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Erma Cunningham Collection on the Eldorado School District, Nelson, Nevada

Identifier

MS-00156

Abstract

The Erma Cunningham Collection on the Eldorado School District, Nelson, Nevada is comprised of materials related to the elementary school that was located in Nelson, Clark County, Nevada from 1941 through 1952. It includes attendance records, student grades, and assorted materials related to education.

Archival Collection

University of Nevada, Las Vegas Institute for Security Studies Training Video on Terrorism

Identifier

UA-00026

Abstract

University of Nevada, Las Vegas Institute for Security Studies Training Video on Terrorism includes copies of the institute's training video for resort employees called "7 Signs of Terrorism" that was produced in 2008. The collection includes English language and Spanish language versions of the video.

Archival Collection

Mayra Salinas-Menjivar oral history interview: transcript

Date

2019-09-20

Description

Oral history interview with Mayra Salinas-Menjivar conducted by Nathalie Martinez, Elsa Lopez, and Barbara Tabach on September 20, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Mayra Salinas-Menjivar is a lawyer in Southern Nevada and a graduate of William S. Boyd School of Law. She grew up in Las Vegas but describes her early years living with her maternal grandparents in El Salvador. She describes some of the aftermath she experienced regarding the Civil War in El Salvador, and recounts some testimony told to her by her mother about that particular time period. She details the differences in immigrating in the 1990s and speaks about being an undocumented student. While pursuing a business degree at UNLV she found herself working at a law firm which is where she first decided to pursue law as a career after graduation. She talks about her experiences during law school and her time helping with the law school's immigration clinic. Subjects discussed include: Salvadorian Civil War, Immigration Law, Education, DACA, William S. Boyd Law School.

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Epilogue: UNLV Yearbook, 1978

Date

1978

Description

Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas

Mixed Content

Photographs of O'Shea's signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the O'Sheas Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3555 S Las Vegas Blvd
Sign owner: Park Place Entertainment
Sign details: O'Shea's Casino is located just north across a small driveway from the Flamingo. The small but busy facade is a small, yet busy stop along the Las Vegas Strip. The exterior signage consists of two corner signs, a blade sign, hanging off of the west face of the building, a main entrance sign, backlit screens as well as various images laden with neon. All of these create a flashing display of luminescence all just above the pedestrian's head.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: O'Shea's Casino is located just north across a small driveway from the Flamingo. O'Shea's theme and signage is influenced by Irish culture and imagery, integrated into the forms of signage along the Las Vegas Strip. The building design itself is influenced by traditional European housing imagery, generalized with other elements of architecture also. One example of this is the coloring, exposed wooden beams and narrow rooflines over treated windows, which suggest styles seen in classic European architectural imagery. Examples of other elements such as sculpted windowsills and exterior molding are more akin to neoclassical than the Irish pub or cottage. A small blade sign hangs in the center of the structure facing north /south. Attached off of the building by two poles, the double sided cabinet is designed with a circular portion at the top that transforms along it's bottom edge into length portion of the "blade" that continues down to a rounded bottom. The Circular portion serves as the "O" in O'Shea's. The exterior of the signs width is finished in a polished gold aluminum surface. The top portion continues into a full circular space in the front where the backlit image of the O'Shea's leprechaun mascot resides in it's center. The image has a circular green neon border at the edge of the cabinet and is set into a field of incandescent bulbs, which occupy the remaining space in the face of the "O". Incandescent bulbs also run around the edge of a face on a gold raceway. Channel letters run vertically down the face of the blade spelling the remaining "Sea's" of the title. Each letter is filled with incandescent bulbs, and bordered on it's exterior in green neon. The remainder of the space, which comprises the surface of the sign, is a green material. The entire edge of the rest of the sign is also bordered with incandescent bulbs. Below the blade sign, the main entrance for the establishment is denoted by the large, arched, marquee logo, and wall sign for the casino. The arch shape is bordered by gold polished raceways, with the interior space where the O'Shea's logo is written in a bowed, horizontal arrangement with the "O" and "S" being the biggest letters in this group. The same back-lit leprechaun figure which is present in the blade sign, in seen in the "O" of the logo. The letters are of channel design and filled with incandescent bulbs. Gold scrollwork adorns the green background above and on the sides of the logo. An entablature, running the length below the arch, reads "casino" in channel letters filled with incandescent bulbs and bordered with green neon. The orange background in contained on the bottom edge with a gold polished raceway, which sharply curves into a downward point at the very center. All the raceway edges of the sign are lined with incandescent bulbs. Flanking the wall on either side of the main entrance are two backlit message centers with vinyl lettering. They also are bordered with incandescent bulbs, strewn upon polished raceways. To the south toward the Flamingo Casino, a corner marquee sign faces toward the southwest. The message center on the right of the main entrance essentially continues its shape wrapping in radius fashion all the way around the corner. As the entablature wraps the corner, the color changes to a section of black, containing the channel letters hung at a slight angle, spelling the words " Hall of Fame," in cursive text. Small stars in channel design adorn the black background. On the left of the text, O'Shea's is painted in red paint, in a cursive script at a similar angle as the premier text. Neon is shaped over the surface of the letters to allow it to be spelled in light. The word "Casino" is spelled on the right hand side, and treated in the same fashion. A top the black portion of pediment, the sign continues with it's corner finishing, rounded marquee, containing the text, "Magic & Movie," in a three lined arrangement. Putting the two signs together the appropriate title for the advertisement of the attraction is read "Magic and Movie Hall of Fame." The channel letters on the top portion are filled with neon and treated white on the interiors. The edge of the cabinet is treated with white bull nose borders, sandwiching a field of pink holding two tubes of contoured neon. At the peak of the sign a small element reminiscent of a fan, created using a multi layered box, uses different levels receding into space, with the center blade at the front of the sign. The sections are lined with gold raceways and incandescent bulbs, with the center blade being horizontally striped with tubes of neon. Two small gold finished gargoyle statues flank either side of the theatre-esque entrance. Underneath the overhang created by the corner sign, polished aluminum element creates a sloping drum shape above the door. This drum is divided into sections by gold polished raceways. The flat portion, which returns to the ceiling of the overhang is adorned with painted images of clovers, encircled in rings of green neon. This section is reminiscent of the top section of the corner drum of the Barbary Coast. The black pediment along the south portion of the building., abruptly changes to the orange color seen on the main entrance. Along the south wall section of the pediment green pan channels in the shape of clovers hang, lined on the interior with neon. A small sign denoting parking is also present. Another corner entrance is located on the north end of the property, facing northwest. It too has the rounded corner entrance and logo sign. Slightly different than the main entrance, the same "Casino text and structure is seen on the orange pediment above the door, as well as the channel logo with the mascot located in the letter "O." A three-sectioned panel with swooping wings and an arched center creates the field for the main logo. A more busy section of two dimensional scrollwork sits below the neon filled text. The wings of the top section a recessed panels with checkerboard design behind that. Each side of the entire top section is book ended with two small square posts. Three small miniature spires line the very top, and the same inverted drum shape sits underneath the door. Street posts reside on the sidewalk outside.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Chasing, flashing, oscillating
Notes: All of the bulbs, which reside in the fascia signs which designate entrances, oscillate rapidly. The entrance sign a bit closer to the north end of the property also contain the pan channel star shapes, with incandescent bulbs in the center. The bulbs which, reside on the widths edge of the small pole sign at the south end of the property, oscillate giving a twinkling effect. The main pylon's animation is rather simple considering the amount of lighting. Bulbs which create the dazzling background chase each other upward to the very point, then once they reach the top, each letter light up from left to right, one at a time, then off one letter at a time. The letters all turn on simultaneously while, while the background chases up, leaving the lights off in its trail. The text then shuts off as well. The small incandescent bulbs lacing the background of the main body of the sign oscillate subtly, twinkling themselves. Each letter of the text contains a single row of incandescent bulbs, just inside the border of the red neon. This row is always on in a chasing animation from left to right even when the letters are dark. The animation for the three sided, pole sign, at the north end of the property is adorned with sparkling animation as well. The purple bulbs, which create the border of the main base, chase each other from bottom to top, and the star shape in the center is filled with oscillating incandescent bulbs. The bulbs, which also encrust the bottom surface of the cabinet, oscillate as well. The incandescent bulbs, which adorn the background of the text portion of the sign, also sparkle with a soft random oscillating pattern. The stars which sit on top of the cabinet, animate in a random, non descriptive fashion. The inner star shaped pans oscillate with incandescent bulbs, and the neon borders flash on then off, in a clumsy random order. The three-sided sign also rotates, one of the few animatronic signs on the Strip.
Sign environment: Being essentially part of the Flamingo, O'Shea's is only separated by a small drive, producing the easy traffic flow from the north entrance of the former. The north of O'Shea's on the immediate vertical explosion of the front tower/porte cochere of the Imperial Palace. It is easy to say that O'Shea's is sandwiched in between two giants, assuming its place as the charming gap between the Flamingo and the Imperial Palace which is quite a bit more pedestrian friendly. Traveling north on the east side of the strip, O'Shea's is not hard to miss at all
Sign - date of installation: Original date of installation 1989. The southwest, and northwest corner signage were added at a later date
Sign - thematic influences: O'Shea's centers around the theme of the Irish pub, utilizing various imagery to get support the design. The color green is used extensively in the main signs color scheme while the ever-popular image of the folkloric leprechaun illuminated it a cartoon form upon the pylon. The green pan channels, which are shaped like shamrocks, are place along the exterior wall, an obvious reference to the St. Patrick's Day Holiday as well a reference to good luck. ( example: the four-leaf clover, luck of the Irish.) Luck is something synonymously associated with an industry such as gaming. Gold is also used extensively with the exterior referencing the infamous pot of gold associated with the lore of leprechauns. The actual structure itself is constructed with elements which suggest a European rustic cottage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Plastic

Mixed Content

Transcript of interview with Beth Molasky by David Shwartz, June 2, 2014

Date

2014-06-02

Description

In this interview, Molasky discusses her parents, Irwin and Susan Molasky, and growing up in Las Vegas as a member of Temple Beth Sholom. She attended Sunday school and Hebrew school, but is not particularly religious as an adult.

Beth Molasky-Cornell is a partner, shareholder, and an active member of the board of directors of the Molasky Group of Companies, which was founded by her father Irwin Molasky. She is a founding partner and a core member of the board of directors of Ocean Pacific Companies, a high-end real estate development firm founded by her husband Ken Cornell in San Diego, California. Molasky-Cornell contributed to numerous Molasky Group building projects, including the Bank of America Plazas, the Winterwood Corporation land development, and the Park Towers luxury condominiums. Molasky was born in Florida; however, her family moved to Las Vegas before her second birthday. She graduated from Valley High School in 1968, and started college at the University of Southern California at the age of seventeen. After spending a couple of years in Rhode Island, where she had her children, she moved back to Las Vegas in 1975. In this interview, Molasky discusses her childhood experiences in Las Vegas, especially as a member of the Jewish community, and reflects upon changes that influenced her children?s upbringing in the city.

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C. A. Earle Rinker Papers

Identifier

MS-00514

Abstract

The C. A. Earle Rinker Papers (1880-1960) contain materials that document the history of early twentieth century Goldfield, located in central Nevada, as well as the life of Rinker. Materials in the collection include correspondence, mining prospectuses, maps, ledgers, souvenirs, photographic negatives, and ephemera that document mining and daily life. Also included is biographical material that tells the story of Earle Rinker and his family before 1906 and after 1909, documenting his life in Indiana and Illinois.

Archival Collection

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter scrapbook: "50 years of golden service"

Date

2015

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014).

Mixed Content

Cynthia Mun oral history interview: transcript

Date

2021-03-31

Description

Oral history interview with Cynthia Mun conducted by Vanessa Concepcion and Stefani Evans on March 31, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Cynthia Mun discusses her upbringing near Seoul, South Korea and her family's immigration to Los Angeles in 1974. She talks about her parents' employment as a seamstress and a janitor, as well as the educational mentors she encountered who helped her to succeed at Westridge School for Girls in Pasadena and later at Yale University. Mun shares her corporate employment history, including helping to launch the Pandora streaming service and creating an accessible platform for E-book use before the creation of Amazon Kindle. Mun talks about her career working at MGM International and how this opened the door for her mother to become an MGM employee and access better working conditions with union employment.

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