Mark Hall-Patton, administrator of Clark County Museums and since 2008 a frequent guest on the popular cable television show Pawn Stars, was born in 1954 in San Diego, California. His mother was a registered nurse and his father served in the United States Navy. From early childhood, Mark’s interest in history and museums shaped his path in life. After graduating high school in Santa Ana, California, he earned his Bachelor’s degree in history at nearby University of California, Irvine. Degree in hand, Mark worked for Bowers Museum in Santa Ana and founded the Anaheim Museum in 1984. He moved to Las Vegas, Nevada in 1993 to create the Howard W. Cannon Aviation Museum in McCarran International Airport. By 2008, Mark had become administrator over all Clark County museums. In this interview, he explains the various ways his involvement with the popular Pawn Stars program has turned “the museum guy” into a brand, introduced production companies to the value of filming in Las Vegas, increased Clark County museum visits and donations, and raised popular awareness of the academic fields of history and museum studies.

Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.

always thought I'd be more urban. I would live in a downtown city. I wouldn't have a car. I would walk around. I would work on these big skyscrapers.” At one point in his life, architect Craig Galati dreamt of designing large buildings in some of the nation’s biggest cities. Instead, he was drawn back to his childhood home of Las Vegas, where he created projects meant to preserve the city’s integrity, such as the Grant Sawyer State Office Building and the first building at the College of Southern Nevada Charleston Campus. He speaks to his work in preservation at the Las Vegas Springs Preserve and in welcoming visitors to Mount Charleston with his Spring Mountains Visitor Gateway design. In this interview, Galati talks about his parents’ decision to move from Ohio to Nevada and what it was like growing up in Las Vegas. He recalls his first teenage jobs in the Las Vegas of his youth and his studies in architecture at the University of Idaho. He recounts the dilemma of struggling to find architecture work he enjoyed and how that vision drew him back to Vegas. He describes various projects in his portfolio from his early years to the present. He speaks highly of his partnership with Ray Lucchesi and the basis for their vision: “We wanted to be a place that everybody liked to work for. Buildings were just tools to do something grander. They weren't an object. We had a philosophy that was not object based, it was people based.”

Throughout his career, former Clark County School District Superintendent (1989–2000) Brian Cram took his father's words to heart. He heard them repeatedly over the years as he watched and later, helped, his father clean classrooms at Robert E. Lake Elementary School: this place—the classroom—this is the most important place. Cram was born in Caliente, where his father worked on the railroad. In 1939, when Cram was a toddler, the family moved to Las Vegas and his father found work first as a sanitation engineer at a hospital, and then at CCSD as a custodian. The elder Cram, who spent his formative years in the Great Depression, prided himself on doing "good, honorable work" as a custodian, because the work—the classroom—mattered. Even so, he wanted more for his son. Cram largely ignored his father's advice during his four years at Las Vegas High School, where he ran with The Trimmers car club, wore a duck tail and a leather jacket, and copped an attitude. Cram's swagger, though, d

On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.

On March 16, 1978, Valerie McLeod interviewed her father William Lee McLeod (b. January 31st, 1937 in Los Angeles, California) about his life in Las Vegas, Nevada. McLeod begins by speaking about his career as a contractor, the growth of Las Vegas and the city’s population. Moreover, he speaks about recreational activities such as riding motorcycles and exploring mines around Nevada. McLeod also spends time going over Indian reservations around Nevada and neighboring states, the Lost City in Nevada, boomtowns and ghost towns. Lastly, McLeod talks about the history of water and springs in the state of Nevada, what he would consider to be the Old Ranch and the stagecoaches that passed through Gold Point, Nevada.

On March 5, 1981, collector Kathy Ricks interviewed Mary Carol Melton (b. April 4th, 1900 in Rockville, Missouri) about her life in Nevada and the development of the United Methodist Church in Las Vegas. Melton speaks about moving to Las Vegas, Nevada because of her husband’s health, her time working with attorney offices and in the Las Vegas Courthouse, and the different homes in which her family lived. Moreover, Melton talks extensively about starting the first Sunday school in North Las Vegas in a garage as well as the church she and her husband built. Melton discusses the programs and minstrels performed in the church, the crafts sold to make money for the church and the organ they purchased. Lastly, Melton talks about going to the Hoover Dam nearly every week to see new developments, her participation in the Daughters of the American Revolution (DAR), and watching the above ground atomic tests.