Daytime and nighttime views of the Alan Albert's restaurant signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 3763 S Las Vegas Blvd Sign details: Following the alleyway created between the Walgreen's and Fatburger establishments, you can find the entrance to the secluded Alan Albert's. The restaurant is located on the Fatburger (north) side of the drive, found headed east down the south side of the building. The building quickly stretches out to the south and then continues east again. Signage is located on this extension of wall. The signage includes a logo wall sign, a neon back-lit glass block wall, as well as three small steel boxes adorned with crafted neon. Signage is also located on the Walgreen's dominated pylon out front. Sign condition: Structure 5 Surface 4 Lighting 5 Note:The structure of the sign is intact, and appears to be complete in all its parts. The surface of the sign is worn by the weather, but no worse than any other property. Sign form: Fascia Sign-specific description: The small face created by the south extension creates the space for the entrance to Alan Albert's. The sign hangs off this wall above a pair of large wooden doors, created with brown painted channel letters in a text specific to the establishment. They are painted white on the exterior. The channel letters are steel, outlined with white neon and filled with incandescent bulbs. White neon tubes underline each word. Almost the entire wall is created of translucent glass blocks. Behind the glass blocks there are tubes of red neon running vertically and horizontally along the open sections of the blocks create a glowing background grid of red light. The entire sign is supported with steel brackets, which are hung from the top of the roof hooking onto the wall of the building. The letters are hung at an angle pointing from the bottom toward the top right hand corner of the building. Below the main text on the right hand portion of the sign are three horizontal steel boxes hung consecutively, supporting text sculpted out of neon. The top box reads "Steaks," the second reads "Seafood," and the third reads "Prime-rib." On the Multi-use pylon the Alan Albert's signage only plays second fiddle to the dominant Walgreen's sign. It is four lines of text with the two lines of "Alan Albert's" filling the top spots. Below that "steaks, seafood, prime rib," sits above the text "so delicious intimate." The top two lines are spelled in brown channel letters, filled with incandescent bulbs, and bordered on the face with red neon. A narrow polished channel underlines each line of text and is lined with a single tube of white neon. The bottom two lines of text are smaller script channel letters lined with red neon. Below this collection of letters and bulbs, a backlit selection of signs also adds to the list. "Lobster House" is spelled in closed channel letters with red faces. A narrow internally lit green cabinet, with rounded ends, is treated with white script. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Plastic; Glass Sign - non-neon treatments: Graphics; Paint Sign animation: Oscillating Notes: The incandescent bulbs inside the interior of the main text, oscillate rapidly. The effect is the shimmering effect seen so often throughout neighboring properties. It can be seen in the main building texts of properties such as the Monte Carlo and the Mirage. The Alan Albert's text on the Walgreen's pylon near the street is animated as well. The incandescent bulbs animate with an oscillating pattern steady burn on, then flash off, then on, off then starts to oscillate once again. Sign environment: Alan Albert's sits tucked away from the bustle of the main street, guarded on both sided by Walgreen's and the Fatburger establishments. Besides the adjacent archway advertising for the Ginseng BBQ establishment, the signage for the Alan Albert's is the main attraction in the immediate space. Sign manufacturer: YESCO Sign - artistic significance: The significance of the Alan Albert's establishment fits in with other facilities on the Strip such as The Rosewood Grill, and Battista's Hole in the Wall, and the Peppermill. Considering that most dining establishments are located on the interior of the properties, these stand as excellent quality, intimate restaurants seen by and available to the pedestrian public. Like the everyday establishments dressed to fit in the Las Vegas Strip such as the neighboring Walgreen's, Alan Albert's is a non-casino dressed up to fit in with the local surroundings. The incandescent bulbs also contain the most common animation seen on the strip. The surface of the wall is turned into a blurry illuminated canvas with glass block wall, backed by a grid of red neon. The surface is a one of a kind for the properties in this survey and the genre that it represents. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Oscillating; Neon; Incandescent; Backlit; Paint; Graphics; Steel; Plastic; Glass; Fascia
Daytime and nighttime views of the Arco ampm sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 2728 S Las Vegas Blvd Sign details: Amid the few smaller properties that compose the area north between the Circus Circus and Sahara Boulevard, the Arco AM/PM is located on the west side of the Strip between the Guiness/Arby's parking lot to the north and the Fantasia gift shop to the south. Like many other everyday institutions located on Las Vegas Blvd, it's roadside advertisement fits into the neon picture with ease. The structure itself is nothing like the treatment of the pylon, which sits on the eastern most edge of the property, in close proximity to the street. The actual mini-mart, customer facility is located in the background, on the western end of the lot, and faces east. The standard array of fuel pumps occupy the majority of the remaining space on the lot. Sign condition: Structure 4 Surface 4 Lighting 4 notes: The structure, surface and lighting all are around the same condition. Several neon bars have come loose at the base of one of the legs, and the neon on the north side of the pylon is not functioning properly. The surface of the sign is in good shape, in need of a thorough cleaning. Sign form: Pylon Sign-specific description: The pylon sign for Arco AM/PM resides on the southeastern corner of the property, near the street, sitting in a planter of rocks. It sits on the west side of the strip, and faces north/south. The basic shape of the double-backed roadside pylon is a simple design, similar to any other sign at a typical gas station. Two square posts support a cabinet wider in diameter with the lettering and logos for the property. Between the two posts are three, descending, square, internally lit, message boards, advertising the price for gas. It stands in a bed of rocks, in close proximity to the street and faces north/south. The two legs are finished in a polished, silver, reflective surface. The three internally lit, white plastic, cabinets advertise for the prices of fuel, and begin approximately six feet or so from the ground up into open space inside the legs. At this height, neon wraps the poles, creating a pattern up the sides. Tubes of white neon wrap the three outer sides of the pole, repeating every two inches or so, striping the surface. The legs actually support two smaller cabinets stacked on top of each other to create a larger surface. The two cabinets are the same in general dimensions with the top section having rounded corners. The bottom cabinet is black on the exterior with the inner face a giant white channel pan lined horizontally with tubes of white neon. Two sets pan channels are set onto this field. The first is the two letters "am" and the other being the finishing portion "pm" The "am" section is painted two-tone orange and red, and the "pm" is a two-tone purple and blue. The letters are lined on the inside edge with neon. The white field is bordered in neon as well. The top cabinet is a blue pan channel lined horizontally with blue neon. White channel spell "Arco" in the middle of the field, and four triangular shapes converge to form the diamond shaped Arco symbol. Sign - type of display: Neon; Backlit Sign - media: Steel; Plastic Sign - non-neon treatments: Graphics; Paint Sign animation: Chasing Sign environment: The fueling station resides on the northern edge of the strip before Sahara Avenue. Directly to the east, across the street is the Sahara Hotel Casino, but is flanked by smaller non-resort related properties. Along with the other two properties to the north and to the south, they seem as functional aspects for tourists and patrons of the larger properties of the Circus Circus and the Sahara. Almost dwarfed by the two nearby giants the properties can easily go unnoticed without the treatment of the illumination Sign manufacturer: Larsen Sign Sign - date of installation: 31758 Sign - thematic influences: The property and sign has no real thematic influence other than being an everyday facility influenced by its environment. The surroundings of abundant neon influence the sign to its treatment in order to have an impact. Sign - artistic significance: The sign is significant artistically for it represents a piece of everyday life, dressed up to fit in on the Las Vegas Strip. The structure of a two-legged pylon so often seen at other non neon treated gas stations is the same, yet the coat of neon turns it into a unique piece of the Las Vegas strip. Other facilities seen with the same treatment are the Walgreen's, Arby's, McDonalds, and Fatburger. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Pylon; Neon; Backlit; Steel; Plastic; Paint; Graphics
Daytime views of the Tourist Bureau signs near the Las Vegas Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 5191 S Las Vegas Blvd Sign owner: John Morris Sign details: The Las Vegas Tourist Bureau is the first establishment on the strip after the McCarran Gates. It located in the south end of the property that is also occupied by the Klondike Motel Casino. Sign condition: Structure 4 Surface 3 Lighting 3 Notes: Some of the lighting no longer works, and the surface seems to be deteriorating in spots. The structural integrity is good. Sign form: pylon, fascia Sign-specific description: The Las Vegas Tourist Bureau is the first establishment on the strip after the McCarran Gates. It located in the south end of the property that is also occupied by the Klondike Motel Casino. Upon the small low-rise structure, white, internally lit message centers wrap the flat roofline of the north and west sides of the building. The cabinet's steel housing is painted yellow to match the borders of the doors below. The cabinets form a giant entablature with giant black vinyl lettering. The north face reads "Show Tickets" in all capitals, and the west face reads "Grand Canyon" in smaller all caps lettering on the left hand side. Three words in the large all caps text reads "Tours," "Rooms," and weddings. Above the internally lit cabinets, the roof rises up several more feet, and is finished in red steel siding, with vertical panels made to look like wood. It is the same as the treatment seen on the Klondike. On the surface of this upper extension and above the cabinets, yellow raceways form a series of arches all along the fascia. They are lined with yellow incandescent bulbs. Standing right next to the entrances on the west face is the giant, double pole, pylon sign. The giant blue poles telescope up three levels, before a horizontal, rectangular, internally lit, yellow cabinet, lined with incandescent bulbs on the widths edge. The plastic face is white with red text. "Las Vegas" is written on the left-hand side at an angle in two lines, and "Tourist Bureau," written horizontally in two lines, in all capital text. A steel grated platform sits just above the cabinet on two extensions of the poles. The platform runs well beyond the edges of the backlit cabinet. On top of the grate a black LED message center runs the length of the platform. Next to the driveway into the small parking lot, a small internally lit sign stands street side. The small sign is two yellow steel cabinets, with white plastic faces, and incandescent bulbs running along the width's edge. They are treated to match the message cabinet on top of the main pylon sign. On top of a thin blue, steel post, a smaller cabinet supports another slightly larger one. The top cabinet reads "Entrance" in faded, red, all capital text. Just below the text on the face of the cabinet, a faded red arrow points east toward the parking lot. Neon tubing is crafted to create a reproduction of the shape, hovering over the surface. The bottom cabinet reads "Parking" in the same text, and condition. The three signs together form a cohesive, matching set of signage appropriate for the property. The sign is actually cohesive with the "Welcome to Fabulous Las Vegas" sign on the median just west of the actual structure. Sign - type of display: neon, incandescent, backlit Sign - media: steel, plastic Sign animation: Chasing Notes: The incandescent bulbs chase each other around the perimeter of the sign. Sign environment: Just to the west on the median is the famous "Welcome to Las Vegas" sign, and the Klondike to the north. An expanse of field reaches south, past an attached structure on the south side of the building. That field is the airfield. The structure is highly visible from the north, but a bit less from the south due to heavy foliage placed directly south of the giant pylon. The Giant pylon is highly visible, but has high competition in it's midst. The Klondike when illuminated is very bright, and the Welcome to Las Vegas sign's popularity attracts a great amount of attention. The Las Vegas Tourist Bureau is sort of an afterthought. Sign - thematic influences: The theme associated around these signs is not so evident. Yes they are the typical elements such as the internally lit cabinet and the border of incandescent bulbs. It is a roadside pole sign design, but it is a bit unique to it's area for it is extremely tall in its surroundings, and it is a double pole supporting internally lit cabinet. The thematic influence is also evident in relation to it's surroundings. It's coloring, and basic principle of design is based on the neighboring welcome to Las Vegas sign. The are both double poled, internally lit, and have incandescent bulbs which chase each other around the outside edge. The coloring of the Tourist Bureau sign parts corresponds with the same parts as the Welcome to Las Vegas sign as well. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Chasing
Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
Oral history interview with Jessica Hutchings conducted by Barbara Tabach on March 21, 2018 for the Remembering 1 October Oral History Project. In this interview, Jessica Hutchings discusses her experience flying to Las Vegas, Nevada on the night of the October 1, 2017 mass shooting. She speaks of her flight's detour to Phoenix, Arizona, and her discovery of the shooting. Hutchings explains how Congregation Ner Tamid, where she is a cantor, contributed to the community healing after the tragedy, including their organization of vigils, a music fundraiser called "Vegas Strong in Song," and discussing the event with teenage Hebrew School students who had questions and concerns about the shooting.
Oral history interview with Robin Greenspun conducted by Barbara Tabach on February 09, 2017 for the Southern Nevada Jewish Heritage Project. In this interview, Greenspun discusses her family background and growing up in Las Vegas, Nevada. She talks about her early interest in the arts, working in television productions, and becoming a film director.