Search Results
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, March 28, 2003
Date
2003-03-28
Archival Collection
Description
Includes meeting minutes and agenda. CSUN Session 33 (Part 1) Meeting Minutes and Agendas.
Text
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, November 7, 1978
Date
1978-11-07
Archival Collection
Description
Agenda and meeting minutes for the University of Nevada, Las Vegas Student Senate. CSUN Session 7 Meeting Minutes and Agendas.
Text
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, February 4, 1975
Date
1975-02-04
Archival Collection
Description
Agenda and meeting minutes for the University of Nevada, Las Vegas Student Senate. CSUN Session 3 Meeting Minutes and Agendas.
Text
Photographs of Little Church of the West signs, Las Vegas (Nev.), 2002
Date
2002
2017-08-02
Archival Collection
Description
Photos show Little Church of the West signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Little Church of the West
Site address: 4617 S Las Vegas Blvd
Sign owner: Greg Smith
Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip.
Sign condition: Structure 4 Surface 4 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon.
Sign - type of display: Neon; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church.
Sign manufacturer: Larsen Sign
Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996.
Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996.
Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon.
Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint
Site name: Little Church of the West
Site address: 4617 S Las Vegas Blvd
Sign owner: Greg Smith
Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip.
Sign condition: Structure 4 Surface 4 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon.
Sign - type of display: Neon; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church.
Sign manufacturer: Larsen Sign
Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996.
Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996.
Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon.
Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content
Eric Mendoza oral history interview: transcript
Date
2021-11-29
Archival Collection
Description
Oral history interview with Eric Mendoza conducted by Holly O'Donnell on November 29, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Eric Mendoza shares his family's chain migration history from Manila, Philippines to the United States and his difficult immigration and naturalization process once arriving in America in 1996. He talks about what brought him to live in Las Vegas, Nevada, his education and professional pursuits, what his life is like in the United States compared to that of the Philippines, and the lives of his eight siblings. Eric Mendoza discusses the historical past of the Philippines, the infrastructure in place there, and government corruption. He also speaks to Filipino traditions and festivals, food and customs, his cultural identity, and assimilating to American culture.
Text
Gregory T. H. Lee oral history interview: transcript
Date
2020-12-01
Archival Collection
Description
Oral history interview with Gregory T. H. Lee conducted by Stefani Evans, Ayrton Yamaguchi, Cecilia Winchell, and Kristel Marie Peralta on December 1, 2020 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Gregory discusses his birth in Honolulu, Hawai'i, his upbringing in San Francisco, California, his education from Harvard University, and his moving to Las Vegas in 1988 with his family. He shares how his parents, Doris Shoong Lee and Ted Lee, purchased a casino on East Sahara Avenue and renamed it the Eureka before Gregory left Las Vegas to earn his Juris Doctorate degree from USC Gould School of Law. He talks about his employment history related to law and the joint venture with his parents to open Eureka's sister property in Mesquite, Nevada. Gregory also discusses his Chinese and Japanese heritage, the Hawaiian culture, and his current affairs as well as his take on current events and discrimination in the United States, with particular regard to Black Lives Matter and COVID-19. Subjects discussed include: Kyushu, Japan and "China virus."
Text
Depictions of Black people in various media and advertisements (including offensive caricatures, racist slogans and names, and non-Black people in Blackface)
Date
1890 to 1940
Archival Collection
Description
Folder from the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file.
Mixed Content
Bogie's Niteclub Revue Collection
Identifier
MS-01118
Abstract
The Bogie's Niteclub Revue Collection (1969-1990) consists of photographs, flyers, and newspapers advertising Bogie's Niteclub, which ran the female impersonation (now known as drag) revue "Frivolous Follies" in Las Vegas, Nevada. Images include performers on stage, portraits, and publictiy photographs of members of "Frivolous Follies," which was renamed "Vive les Boys" in 1984. Issues of Las Vegas Mirror and Vegas magazine are also included, and contain advertisements for Bogie's Niteclub drag shows and male strip shows. Also included in the collection is a single photograph of Stewart Randall Armstrong, who was born and raised in Las Vegas and passed away from AIDS in 1994. The collection was donated in his honor. This collection also contains digital scans of the photographs and some ephemera.
Archival Collection