The Ernest Mitchell Pratt Photographs (approximately 1932-1936) consist of black-and-white photographic prints, signed and unsigned, taken by Pratt while Hoover Dam was under construction. Many prints are signed and mounted, and two are noted as award-winning photographs shown at the Annual International Salon of Camera Pictorialists in Los Angeles, California. There are additional working prints included alongside the final prints for most of the scenes. Also included in the collection is one small photograph of Pratt. This collection was formerly known as the Price Photograph Collection.
The Paul May Photograph Collection (1969) consists of black-and-white and color photographic prints. The images primarily depict Nevada Assemblyman Paul May alongside Nevadan senators and congressmen, including Senator Paul Laxalt. Other images are portraits of May.
The Clarence Ray Photograph Collection (approximately 1930-1960) consists of black-and-white photographic prints and negatives of Clarence Ray, casino scenes of people playing table games, and images of Ray with black activists in Las Vegas, Nevada.
Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
The UNLV Libraries Collection of Lady Luck Gaming Corporation Promotional Materials and Reports includes annual reports, financial reports, press kits, press releases, and promotional materials for the Lady Luck Gaming Corporation in Nevada, Colorado, Iowa, Mississippi, and Missouri, dating from 1993-1995.
The Russ Freeman Television Music Manuscripts contains music manuscripts and production materials from Russ Freeman's work on various television specials, dating from 1969 to 1977. The collection includes music scores for television soundtracks including Feliciano! Very Special which aired on the television network NBC and Shirley MacLaine Show which aired on CBS. Russ Freeman is featured in this collection as composer and arranger for many of the soundtracks and was featured as a pianist on soundtracks for The Clifton Davis Special, Flip Wilson Specials, and The Don Rickles Show. Freeman's compositions and arrangements for the television shows were recorded in Las Vegas, Nevada.
The Lee Plotkin papers document Plotkin's political work and associations as an LGBT activist and spokesman for the Las Vegas gay community, and include correspondence, press releases, copies of his columns, institutional and legislative documents, brochures, fliers and other ephemera from 1955 to 2006.