The Sands Hotel Photograph Collection depicts entertainers, celebrities, events, amenities, and staff at the Sands Hotel in Las Vegas, Nevada from approximately 1952 to 1980. The photographs primarily depict entertainers like Frank Sinatra, Dean Martin, and the Copa Girls performing in the Copa Room, the showroom of the Sands Hotel. The photographs also depict patrons gambling, events held in the Sands Hotel's ballrooms, banquets, the pool, rooms in the hotel, as well as Jack Entratter, the hotel'’s director of entertainment.
Having been unsuccessful in obtaining reliable domestic water, Bunkerville and Mesquite were beginning an all-out lobbying campaign on various agencies for help.
The collection is comprised primarily of photographs of Rabbi Yocheved Mintz at different events and programs held at Las Vegas, Nevada synagogue Congregation P'nai Tikvah from 2006 to 2017. The collection includes photographs of congregants during different workshops and events held at the synagogue. The collection also includes photographs of Rabbi Mintz and congregants during holidays (Hannukah, Purim, Rosh Hashanah, and Passover), Jewlicious (Jewish education classes and workshops), and from the congregation newsletter.
The John S. Wright Faculty Papers (1951-1975) are comprised of faculty papers from and about Dr. John S. Wright who was considered one of the founding faculty members at the University of Nevada, Las Vegas (UNLV). The collection documents Wright's involvement in establishing UNLV as a separate university from the University of Nevada, Reno. The collection includes memoranda, correspondence, meeting minutes, and reports from different committees Wright was a part of including Academic Council, Faculty Senate, and other ad hoc committees.
In this interview, Unger-Wadkins discusses growing up in Las Vegas? close-knit Jewish community in the 1960s and 1970s, and involvement with various Jewish youth organizations and activities. She also describes her career in public relations, reflecting upon the unique challenges faced when interacting with the public, and with politics, in her positions. Unger-Wadkins ends by describing her current work in land development, particularly the history of the Three Kids Mine and the technical and political process of ensuring the land is suitable as a residential area.