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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, August 23, 2004

Date

2004-08-23

Description

Includes meeting minutes and agenda, along with additional information about the UNLV Yellowcard concert and the contract for production services at UNLV.

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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, July 26, 2004

Date

2004-07-26

Description

Includes meeting minutes and agenda, along with additional information about contracts.

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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, May 17, 2004

Date

2004-05-17

Description

Includes meeting minutes and agenda, along with additional information about bylaws and Rebel Yell operating policy and articles of incorporation.

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Newsletter from Congregation Ner Tamid, March 2015

Date

2015-03

Archival Collection

Description

Newsletter from Congregation Ner Tamid, March 2015

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Interview with William Marvin Swena, October 29, 2004

Date

2004-10-29

Description

Narrator affiliation: Assistant Mining Superintendent, Reynolds Electrical and Engineering Company (REECo)

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Interview with John Shannon Coogan, September 15, 2006

Date

2006-09-15

Description

Narrator affiliation: Health Physicist, Reynolds Electrical and Engineering Company (REECo), Public Health Service (USPHS), Environmental Protection Agency (EPA)

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Bethany Khan, Ken Liu, and Zachary Poppel (Culinary Union) oral history interview conducted by Elia Del Carmen Solano-Patricio: transcript

Date

2022-12-13

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Business interviews file.

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Transcript of interview with Charles T. "Blackie" Hunt by Cork Proctor, July 3, 2003

Date

2003-07-03

Description

Charles T. "Blackie" Hunt, born in Pottstown, Pennsylvania in 1930, started accordion lessons at age five. He recounts learning from experienced musicians, then teaching others at age twelve because his teacher was drafted. He attended West Chester State Teachers College where, among other accomplishments, he put together a group with Nick Carlino as tenor sax player. Blackie shares detailed memories of the many musicians with whom he worked and toured. They played in venues that included Harrisburg, Toronto, and Montreal, and eventually were offered a booking at the Sahara Hotel in Las Vegas. The group that Blackie worked with in Las Vegas, Tahoe, and Reno came up with the name "The Characters" (backward 'e'), and the show featured comedy and music. It was during this time that he met Lorraine (stage name Lauri Perry), who had her own group. They were married after a couple of years and Lauri joined The Characters. Blackie and Lorraine Hunt opened Blackie's Bar on Tropicana and Eastern Avenues in the seventies. He talks about the jazz sessions that took place and the musicians who sat in on them, and how he and Lorraine eventually decided to bow out of show business themselves. The Hunts went on to open the Bootlegger, a restaurant/piano bar on Las Vegas Boulevard. They started a little comedy/music session called "Off the Cuff', in which local or touring musicians, comedians, and singers often participate. Blackie and Lorraine have been part of the vibrant history of Las Vegas and the state of Nevada for many years, and continue to make their home here.

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Photographs of Sahara Hotel and Casino signs, Las Vegas (Nev.), 2002

Date

2002

Description

Nighttime views of the Sahara Hotel and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Sahara Hotel and Casino (Las Vegas, Nev.)
Site address: 2535 S Las Vegas Blvd
Sign owner: William Bennett
Sign details: The Sahara lies at the northern most end of the survey, on Sahara, and Las Vegas Blvd The Sahara was remodeled in the late nineties to create an entirely new facade utilizing a large pylon, a porte cochere and various independent illuminated signs. On the eastern side of the property another porte cochere is located just west of Paradise Rd. across the street from the Sahara's original pylon.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Flashing, oscillating
Sign environment: The Sahara utilizes many of the new elements of Las Vegas to create an environment. The western side of the property facing the strip is composed of a giant pylon, a domed porte cochere, and a roller coaster for the themed attraction incorporated into the property. To the north across Sahara Ave. the Holy Cow casino gives way to the distinctly older and smaller venues on the remaining northern stretch of the strip, while the entire heart of the boulevard lies to the South. Palm trees and various foliage surround winding drives which lead up to the open air dome, fore the circular valet. Along the twisting lanes leading to the parking garage, you can see fiberglass figures riding on camels, and various text signage upon the structures. Walking through the lush surroundings toward the north side of the property, you encounter the giant pylon, being able to walk right up next to it. The roar of the rollercoaster is rather deafening as it zooms right over a pedestrians head, as the signage for the NASCAR gives way to human sight.
Sign manufacturer: Mikhon Lighting and sign
Sign designer: New Pylon: Jack M. Larsen Jr. and Mikhon Lighting and sign
Sign - date of installation: 1996-2000
Sign - date of redesign/move: During the reconstruction which took place between 1996 and 2000, the original pylon was moved east across Paradise Rd
Sign - thematic influences: The theme of the Sahara is definitely linked to the desert theme so often seen throughout Las Vegas history. The name itself is the name of what is probably the most famous desert in the world. Elements of the design give way to this theme with rather heavy-handed iconography. Examples of this include the image of a camel on the pylon and rear porte cochere, as well as the statuary of men riding on camels. The text is the same classic Sahara text seen throughout the properties history, and definite reference the cure and angle of some Arabic writing, but also are linked to shapes seen in the architecture from that region of the world. Other properties which can be linked to this theme in Las Vegas History include, the Dunes, and the Aladdin. The Aladdin and the Sahara also share the trait of being a Vegas icon, revamped to meet the current trends of Las Vegas. The Sahara falls into that trend of being geared more toward the family theme these days, with the addition of the NASCAR Cafe as well as the roller coaster. The other property which incorporates a roller coaster is the New York New York.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics

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