The Evelyn Stuckey Photograph Collection (approximately 1940-1972) contains black-and-white and color photographic prints, negatives and slides. The images depict Evelyn Stuckey at various functions for Las Vegas High School in Las Vegas, Nevada and the Rhythmettes, as well as the Rhythmettes practicing and performing routines.
The William F. Harrah College of Hospitality Records (1970-2016) contain documents pertaining to the College of Hospitality at the University of Nevada, Las Vegas. Materials include student projects, manuscript drafts by Jerome (Jerry) Vallen, brochures and promotional material, newsletters, and magazines. Also included are photographs of casino and hospitality industry workers and hospitality related events. Also included are publicity photographs of entertainers as well as models and showgirls in beauty pageants and at casinos. It is presumed that these photographs werey used for creating Premier: The Magazine of the UNLV Harrah College of Hospitality.
The David Fluke Papers on Las Vegas Entertainers consists of the notebooks of David Fluke, a Las Vegas, Nevada resident whose hobby was documenting entertainers and shows on the Las Vegas Strip from 1946 to 1981. His notebooks feature handwritten lists of entertainers' show dates and lounge acts, and include dates for the Las Vegas debuts of numerous performers. The collection also contains celebrity trivia and biographical sketches of various Las Vegas entertainers.
The Alice Pearson Papers (1956-2000) contain the personal papers of Alice Pearson and the administrative records of the Mesquite Club, the first service organization founded in Las Vegas, Nevada. The collection includes the club’s administrative records, service projects and social events, as well as its membership in the General Federation of Women's Clubs (GFWC). Materials within the collection include meeting minutes, correspondence, committee reports, newsletters, notebooks, and scrapbooks.
The Hell’s Angels sub-series (1922-1965) contains material related to the development, production, and post-production of The Caddo Company film, Hell’s Angels. Both the silent and sound versions of the film are represented in the materials.
Materials include contracts and lawsuits, correspondence, financial, story development, and production and direction records, editing and special effects, aviation logs, and advertising, as well as musical scores for the silent version composed by Adolph Tandler and the sound version composed by Hugo Riesenfeld. Also included are black-and-white photographic prints and negatives and twenty-four miniature airplane models.
Archival Collection
Howard Hughes Film Production Records
To request this item in person:
Collection Number: MS-01036 Collection Name: Howard Hughes Film Production Records Box/Folder: N/A
The RKO Radio Pictures, Incorporated series (1930-1974) contains material primarily pertaining to development of RKO films during Hughes' ownership of the company. This series primarily features The Conqueror (1956) and Jet Pilot (1957), but also includes material for other films such as His Kind of Woman (1951), and Son of Sinbad (1955). Records include film set and publicity photographs, film advertising and news articles, screenplays, ledgers, and music scores. Corporate materials contain newspaper clippings, copyright documents, administrative correspondence, actor contracts and agreements, and stock information. Also included are scripts, screenplays, and manuscripts collected to draft potential film adaptations. Ledgers contain theatrical screening reports and corporate budgets. Other materials include reports pertaining to the Cold War and film industry blacklisting.
Archival Collection
Howard Hughes Film Production Records
To request this item in person:
Collection Number: MS-01036 Collection Name: Howard Hughes Film Production Records Box/Folder: N/A
Louis Prima (1910-1978) was an American singer, songwriter, trumpeter, bandleader, and actor during the mid-20th century. He was known for performing jazz, swing, and jump blues music. Using his background from New Orleans and his Italian heritage to shape his distinctive sound, he encouraged other performers at the time to embrace their ethnic heritage. He frequently performed with his wife, Keely Smith, at the height of his popularity.