In 1948 in Las Vegas, Nevada, a camera-girl-turned-cocktail-waitress and a casino credit manager welcomed the birth of their son, Darrin Bush. After attaining his education at St. Joseph’s Catholic School and Bishop Gorman High School, Bush earned his Bachelor’s degree in journalism at the University of Nevada, Reno. Bush credits his love for photography to his mother’s influence and his study of journalism. Bush’s first job after college as a room service waiter at the Sahara Hotel eventually grew into the coveted position of room service swing captain. His swing shift duties included the entertainers' dressing rooms, which meant taking care of the entertainers, getting them what they needed, and stocking their favorite foods and drinks nightly. Through his work, Bush eventually formed close friendships with several celebrities of the day. He enjoyed his work, but he never stopped honing his skills as an amateur photographer. In the mid-1980s, Bush left the Strip to become a professional photographer for the Las Vegas News Bureau. Throughout his News Bureau career, Bush photographed the casino buildings made famous by Las Vegas-the construction and the architecture of Southern Nevada’s gaming palaces-as well as iconic events in Las Vegas history. Darrin retired from the News Bureau in about 2014, but his work recording the building of and events of Las Vegas lives on in the News Bureau archives. He continues to be an avid photographer.

Throughout his career, former Clark County School District Superintendent (1989–2000) Brian Cram took his father's words to heart. He heard them repeatedly over the years as he watched and later, helped, his father clean classrooms at Robert E. Lake Elementary School: this place—the classroom—this is the most important place. Cram was born in Caliente, where his father worked on the railroad. In 1939, when Cram was a toddler, the family moved to Las Vegas and his father found work first as a sanitation engineer at a hospital, and then at CCSD as a custodian. The elder Cram, who spent his formative years in the Great Depression, prided himself on doing "good, honorable work" as a custodian, because the work—the classroom—mattered. Even so, he wanted more for his son. Cram largely ignored his father's advice during his four years at Las Vegas High School, where he ran with The Trimmers car club, wore a duck tail and a leather jacket, and copped an attitude. Cram's swagger, though, d

It was 1964 when Jack Simon met Marcy Stiel at a mutual friend’s wedding. Smitten from the beginning, the couple married shortly thereafter. Thus began their loving partnership that has flourished in business, community involvement, and most importantly in raising their two sons, Ron and Steven. The Simon’s can be a modest power couple. However, they are clearly capable of making things happen. When they first married, Jack was a California electrical contractor and homebuilder and Marcy became his business administrator. The Simons through their Electrical Company, Expo-Tech Electrical & Plumbing Services, Inc. won the contract to provide all of the electrical services for the entire 1984 Los Angeles Olympics, encompassing (26) twenty six venues located in California spanning from San Diego to Stanford University. The trajectory of the business was extraordinary, establishing twelve offices nationwide to provide temporary electrical and plumbing services for conventions and special events. Expo-Tech was eventually bought by industry giant GES. Their success was due in large part to Jack’s technical knowledge and Marcy’s administrative and marketing skills. With entrepreneurial zest, and over the period of eleven years, the couple found their way into the ownership of four local casinos in Elko and Wendover Nevada. Marcy was one of the first women in Nevada to hold multiple gaming licenses. In total, she held four Unrestricted Gaming Licenses. The Simons hosted Passover Seders for the Elko Jewish Community during their ownership of the casinos. In 2004, Marcy and Jack sold the four casino operations. Since moving to Nevada in 1994, the couple has made a warm and lasting impression, being generous in their focus for the well-being of the Jewish community. They are among those that actively paved the way for SB26, which outlaws government bodies from conducting business with companies that boycott Israel. They continue to be tireless advocates and philanthropists in Jewish organizations of Las Vegas and Nevada.

Interviewed by Monserrath Hernández. A native Las Vegan, Justin Favela reminisces about growing up on the east side of the Las Vegas Valley. Favela provides insights about what he refers to as the caste system he is part of, how skin color makes a difference in social hierarchies, and his personal evaluations of the litany of terms such as Latinx, Latino/a, Hispanic etc. He discusses values impressed upon him by his family, especially his grandmothers; one is Guatemalan and the other Mexican. Favela was born in 1986 and discusses his universe where pop culture, gender, ethnicity, history, and Latinidad mix. He talks about his personal artistic expressions and the two podcast series he has created and hosts.

In this interview, Rabbi Malcolm Cohen speaks about observed differences between British and American Jewish communities as well as new Temple Sinai initiatives to build community and engage younger congregants. Rabbi Cohen and his wife have two children, Elijah and Rachel.

Rabbi Malcolm Cohen was born on October 7, 1973 in London, England. He describes having the typical Reform Jewish upbringing of a second generation Londoner. His mother worked as an office assistant, and his father ran a bookshop and also prepared youth for their bar and bat mitzvahs. It was his father?s dedication to Jewish education and service that greatly influenced his career path. After earning a degree in psychology from Southampton University, Rabbi Cohen went on to get a professional qualification in youth and community work. He subsequently became the British Reform movement?s first outreach officer, leading the efforts to engage 20- and 30-year-olds to Judaism. At his wife, Sarah?s, encouragement, Rabbi Cohen enrolled in Leo Baeck College to become a rabbi. Upon finishing his studies in 2006, he got a job at West London Synagogue, a large Reform congregation, where he worked with a team of rabbis. In 2009, Rabbi Cohen took the position as Temple Sinai?s rabbi, where he has served ever since. In this interview, he speaks about observed differences between British and American Jewish communities as well as new Temple Sinai initiatives to build community and engage younger congregants. Rabbi Cohen and his wife have two children, Elijah and Rachel.

In the signature line of Harry Fagel?s emails is a reads: Be the light in dark spaces. This illumines the person that Harry is both as a police officer and a poet in Las Vegas. Harry is native Las Vegan, who has served the community with the Las Vegas Metropolitan Police Department for nearly 30 years. He currently is a police lieutenant serving in Laughlin, Nevada. In addition, Fagel is a respected poet, writing both for the public and on commission. He performs in the local poetry scene. He also has showcased his poetry in two published books, released an album, and is a recipient of the Hilliard Endowment Grant from the University Nevada, Reno. Fagel is a graduate of the University of Nevada, Las Vegas, and currently lives in Henderson with his wife, Leilani and two sons, Sam and Jake. In this interview, Fagel discusses his family background, how his grandparents came to live in Las Vegas in the 1950s, as well as his relationships with both his mother and father. He recalls his early jobs which included working for his cousin Freddie Glusman?s restaurant Piero?s and for Circus Circus-long before becoming a policeman. His involvement with the Jewish community started young and he shares how it has evolved over the decades. In addition, Fagel reflects upon his career as a law enforcement officer, the progressiveness of the Las Vegas Metropolitan Police Department, and changes in relations between the police and communities, both locally and nationally. Lastly, Fagel talks in detail about his poetry, its dominant themes, and the local poetry scene.