The Mirage Hotel and Casino Photograph Collection (1989) consists of color slides and a color negative depicting locations around the Mirage hotel and casino in 1989. Images include exterior shots of the lagoon and volcano fountain and interior shots of the resort's amenities.
Daytime views of the Glass Pool Inn signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 4613 S Las Vegas Blvd Sign details: Located on the very south end of Las Vegas Blvd the Glass Pool Inn boasts a Pylon/Pole sign along the east side of the Strip. Both the sign and the adjacent lounge, which holds vestiges of wall signs, are directly Northwest of the famed glass Portaled pool, where the establishment takes its name. Sign condition: Structure 3 Surface 2 Lighting 2 Sign form: Pylon Sign-specific description: The Glass Pool's main sign is a double-backed, double poled, internally lit pylon design. The top portion, a sculpted internally lit marquee in the classic kidney pool shape, reads "Glass Pool Inn." A smaller sign of similar water referenced design, sits below the main marquee. They are both contained in sheet metal framed painted blue. The bottom portion is comprised of a incandescent bulb LED matrix center, a Sheet metal message center containing a small plastic readerboard with vinyl letters, and a red neon sign for vacancy. The boxes or the message centers are also blue sheet metal. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Plastic Sign - non-neon treatments: Paint Sign animation: none Sign environment: The Glass Pool Inn sits on south end of the strip among the small dying hotels of Las Vegas Blvd's earlier history, it is one of the first signs you see traveling North on the strip entering town. Just north lies the beginning of the main flood of architecture from the modern strip; while to its south are the beginnings of the strip and the spawning new growth of Las Vegas. The Glass Pool stands in the unique position of being in that gateway of entering the Las Vegas Strip Sign manufacturer: YESCO Sign - date of installation: 1953 Sign - date of redesign/move: In 1989 when Steve Wynn was establishing the Mirage, there was another property which also had the name: the small southern Strip, roadside motel. When Wynn acquired the name the original Mirage simply changed its name to the Glass Pool Inn. The original sign was left in place, and simply remodeled to fit the new name of the motel. Permitted by the county to refurbish in December of 1988. Sign - thematic influences: Water and the pool itself, kidney-shaped design. Sign - artistic significance: The Glass Pool is an artistic artifact of the older smaller strip hotels. Artistically it is reminiscent of the roadside pole sign used to attract traffic. It represents one of the last strip roadside motels in that portion of the Strip. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Paint
Jerry Engel was born in 1930 in New Jersey and spent most of his early life in Long Beach, New York until the family moved westward to Las Angeles. Jerry is a retired Certified Public Accountant and loves to talk about the history of Las Vegas that he observed since arriving in 1953. That was the year that he moved to Las Vegas to join his older brothers, Morris and Phil, in their accounting firm. Their major client at the time was Desert Inn. Another personal connection with local history: the Engel brothers? mother, Esther Katz Engel, was among the early investors in the Moulin Rouge hotel/casino enterprise. Jerry graduated with honors from University of California, Los Angeles in 1951. His accounting career in Las Vegas is highly regarded and he continues to maintain a consulting practice. He remains active within the community and enjoys doing presentations based on his memories of Las Vegas history. Within this interview, Jerry highlights people, casinos and other observations of local history that he came into contact with over the decades. He provides insights about the role of an accountant in the gaming industry. He also discusses the influence of Jewish business leaders in and array of local gaming and non-gaming issues, including the retail world, Jim Crow era segregation, and the astonishing growth of the valley over six decades.
Interview with Gil Cohen by Claytee White on August 5, 2015. In this interview, Cohen discusses growing up in Las Vegas and attending University of Nevada at Reno. He returned to Las Vegas to join the management training program at the Stardust. He talks about his friendships with Moe Dalitz and Carl Cohen, and his interest in golfing. He also discusses corporate ownership of casinos, unions, and his experiences working at different Strip hotels.
Gil Cohen came to Las Vegas in 1957, when was ten years old, when his father, Yale Cohen, was recruited by Moe Dalitz to work at the Stardust Hotel and Casino. Cohen graduated from University of Nevada Reno, and started working at the Stardust through the management-training program. In 1975, he was made hotel manager, his first of many leadership positions in Strip properties, which have included the Dunes, Aladdin, Hacienda and Monte Carlo, where he currently works as a casino host.
The Grace Hayes Photograph Collection consists of black-and-white photographic prints and negatives from approximately 1890 to 1980. The collection includes personal photographs of Hayes and her son Peter Lind Hayes and publicity photographs from Hayes's entertainment career.
The collection is comprised of drawings (1950-1990) completed by American architect Martin Stern and/or his architectural firm, Martin Stern Jr., AIA Architect and Associates, and contains 400 cubic feet of materials including 710 drawings from over 300 different projects involving over 100 buildings. Stern’s work focused on the resort centers of Las Vegas, Nevada; Reno, Nevada; Lake Tahoe, Stateline, Nevada; and Atlantic City, New Jersey. The materials feature hand-drawn architectural drawings, ranging from pencil and ink on tracing paper preliminary sketches to ink on Mylar (TM) construction documents, and a number of artist’s renderings, used for presentations and promotional materials. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The collection includes architectural drawings for: hotels, casinos, integrated casino resorts, office towers, multi-family residential developments, and custom single-family homes.
The Grace Hayes Papers (1900-1989) include personal papers and financial papers pertaining to the Grace Hayes Lodge (formerly the Red Rooster), a nightclub on the Strip in Las Vegas, Nevada. The collection includes financial documents, newspaper clippings about Hayes and her family, personal correspondence, career mementos, legal documents, and photograph albums.
The Culinary Workers Union Local 226 Las Vegas, Nevada Photographs document various activities of the Culinary Union, from the 1950s to 2006, with the bulk of the material documenting the 1990s. Prominently featured in the collection are various strikes, pickets, marches, parades, rallies, and demonstrations from the late 1980s to early 2000s. A large portion of these photographs documents the Frontier Strike of the 1990s. Also included are photographs of press conferences, political rallies, internal committee meetings, Hotel Employees and Restaurant Employees (H.E.R.E.) conventions, and various social events. Materials contain photographic prints, photographic negatives, and a small number of slides.
The Las Vegas, Nevada Strip Hotel Labor Relations Collection comprises legal documents, correspondence, and human resources manuals and pamphlets related to labor in the hospitality industry on the Las Vegas Strip in Nevada from 1963 to 2008. The majority of documents involve the Culinary Union, the Bartenders Union, the Teamsters Union, MGM Mirage affiliated hotel casinos, the Dunes Hotel, and the Sands Hotel and Casino.