The Don Ashbaugh Papers (1950-1960) document Las Vegas history, Nevada history, and ghost towns. The collection is comprised of the working manuscript of Don Ashbaugh's book, Nevada's Turbulent Yesterday: A Study in Ghost Towns. The collection also contains typescript drafts, newspaper clippings, and a geographical index of Nevada ghost towns.
Dr. Donald Baepler was born in Edmonton, Alberta, Canada in July of 1932. The family moved to Springfield, Illinois in 1936, where his father was president of Concordia Seminary. Donald decided at the age of seven that he wanted to pursue a Ph.D. in ornithology, not an unusual goal in his family. By the time he graduated high school, he knew that he wanted to attend Carlton College in Minnesota to study under Olin Sewall Pettingill. He followed world-famous ornithologist and artist George Sutton to Michigan and then to Oklahoma to complete his doctorate. In 1960, having completed his doctorate, Donald met with a recruiter from Las Vegas. It seemed like an intriguing place, so he took the interview and was offered a job on the spot. Instead, he took a job as professor of biology at Central Washington University, and within four years was vice president for administration and business. He had also been appointed to an accrediting team by the Northwest Association to accredit colleges in the western states, including Nevada Southern University in Las Vegas, and saw the growing town and university for the first time in 1965. Two years later, he was invited to take the job of Academic Vice President at SNU, which he accepted, and he and his family made the move to Las Vegas in 1968. Upon arriving in Las Vegas, Donald discovered that he had been named acting president because of Donald Moyer's abrupt resignation. He simply decided to do both jobs. He was successful in changing the name of the school to University of Nevada Las Vegas so that it would not be confused with a teacher's college. This was wholeheartedly accepted by the regents. Once Roman Zom was appointed president in 1969, Donald went back to the vice president position. In 1973, Dr. Baepler was appointed president of UNLV. He held that position for live years and then turned in his resignation. His intent was to teach, focus on a Museum of Natural History, and start a research center. Instead, he was offered the chancellorship of the university system, and he decided to accept the job By 1981, Donald was ready to return to teaching and research, so he resigned as chancellor and came back full-time as museum director and professor of biology. He built up a high-hazard chemistry lab and got the grant monies to sustain it. Dr. Baepler was also influential in adding the Harry Reid Center to the museum. Today Dr. Baepler is still involved with the bird program and gives advice to graduate students, but he no longer teaches. He stays occupied with a private consulting business.
Oral history interview with Cindy Baca conducted by Barbara Tabach on May 22, 2019 for the Remembering 1 October Oral History Project. Cindy Baca, born and raised in Las Vegas, talks about her family and occupation as a librarian at Escobedo Middle School. Cindy's twin daughters were present and injured during the Route 91 Festival and October 1 shooting. She describes their experiences and the Random Acts of Kindness project she piloted at her school after the incident.
The now permanently closed Mermaids Casino sits at 32 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet. Site address: 32 Fremont St Sign owner: Derek and Greg Stevens Sign details: Shutdown in 2016, opened briefly June 28th, 2017 for 8 hours to abide by gambling license law, was torn down shortly after. 2.76 acre lot, originally built in 1949. Sign condition: Signage was removed from building during deconstruction Sign form: Decorated shed Sign-specific description: Covering all the sides of the Mermaids facing Fremont street, gives the feel of New Orleans during Mardi Gras with its bright vibrant colors, drums, maracas, and other items. Skeleton neon was used to accentuate features of the sign like details in the drums, outlining the word "Mermaids", and a good portion of the sign was internally lit as well. Giant TV screen hung in the middle at the corner of the building, giant Sun shaped pinata thing above the TV screen adding more to the theme. Sign - type of display: Neon, LED screen Sign - media: Steel and fiberglass Sign - non-neon treatments: LED screen Sign animation: Animated with an LED TV screen and some neon would flash on and off Sign environment: Downtown on Fremont Street, part of the Experience. Surrounded by other casinos and gift stores. Sign - date of installation: c. 1999 Sign - date of redesign/move: Torn down Summer 2017 Sign - thematic influences: Southern party themed, Mardi Gras. Sign - artistic significance: American South and Mardi Gras. Survey - research locations: Vital Vegas, Assessor's website Surveyor: Danny Jacobs Survey - date completed: 2017-09-09 Sign keywords: Neon; Steel; Fiberglass; Flashing; Video screen; Sculptural
Oral history interview with Anita Tijerina Revilla conducted by Marcela Rodriguez-Campo on October 09, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Revilla discusses her early life in San Antonio, Texas. She talks about her decision to make education a priority, figuring out the college application process on her own, and her initial interest in social justice. Revilla talks about how her critical consciousness was developed, and her pedagogical approach to teaching. Revilla describes her role in the 2006 May Day march, advocating advocating for the queer community, and disrupting oppressive systems to increase educational access for students. Lastly, Revilla discusses ethnic studies and the history of inequality in the United States.
I've known Christie Young for many years and was grateful she agreed to be interviewed for the Las Vegas Gay Archives Oral History Project. Not only is she frank in what she says, but her background as a researcher in sexual issues and as a straight woman involved in the gay community give her a unique perspective. Ancillary to her donation of this interview transcript to the University of Nevada, Las Vegas, Christie has generously donated her personal journals which detail more than a decade of her life including the years she worked with Las Vegas's gay community . Christie shares the project's concern that documentation of the gay community is ephemeral and vanishes rapidly; her determination that her contribution to that community be preserved greatly enriches our knowledge and will benefit future scholars.
Oral history interview with Lindsay Wenger conducted by Barbara Tabach on March 13, 2018 for the Remembering 1 October Oral History Project. In this interview, Lindsay Wenger discusses her move to Las Vegas, Nevada in 2013 for her residency at the University Medical Center of Southern Nevada (UMC). She talks about her experience on the night of the October 1, 2017 mass shooting and recalls a few specific patients she treated throughout the night and into the morning. After discussing the events at the hospital, she explains how she has been emotionally affected and how her view of Las Vegas as a community has changed.
The Story of Classic Las Vegas Oral History Interviews (approximately 1950-2006) is comprised of raw and edited video recordings of oral history interviews used for The Story of Classic Las Vegas documentary which was produced, directed, and edited by Lynn Zook. The documentary offers first person historical overviews of what it was like to live in Las Vegas, Nevada from the 1920s to the 1970s. Individuals interviewed include a wide range of community members of the Las Vegas Valley including business owners, educators, entertainers, politicians, gaming professionals, casino workers, and activists. Materials also include a media kit with promotional materials and interview transcript for one of the interviewees, Betty Willis.