Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
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Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Educational work and legacy file. This folder contains the Mabel Hoggard 6th Grade Center 1984-1985 yearbook, correspondence to Mabel Hoggard, Mabel Hoggard School event programs, newspaper clippings, and other documents related to Mabel Hoggard School.
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Oral history interview with Diane Meireis conducted by Claytee D. White on November 06, 2017 for the Remembering 1 October Oral History Project. In this interview, Meireis discusses her experience at the 1 October shooting. She remembers hearing gunfire, the confusion in the crowd, and finding a safe place to hide. Meireis describes the collaboration of strangers, and feeling guilt for not being able to help others as she escaped the venue. Lastly, Meireis discusses her opinions of firearms.
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