An unidentified person looks at the ruins of the H. D. and L. D. Porter Brothers Store in Rhyolite, Nevada. The remains of two wooden buildings and several mining tailing piles are visible in the background. Originally from Illinois, the brothers opened their first store in Johannesburg, Ca. in 1902. Moving with the mining booms, they opened stores in Ballarat, Beatty, Pioneer and Rhyolite. From the Ballarat store, H. D. Porter loaded thirty tons of merchandise onto an 18-mule team freight wagon and came east across Death Valley to the Bullfrog District. The original store was built on Main St. After the move to Golden St., the wooden building was used as a furniture store for the Porter Brothers. With the purchase of a lot on Golden Ave. the construction of a new stone building began in July 1906 and was finished four months later. According to the Rhyolite Herald, November 1906 "This is a large substantial structure, practically fireproof, and occupies a prominent site on Golden Street. The main floor is 30 x 80 feet, with a basement and gallery." Nels Linn was the contractor who did the stonework. The estimated cost was $10,000 for the complete construction of the building. One of the signs that hung from the Porter Brothers Store was "All Things Good But Whiskey". With all the saloons already established in Rhyolite, the Porter Brothers maintained a reputation of never selling liquor. Rhyolite is a ghost town in Nye County, Nevada. It is in the Bullfrog Hills, about 120 miles (190 km) northwest of Las Vegas, near the eastern edge of Death Valley. The town began in early 1905 as one of several mining camps that sprang up after a prospecting discovery in the surrounding hills. During an ensuing gold rush, thousands of gold-seekers, developers, miners and service providers flocked to the Bullfrog Mining District. Many settled in Rhyolite, which lay in a sheltered desert basin near the region's biggest producer, the Montgomery Shoshone Mine. Rhyolite declined almost as rapidly as it rose. After the richest ore was exhausted, production fell. The 1906 San Francisco earthquake and the financial panic of 1907 made it more difficult to raise development capital. In 1908, investors in the Montgomery Shoshone Mine, concerned that it was overvalued, ordered an independent study. When the study's findings proved unfavorable, the company's stock value crashed, further restricting funding. By the end of 1910, the mine was operating at a loss, and it closed in 1911. By this time, many out-of-work miners had moved elsewhere, and Rhyolite's population dropped well below 1,000. By 1920, it was close to zero. After 1920, Rhyolite and its ruins became a tourist attraction and a setting for motion pictures. Most of its buildings crumbled, were salvaged for building materials, or were moved to nearby Beatty or other towns, although the railway depot and a house made chiefly of empty bottles were repaired and preserved. The town is named for rhyolite, an igneous rock composed of light-colored silicates, usually buff to pink and occasionally light gray. It belongs to the same rock class, felsic, as granite but is much less common.

Information about the Inspire Theater sign that sits at 107 S Las Vegas Blvd.
Site address: 107 S Las Vegas Blvd
Sign owner: Fremont LV Blvd LLC
Sign details: The original construction year of the building dates back to 1952. Though in 2013 the building was redesigned to open as the Inspire theater in 2014. The Inspire Theater offers a variety of venues including a 150 seated theater, a rooftop patio and multiple cocktail bars.
Sign condition: 5 - new sign with good quality day and night
Sign form: Blade and semi-decorated shed
Sign-specific description: The sign itself is all connected though it wraps around the whole building, it starts with a long rectangular blade with their logo then goes in a rectangle around the building and ends with their logo on a shorter blade with their logo. The longer white rectangular blade portion begins on the corner of the building above their rooftop lounge (which meets together back to back with a smaller rectangular blade). If you are going north on Las Vegas Blvd you will see the big blade which reads "INSPIRE" in channeled silver thin print font letters. The adjacent blade is a bit shorter, so you can see a portion of the big blade over the smaller one if you are looking at the building from the East Fremont District, with this overlay it looks like there is a letter "I" and a dash(-) underneath it. On the actual portion of the shorter blade there are the "INSPIRE" thin channeled font letters, which are identical in design to the other side of the sign but just a smaller font. The outside edges of these back-back signs are horizontally lined with neon tubing. These blades then continue around the building into two horizontally neon lined strips that make the building have a decorated shed feature to it. This then makes a rectangular feature around the whole building. In between the top of the rectangle and the bottom, there is a balcony where guests can hang out. Though on both the left and the right sides of the blade there are plasma screens that show advertisements for their property. Also on the west side of the building there are thin horizontal strips of LED/plasma lights that sparkle in an iridescent fashion.
Sign - type of display: Neon
Sign - media: Steel
Sign - non-neon treatments: T.V. screens, LED
Sign animation: Flasher and iridescent light flow
Sign environment: On the corner of South Las Vegas Blvd. and Fremont St. East, the first property on the south side of the Fremont St East District.
Sign - date of installation: 2014
Sign - thematic influences: The sign is incorporated into the architecture, as well as the sign wraps around the entire building which is remnant of the decorated shed look. The sign is related to the theater theme since the blade style sign was very prominent for the 1950's and 60's movie theater signs, such as the El Portal movie theater sign.
Sign - artistic significance: Their sign is very remnant of a 1950's Movie theater sign with the blade and wrap around of Neon, since they are a modern day theater it seems as if it's a retro throwback.
Survey - research locations: Inspire website, assessor's website
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-18
Sign keywords: Blade; Neon; Steel; LED; Flashing; Video screen

Nighttime views of the Stardust Resort and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Stardust Resort and Casino
Site address: 3000 S Las Vegas Blvd
Sign owner: Boyd Gaming
Sign details: This is a large casino property that is clearly a center of attention.
Sign condition: Structure 4 Surface 4 Lighting 4
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Even though the facade of the Stardust has gone through many changes, streamlining itself over the years, yet retains aspects of it's original flavor. The tower faces northwest and southeast and is adorned with horizontal bars of red neon underlining each floor. The top tube only stretches approximately one-quarter of the way across the face, and with each floor, the neon gets increasingly longer. The result is the building being cut across the face at an angle, with one half being illuminated by the red neon and the other by ambiently blue lighting. Large Channel letters spelling "Stardust," are bordered by red neon and filled with incandescent bulbs. The Majority of the external signage is on the low rise structure close to the street, with the tower located to the northwest behind it. The array is comprised of two small pylon message centers, a porte cochere, the main pylon, and assorted entrance signs. On the south side of the building alongside a large parking lot, an entrance sign hangs above a two-sided corner entrance, Wrapping this small corner, polished gold raceways and trim create borders for the accordion surfaced pediment, and shoot up vertically into the sky on the far ends. Blue neon shines from behind the shining trim above the door to illuminate the whit accordion facade. The trim above that is adorned with two tubes of gold neon on the top and the bottom, hidden in recessed channels to cast a gold halo from behind. The two vertical edges are lined with incandescent bulbs. On the south wall of the small corner, channel letters stand on the top edge of the golden molding, reading "Casino." They are black on the exterior, painted white on the interior, and filled with incandescent bulbs, and bordered with red neon. On the Southeast edge of the building another entrance of a bit more design Above a set of doors, and the blue lit accordion facade and golden halo cast metallic trim, a Squared "U" shape made of polished metal raceways, holds a back lit message center housed on a black cabinet. On either side of the vertical legs of the "U" shape, another single raceway rises slightly higher in the air. All the raceways are lined with incandescent bulbs. Above the cabinet, black channel letters, spell "Stardust." They are finished white on the exterior, filled with incandescent bulbs, and outlined in red neon. Moving around to the eastern facade of the building, the facade is a three leveled pediment in the accordion pattern, and separated with the polished trim. The Yellow and blue lighting illuminate this facade also. The pattern is only interrupted by oval shaped back lit cabinets, placed every so often. Eventually you come to the porte. It is no longer finished with mirrors, but still retains the raceways lined with incandescent bulbs. The surface in between is filled with white stucco finish. What is left is a series of 5 hexagonal shapes crafted out of raceways and hung a section ceiling lower than the rest. Geometric patterns radiate from this center piece. North, past the porte cochere a section of building juts out to the east. It contains an entrance on the north and south faces, and two on the east face which are parts wrapping around from the previously mentioned entrances. Over the north and south entrances the "U" shaped polished metallic raceways and external flanking raceways, as seen before on the southeast entrance, play host to a narrow LED message center and channel text spelling stardust. The letters have the same treatment as the previous sign as well, and spell "Stardust" in channel letters. They too are filled with incandescent bulbs and bordered with red neon. Above the text, channel pans are in the shape of four pointed stars as seen on the main pylon, are slightly scattered as if to be showering over the text. They are multi colored, centered with arrays of incandescent bulbs and interior neon contours. The accordion facade and lighting are below the composition. Below the accordion pediment, a polished gold bullnose creates a pediment above the door and wraps around to the east face of the structure. A pointed end polished metallic cabinet is placed in the section of the bullnose over the door, spelling "Casino Entrance" in channel letters and filled with red neon. The surface of the bullnose is laden with incandescent bulbs. The facade wraps around the front with another pointed end cabinet reading entrance in the same fashion as the previously mentioned text. A small section of foliage and shrubbery line the west face of this extension of the casino before the same arrangements of sign are seen repeated on the north face. Passing the entrance the property opens up into a courtyard with an arrangement of low rising concrete cylindrical fountains created a multi-leveled garden of spurting water and plants. Just past the courtyard another entrance is found created out of the northeast corner of the building. Like the other entrances, elements such as the blue lit accordion face, double rows of vertical metallic raceways, properly treated channel letters, are present. The gold raceways wrap the corner with backlit cabinets on the east and north faces. The channel letters read "Stardust" on the east face and "Casino" on the northern face. The ceiling that the overhang creates is finished in polished metallic material and laden with incandescent bulbs. Just outside the last entrance the first of two low rise message pylons. The one located on the north end of the property is larger and more spectacular. The large triangular cabinet's faces are backlit, slightly concave message boards. The tops of each o these cabinets in adorned with a smaller, purple steel cabinet, approximately eighteen inches tall, and running the length of the cabinet. "Stardust is spelled across the length of the cabinet in channel letters, and filed with rose neon. The cabinet is laden with incandescent bulbs, creating a canvass for the letters to reside. The three edges, which is the gap where the three signs meet and the bottom of the cabinet are covered in incandescent bulbs. The surfaces are treated with polished metal. The pole which the cabinet sits is a white, two sided, support with two peaks growing out horizontally about two-thirds up the height. The shape, along with a Stardust style star channel pan in its center, is a representation of the repeated image associated with the logo of the property. The edge of the post is treated with a border of purple paint and lined with purple incandescent bulbs. Just inside the border stripe a channel recesses forming another border for a tube of purple neon. The star pan channel in the center is bordered in teal neon and filled with incandescent bulbs. A top the entire cabinet is an array of stardust stars of various colors, bordered in neon, and or filled incandescent bulbs. The array is assorted again to appear as if they are being showered, tapering to one single star at the top. The entire cabinet rotates slowly from right to left. The cousin to this sign is at the extreme south end of the property, set before an entrance give a larger double backed cabinet sits off center on a square post. The white plastic face is housed in a white steel cabinet with rounded edges. The top or the sign is comprised of the same purple cabinet and channel letters seen in tops of the concave message boards of the rotating relative at the north end. The width of the cabinet is strewn with incandescent bulbs, continuing underneath as well. The post is painted two tones.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign environment: To the south of the Stardust is the Westward Ho, and to the North is Circus Circus. It stands with these two as well as the Frontier as vestiges of an older era of Las Vegas resorts. The Riviera also resides across the street. Vast shoots of concrete, spread out in front of the hotel, creating a continual plaza which runs from north to south. It contains lush flowers and fountains that toss water to each other is shooting arcs. In the daytime, the white of the remodeled facade is almost blinding against the concrete.
Sign manufacturer: Ad-Art (pylon); Sign Systems, Inc (porte cochere)
Sign designer: Paul Miller (pylon) Brian K. Leming ( porte cochere and facade)
Sign - date of installation: 1968
Sign - date of redesign/move: The original Electra-Jag style letters were replaced in 1991 by a sleeker Helvetica type face, as well as the letters for Enter the Night being changed to read "The Wayne Newton Theatre" in 1999. Also in this year, the facade was changed to a reserved white finish. The accordion shape is still present but no longer tri colored. The move was presumably made in an attempt to compete and fit in with its bigger corporate competitors.
Sign - thematic influences: The Stardust's theme revolves around an outer space/science-fiction theme, which was exceptionally popular during the era which it was created. When the original design, no longer present, was created in 1958, the Russian space project of Sputnik was just realized.
Sign - artistic significance: This is one of the most widely-admired and imitated signs on all the Strip.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Paint; Graphics