The Felicia F. Campbell Collection on the Governor’s Commission on Status of People Records (1970-1977) is comprised primarily of meeting minutes, agendas, reports, and memorandums from the Nevada Commission. The collection also contains women’s rights commission handbooks from various states and correspondence and newspaper clippings pertaining to Campbell's professional life.
The Mildred J. Heyer Photograph Collection consists of four black-and-white photographic prints and negatives from approximately 1905 to 1940. The photographs depict early Las Vegas, Nevada street scenes, an irrigation pump, and Liberty’s Last Stand, a prominent saloon in Nevada during Prohibition.
The George Mortimer Photograph Album of Searchlight, Nevada dates between approximately 1900 and 1910, and contains black-and-white photographic prints illustrating various scenes and individuals in Searchlight, Nevada. Some images are captioned with initials or brief names.
The Florence DeVinney Krolak Photograph Collection (approximately 1930-1979) contains photographic prints of the Casino Monte Carlo in Monaco, the Boulder (Hoover) Dam with local dignitaries, and Harley E. Harmon and Frank DeVinney (Clark County Assessor). The collection also contains one publicity photograph of Neil Diamond and some images have corresponding negatives. Frank DeVinney was an assessor for Clark County, Nevada.
Oral history interview with Rabbi Sanford Akselrad conducted by Barbara Tabach on March 7, 2018 for the Remembering 1 October Oral History Project. In this interview, Rabbi Sanford Akselrad discusses the response of the Jewish community of Congregation Ner Tamid to the October 2017 mass shooting in Las Vegas, Nevada. He discusses the healing service he led the day after the shooting, how the community paid respect to the victims, and the concert held to raise money. In addition to the actions of the Jewish community, Rabbi Akselrad discusses the congregation's work with the interfaith community to heal from this tragedy.
Oral history interview with Stephen Round conducted by Claytee D. White on October 25, 2017 for the Remembering 1 October Oral History Project. In this interview, Stephen A. Round, a career military contractor, describes his experiences during the 2017 mass shooting in Las Vegas, Nevada. Round mentions moving to Las Vegas in 2013 and in later years staying at the Aria on the evening of October 1. He describes the chaos of the shooting and the 12-hour-plus lockdown at the Aria hotel and casino. The day after the shooting, Round built a memorial around the shooting site and protected it. Once the memorabilia of that first site was taken to the Clark County Museum, he moved to protect the second memorial at the "Welcome to Las Vegas" sign where crosses devoted to the victims had been placed. Along with his preservation of the memorials, Round describes his preparation of a book that was signed by many who visited the sites. Round explains that he was able to see some of the best and worst of humanity during those days of watching and caring for the memorial sites as well as helping any victims, families of the victims, and sympathizers of the Las Vegas 2017 shooting.
From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.
Dancer Charles Nur Fernald first came to Las Vegas in 1963 to perform for five weeks in the Kay Starr Show at the Sahara Hotel and again in 1964 working with Donn Arden for three months at the Desert Inn Hotel. Born in Detroit, Michigan, in 1939, Charles moved several times to various places in Arizona and southern California with his parents, Charles Knox Fernald and Marguerite Marie Higgins Fernald, and half-siblings before settling in Hollywood, California, where he remained (except for his short stints in Las Vegas) from 1961 to 1967. In January 1968 Charles came to Las Vegas to perform with Sid Caesar and Imogene Coca at the Flamingo Hotel. After the show closed Charles auditioned for Donn Arden to dance in the Lido de Paris show at the Stardust Hotel, where he remained for sixteen years, 1968 through 1984. He remains the only male dancer who performed with Lido through five different, consecutive productions. In 1969 Charles met his partner, Aquiles Garcia, who was a dancer at the Dunes Hotel. The couple remain in Las Vegas and have been together forty-five years. Charles’s father was very poor and left school after the third grade to go to work and help support his family. He was born in 1889 in Philadelphia, Pennsylvania, the fifth of eleven children. As an eight-year-old he became a “groundhog,” a digger of New York’s underwater tunnels, who helped build the Holland Tunnel. At fifteen he made more money than his father selling newspapers, fresh fruit, and clothing door to door or from the street corner. According to Charles, his father “drank too much, ate too much, smoked too much, and loved too much.” As an only child, Charles’s mother had a very different upbringing from his father, although her family too was very poor. She was born in Detroit in 1902 to a railroad switchman father and mother who not only scrubbed the floors of wealthy Detroiters but also cooked meals for twenty-one boarders at a rooming house. Marguerite’s parents worked hard so they could send their only child to Catholic school and the Detroit Conservatory of Music.