an optical disc. The SNCCA worked to bring various singers, orchestras, and ballets to the communities of Las Vegas and Southern Nevada.
James Frey was born in Eureka, South Dakota, in 1941. His father worked in creamery and his mother was a registered nurse. When Frey was nine, the family, including his twin sister, relocated in Sioux Falls where his dad was plant manager for a dairy. He joined the YMCA in the fourth grade and ended up working for them until around the age of 22. He attended Augustana College in Sioux Falls, graduating with a major in sociology and a minor in history. After graduation, he worked for three years at the YMCA in Sioux Falls as program director.
The Jamey Stillings Photographs (2009-2024) is primarily comprised of photographs taken by professional photographer, Jamey Stillings, of the Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project, the Ivanpah Solar Electric Generating System project, the Crescent Dunes Solar project, and Tapping the Colorado project. The Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project depict the construction of the Mike O’Callaghan-Pat Tillman Memorial Bridge from 2009 to 2012. The Ivanpah Solar Electric Generating System project depict aerial views of Ivanpah Solar in the Mojave Desert of California from 2010 to 2014. The Crescent Dunes Solar project consists of a range of aerial and ground-based work documenting SolarReserve's Crescent Dunes Solar, a 110MW concentrated solar plant with molten salt storage near Tonopah, Nevada, from 2014 to 2015. The Tapping the Colorado project consists of aerial work documenting the historically critical water levels in Lake Mead and Lake Powell in 2021 and 2022.
Interview with Irving Kirshbaum by Cheryl Rogers on February 23, 1979. In this interview, Kirshbaum discusses the Riviera Hotel where he began working in 1955. He also talks about the landscape of the Las Vegas Strip in the 1950s, and the state of gambling, comps, customer service, and dealer training. The interviewer asks about the treatment of minorities at the Riviera, and in Las Vegas generally, and the effect of corporate ownership on casinos.