The Jerry's Nugget Casino sign sits at 1821 North Las Vegas Boulevard. The family-owned and operated casino has been in business for over fifty years. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 1821 N Las Vegas Blvd Sign owner: The Stamis Family Sign details: In 1964, Jerry Stamis and Jerry Lodge opened Jerry's Nugget Casino. The property, formerly the Towne House Bar, was converted into a casino. Four years after its opening, the owners bought the nearby Bonanza Club along with its sign, adding an additional 10,000 square feet to their property. The site has undergone numerous renovations, including in 1982 when it became a full-service casino complete with a restaurant, bars, and nearly 700 slots. The porte cochere was also added at that time. In 1996, a theatre lounge was added as well as a bakery and even more gaming tables. The casino, which celebrated its 50th anniversary in 2014. This location still claims to cater to "locals." Currently, it consists of slots, table games, keno lounge, and a bingo hall, among other popular features. Sign condition: About 4-5, appears to have relatively low damage Sign form: Sculptural pylon Sign-specific description: Neon sign looks to be in the form of an oil derrick, "Jerry's" in a nugget shape at the top, "Nugget" spelled downward in light blue neon, possibly was once orange. Sign - type of display: Neon Sign - media: Steel Sign environment: Located in North Las Vegas along Las Vegas Blvd, near the Silver Nugget Casino. Sign - date of installation: 1964 for most of the signage for the property Sign - date of redesign/move: 1982 Porte Cochere added with expansion Sign - thematic influences: The signage conveys the Old West theme of striking it rich with gold, silver or oil, as they have an oil rig for portion of their sign. Survey - research locations: Neon Museum tour outline, Jerry's Nugget website http://www.jerrysnugget.com/ , recorder's office, Assessor's page Survey - research notes: For the 50th anniversary of their Company they donated the money for the restoration of their sign which is showcased on the documentary "Restoration Neon" and remains in the Neon Museum. Surveyor: Carlyle Constantino Survey - date completed: 2017-07-12 Sign keywords: Neon; Steel; Pylon; Incandescent; Back to back; Reader board; Video screen
Oral history interview with Linh Fee conducted by Cecilia Winchell, Stefani Evans, and Jerwin Tiu on February 4, 2022 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Linh Fee talks about her family life growing up in Oahu, Hawaii, how her parents met in Vietnam, and memories of her childhood with her six siblings. She shares how she moved to Las Vegas, Nevada to find work after graduating from college at the University of Hawaii and her brief time working in the hospitality industry as a cocktail server. Fee discusses her career change to become a dental hygienist and life with her husband and three children.
A suggestion that although the renewal of the agreement between the Railroad and the Las Vegas Land and Water Co. was unimportant, since both were wholly owned by the Union Pacific, they should take the opportunity to use meters to figure out how much water the water company was using.
In this clip, Mr. Hunt, also known as "Nutt," explains how the CONVICTS motorcycle club was named, the acronymn meaning and overview of membership community activities.
The Florence Lee Jones and John Cahlan Papers (1929-1983) contain material created by the couple related to their work at the Las Vegas Review-Journal, their interest in the history of Las Vegas, Nevada, and the promotion of Southern Nevada for business and industry. The collection includes the Cahlan's correspondence as well as newspaper clippings about Las Vegas. It also contains drafts and manuscripts for their book, Water: a History of Las Vegas, commissioned by the Las Vegas Valley Water District.
The Jeanne Russell Janish Papers span the years 1833 through 1994 with an emphasis on 1894 to 1994. The materials of the illustrator and watercolorist include her school records, research papers, diaries, and personal correspondence. There are two original book manuscripts, dried flowers, hand-woven rugs, a variety of art supplies and tools, and approximately 140 watercolor paintings and pencil sketches of various scenes and subjects, created in China, Florida, and the American Southwest.