Charles T. "Blackie" Hunt, born in Pottstown, Pennsylvania in 1930, started accordion lessons at age five. He recounts learning from experienced musicians, then teaching others at age twelve because his teacher was drafted. He attended West Chester State Teachers College where, among other accomplishments, he put together a group with Nick Carlino as tenor sax player. Blackie shares detailed memories of the many musicians with whom he worked and toured. They played in venues that included Harrisburg, Toronto, and Montreal, and eventually were offered a booking at the Sahara Hotel in Las Vegas. The group that Blackie worked with in Las Vegas, Tahoe, and Reno came up with the name "The Characters" (backward 'e'), and the show featured comedy and music. It was during this time that he met Lorraine (stage name Lauri Perry), who had her own group. They were married after a couple of years and Lauri joined The Characters. Blackie and Lorraine Hunt opened Blackie's Bar on Tropicana and Eastern Avenues in the seventies. He talks about the jazz sessions that took place and the musicians who sat in on them, and how he and Lorraine eventually decided to bow out of show business themselves. The Hunts went on to open the Bootlegger, a restaurant/piano bar on Las Vegas Boulevard. They started a little comedy/music session called "Off the Cuff', in which local or touring musicians, comedians, and singers often participate. Blackie and Lorraine have been part of the vibrant history of Las Vegas and the state of Nevada for many years, and continue to make their home here.

Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.

Born in the coal fields of Strunk, Kentucky, Audrey Aline Messer Wickman first visited the West at twelve years of age. She moved to western Colorado to help in her grandparents’ home for a couple of years. The stay made a lasting impression because she only returned to her birthplace for a short time after that. In Colorado, she graduated from high school, met her future husband, and married in 1925. They came to southern Nevada in 1932 so that Robert Wickman could find work on Hoover Dam. Audrey Wickman joined the Mesquite Club in 1936 and has remained a member to date. She started the Literary Committee as a forum to share book reviews and hear speakers. She served as President of the club for 1947-48 and chose the year’s theme “Know your Neighbor.” In the post-war society, women’s involvement in civic affairs was particularly needed, she told the membership at the opening fall meeting. “The troubles which unsettle the world today are primarily ones which lie within the sphere of women’s business. They are matters of housekeeping, teaching and health. . . . The time has come when we as a nation cannot stay in our own backyards. . . . If we are to be good world citizens, local, state and national, we must first be good home citizens. These responsibilities call for knowledge, an appreciation of other points of view, and attitudes of good will and cooperation.” (Las Vegas Review Journal, 6 October 1947, Mesquite Club microfilm collection.) The duties of the president varied during those years. She recalled that “I was janitor, gardener and President.” During the wintertime, she remembered, “you had to have heat [for Friday’s meeting] and I’d go up on Thursday afternoon and light that old oil burning stove and then pray that it didn’t catch the place on fire all night.” She continued her commitment to club work by serving as state secretary for the Nevada Federation of Women’s Clubs. The friendships and cultural events which came from Mesquite Club and Federation membership proved to be of lasting value for this community builder. This interview has been produced with the assistance of the Mesquite Club and the History Department of the University of Nevada, Las Vegas. It is part of a series on women community builders in Las Vegas. The transcript has been edited only slightly for clarity while the syntax and style of the narrator were retained.

Interviewed by Laurents Bañuelos-Benitez. John Pacheco's father, Francisco, arrived in Las Vegas in 1942. John was born in 1947 and raised mostly on 27th Street. He is a graduate of Rancho High School and UNLV. He is a retired artist known for hand-painting signage for many local businesses. As a very civic minded person, John has received many local awards and served on committees for the Las Vegas Chamber of Commerce, East Las Vegas community, and much more.

Myoung-ja Lee Kwon began her life on the grounds of the Kyongbok Palace in Korea. In a country where education is valued, her father's occupation as a university professor meant that the family was highly honored, thus this palatial space allowed them live in a state of prosperity. But war changed these circumstances and in this interview Kwon vividly explains the family's evolution. In 1965, after graduation from Seoul National University she married and a year later, moved to the United State of America where she earned a Master's degree in Library Science in Provo, Utah. Her first professional position was at the University of Nevada Las Vegas as a cataloguer and after many promotions, became interim dean of UNLV Libraries. In 2001, she took the job as Dean of Libraries at California State East Bay Library, retiring in 2008. Currently, she serves as a special lecturer and discussion leader with the Fulbright Senior Specialist Program. During her 2009 visit to Korea, she pr

From an early age, Marie McMillan displayed an adventurous sensibility, a characteristic that is revealed in how life unfolded for her. In this multi-part interview, Marie begins with her birth in 1926 California, and continues with stories of her childhood recollections of the Depression era, her longstanding closeness with Nanny, her maternal grandmother, and memories of Old Bent, her paternal grandfather. She enjoys a flirtatious vitality and attends college for a year. However, as World War II begins to infest the U.S., Marie finds herself falling for a young merchant marine named Duke Daly. They marry, have two children, and live a transient life moving about California and Hawaii as he goes to school, then seeks and finds employment in a postwar economy. By the late 1950s, the Daly household is stressed and begin to split time between California and Las Vegas. Marie holds positions that require security clearance and administrative talents. In 1961, Duke passes away a

Kimberly Harney-Moore and her three siblings were raised in the John S. Park Neighborhood in the 1960s and 1970s. Their parents, Tim and Kathleen Hamey, were educators. A nostalgic feeling for the neighborhood remains; perhaps, rekindled when she had close friends buy a house across the street from her childhood home. In this interview, Kimberly talks about the inviting character of the area's architecture, mentions a few names of neighbors she babysat for, and fondly recalls her job at Luv-Its Custard shop. There was a time when she would drive through the old neighborhood and be saddened by the lack of upkeep and the changes, but today it is a place being reborn to a new generation. Note: Tim Harney and Kathleen Harney, Kimberly parents, are also participants in the Voice of the Historic John S. Park Neighborhood oral history project.