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Harrah’s Entertainment Corporate Archives

Identifier

MS-00460

Abstract

The Harrah’s Entertainment Corporate Archives (dating from 1811 to 2004 with the bulk of the materials dating from 1940 to 2000) contain the promotional and corporate files of Harrah’s Entertainment Inc. and its predecessors, as well as Bill Harrah’s personal papers and card game collection. The materials were compiled and developed as a corporate archive by Harrah's Entertainment, Inc.’s Corporate Communications Department. The collection is primarily comprised of casino and employee periodicals, reports, manuals, promotional files, ephemera, and newspaper articles that document Bill Harrah’s casinos in Reno, Nevada and Lake Tahoe as well as Harrah’s Inc., Holiday Inns, Inc., Holiday Corporation, the Promus Companies, and Harrah’s Entertainment, Inc. Also included are photographs that document the construction of Harrah’s properties, business operations, the people who worked and performed at Harrah’s properties, and Bill Harrah’s automobile collection. The collection also contains Bill Harrah’s collection of playing cards and card games. Also included are photographs of the Harrah family.

Archival Collection

Herman Jimerson, Ruth Jimerson-Carter, and Leon Carter Jr. oral history interview: transcript

Date

2021-03-03

Description

Herman Jimerson and his younger sister Ruth Jimerson-Carter, along with her husband Leon Carter Jr., gathered on March 3, 2021, to talk about their memories and experiences growing up in West Las Vegas—the Westside.

OH-03746 contains additional interviews with the Carter family that are not transcribed in this document. Contact special.collections@unlv.edu for more information.

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Transcript of interview with Ralph Vandersnick by Dennis McBride, October 18, 1997

Date

1997-10-18

Description

Ralph Vandersnick was interviewed on October 18, 1997. Ralph owns Snick's Place, the longest-operating gay bar in Las Vegas and whether he'd agree or not, he's one of the most respected members of the Las Vegas gay community.

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Joy Rineer oral history interview: transcript

Date

2017-12-07

Archival Collection

Description

Oral history interview with Joy Rineer conducted by Claytee D. White on December 07, 2017 for the Remembering 1 October Oral History Project. In this interview, Rineer discusses her upbringing in Las Vegas, Nevada. She describes her career as an architect, designing the Resilience Center for those affected by the 1 October shooting, and the city’s response to the shooting. Later, Rineer describes helping the grief-stricken city through architecture, establishing the Leadership Las Vegas program, and organizing blood drives. Lastly, Rineer discusses the changes in Las Vegas after the tragedy.

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Photographs of Mermaids Casino signs, Las Vegas (Nev.), June 24, 2016

Date

2016-06-24
2016-09-09

Description

The now permanently closed Mermaids Casino sits at 32 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet.
Site address: 32 Fremont St
Sign owner: Derek and Greg Stevens
Sign details: Shutdown in 2016, opened briefly June 28th, 2017 for 8 hours to abide by gambling license law, was torn down shortly after. 2.76 acre lot, originally built in 1949.
Sign condition: Signage was removed from building during deconstruction
Sign form: Decorated shed
Sign-specific description: Covering all the sides of the Mermaids facing Fremont street, gives the feel of New Orleans during Mardi Gras with its bright vibrant colors, drums, maracas, and other items. Skeleton neon was used to accentuate features of the sign like details in the drums, outlining the word "Mermaids", and a good portion of the sign was internally lit as well. Giant TV screen hung in the middle at the corner of the building, giant Sun shaped pinata thing above the TV screen adding more to the theme.
Sign - type of display: Neon, LED screen
Sign - media: Steel and fiberglass
Sign - non-neon treatments: LED screen
Sign animation: Animated with an LED TV screen and some neon would flash on and off
Sign environment: Downtown on Fremont Street, part of the Experience. Surrounded by other casinos and gift stores.
Sign - date of installation: c. 1999
Sign - date of redesign/move: Torn down Summer 2017
Sign - thematic influences: Southern party themed, Mardi Gras.
Sign - artistic significance: American South and Mardi Gras.
Survey - research locations: Vital Vegas, Assessor's website
Surveyor: Danny Jacobs
Survey - date completed: 2017-09-09
Sign keywords: Neon; Steel; Fiberglass; Flashing; Video screen; Sculptural

Mixed Content

Transcript of interview with Kay C. Dwyer by Claytee D. White, August 16, 2000

Date

2000-08-16

Archival Collection

Description

Kay Dwyer was born August 30, 1934 to James and Eileen Crawford. Her father attained a job as an accountant with Basic Magnesium Incorporated in 1942. This meant that the family moved to Henderson, Nevada, which was a brand new community back in the early 1940's. The BMI plant, which manufactured magnesium for bombs and other war materials, is discussed throughout the interview. The interview begins with Kay reading a composition that she wrote entitled, "Our Summer of 1942 and More." In the reading she talks about the early years of her life when she first moved to southern Nevada. Kay gives remarkable details about the towns of Basic and Henderson (Basic became the town of Henderson) were like during this historic period. In 1952, she graduated from Basic High School and then moved to Los Angeles to attend Pepperdine University for two years. She moved back to the Las Vegas area and started a family with Stanly Hardy with whom she had three children. Sadly, at age 31 Stanly passed away from pancreatic cancer. After a break, Kay decided to go back to school and graduated from Nevada Southern University (now UNLV). Upon graduation, she immediately began teaching at Clark High School. In 1968, Kay married George Dwyer after being a widow for five years. Later, she taught at Las Vegas High School where she would go on to spend the next 25 years until 1995. This interview is an excellent resource for quality information pertaining to the early years of Southern Nevada. Kay Dwyer's extraordinary experiences provide us with a special look at the history of Las Vegas.

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Elizabeth von Till and Claude N. Warren Professional Papers

Identifier

MS-00906

Abstract

The Elizabeth von Till and Claude N. Warren Professional Papers (1916-2021) are comprised of the personal and professional papers of anthropologist Claude N. Warren and historical preservationist Elizabth von Till Warren. The materials in this collection primarily consist of research files, maps, and drawings on various archaeological and historical preservation projects in southern Nevada of which they both were involved. This collection includes field notes and surveys from archaeological projects such as the Old Las Vegas Mormon Fort and the Las Vegas Springs Preserve. Records on von Till Warren's involvement with the Old Spanish Trail Association, Southern Nevada Historical Society, and historic preservation work around southern Nevada are represented. Also included are Robert H. Crabtree's archaeological research files, a colleague of Claude Warren who bequeathed his professional files to him upon his death.

Archival Collection

4 Mile Bar Neon Survey document, September 8, 2017

Date

2017-09-08

Description

Information about the 4 Mile Bar sign that sits at 3650 Boulder Hwy.
Site name: 4 Mile Bar (Las Vegas, Nev.)
Site address: 3650 Boulder Hwy
Sign owner: Bob and Bill Joslin
Sign details: This is one of the most historic bars in Las Vegas. The original site of the bar was actually where one of the oldest communities in town began called Formyle. The community was there long before The Boulder Highway or US Highway 95. The area where the bar currently resides was called Four Mile Spring because it was "four miles from the center of town" and for the natural spring that was there. This part of town, for much of its history, was outside of Las Vegas city limits and outside of the laws for the rest of the city as well. This site was originally a brothel when it opened in the 1950s. In 1954, the property was raided by the FBI and then ended up turning into a bar. It is "one of the Valley's last true-blue roadhouses" and it is named because it sits four miles away from the Downtown area. They are also known for their very popular karaoke nights.
Sign condition: 4, the roadside sign is in good condition, but the sign that is attached to the building has some light bulbs that have been burned out on it.
Sign form: Roadside sign is a pole sign with a message center and there is an architectural sign attached to the facade of the building.
Sign-specific description: The road side portion of the signage for the 4 Mile Bar is fairly simple. The top of the sign features a plastic, backlit square that has a large red "4" and "MILE" in bold white text in the middle of the number. Underneath this is "BAR" in a bold red text against a white background. About a foot or two underneath this sign is a large plastic, backlit reader board. The main support for the sign is a white rectangular structure with two red stripes running down the center of it with a few inches of space between the lines. The architectural sign that is on the facade of the building is uncomplicated as well. The shape of it fits the top portion of the building and looks like a stretched out rectangle. All of the edges are lined by incandescent light bulbs. In the middle of the sign in open channel letters are the words "4 MILE BAR" that are filled with white glowing neon tubes.
Sign - type of display: Incandescent, neon and backlit plastic portion
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic
Sign environment: This bar sits at the cusp where Fremont Street transitions to Boulder Highway. Many of the immediate properties that sit near this bar are motels and mobile home communities. This is also just down the road from Boulder Station Hotel and Casino as well as the Winchester Cultural Center.
Sign - thematic influences: The roadside sign is very straightforward since it just displays the name of the bar, but there could have been a stylistic choice to use the actual number "4" instead of the word "four."
Sign - artistic significance: The most notable feature about this sign is the number "4" instead of the word "four" that is used, possibly for stylistic reasons.
Survey - research locations: Accessor's Page http://www.clarkcountynv.gov/assessor/Pages/searchbybusinessname.aspx, Review Journal articles https://storify.com/ReviewJournal/7-of-the-most-historic-bars-in-las-vegas and https://www.reviewjournal.com/uncategorized/over-a-century-four-mile-has-gone-from-trailside-oasis-to-brothel-to-bar/ , Vegas Seven article http://vegasseven.com/2013/06/12/las-vegas-bar-hall-fame/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-08
Sign keywords: Architectural; Incandescent; Neon; Backlit; Plastic; Steel; Pole sign; Roadside

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Correspondence, Levi Syphus to Sadie George

Date

1917-05-05

Archival Collection

Description

This folder is from the "Correspondence" file of the Sadie and Hampton George Papers (MS-00434)

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