Search Results
Costa, Tony
Entertainer and song writer Anthony (Tony) Costa was born March 25, 1920 in Manhattan, New York. He started taking piano lessons at age eight and attended the famed Julliard School of Music. He earned bachelor's and master's degrees in music at the Manhattan School of Music. By the time World War II began, Costa was a concert pianist. He joined the Air Force and served in the medical corps in Africa.
Person
Mirtha Rojas oral history interview: transcript
Date
2018-12-06
Archival Collection
Description
Oral history interview with Mirtha Rojas conducted by Marcela Rodriguez-Campo on December 6, 2018 the Latinx Voices of Southern Nevada Oral History Project. Mirtha talks about her artistic upbringing in Cuba and how she immigrated to the Florida with her brother. She talks about relocating to Las Vegas in 2000, her membership with the Culinary Workers Union Local 226, and her employment as a guest room attendant and shop steward at the Aria Hotel and Casino.
Text
John Levy Lighting Productions, Inc.
The new technologies of lighting, developed for theater and entertainment made its logical jump to the Las Vegas Strip where lighting design blends with and becomes architecture. Whether lighting the top of the Stratosphere Tower or the intimate atmosphere of an exclusive restaurant or bar, the designs of John Levy Lighting Productions has become a hallmark of the new themed visualization which turns mere structures and landscapes into iridescent light shows.
Corporate Body
Tom Hansen Collection on the Jubilee! Stage Show
Identifier
MS-00106
Abstract
The Tom Hansen Collection on the Jubilee! stage show documents his work as choreographer from 1995 to 2012. The files include programs, set designs, lyrics, programs, badges, business cards, photographs, costume drawings, and audiovisual tapes of the Jubilee! auditions and rehearsals.
Archival Collection
Charles Scott Emerson oral history interview: transcript
Date
2017-12-21
Archival Collection
Description
Oral history interview with Charles Scott Emerson conducted by Claytee D. White on December 21, 2017 for the Remembering 1 October Oral History Project. In this interview, Charles Scott Emerson discusses his work with the American Red Cross and the disaster relief the organization provided during the aftermath of the October 2017 mass shooting in Las Vegas, Nevada. The interview begins with a discussion on Emerson's early life and career in Missouri and how he moved to Las Vegas in 2004. Emerson talks about the American Red Cross response plans and coordinated operations that are in place for when the community is faced with a disaster, going into specific detail on the community-wide response to the October 1, 2017 shooting. He gives a behind-the-scenes glimpse into how relief work is organized, using this interview as a chance to praise the hidden heroes of the October 2017 tragedy, including the people at the Family Assistance Center, the Attorney General's Office, the Driver's License Bureau, and the Coroner's Office, as well as mental health providers, child care workers, blood donors, and more. Throughout the interview, Emerson puts special emphasis on the importance of community in order to offer support in the aftermath of a tragedy as well as to prevent a man-made tragedy from occurring again.
Text
Transcript of interview with Justice Michael Cherry by Barbara Tabach, September 19, 2014
Date
2014-09-19
Archival Collection
Description
Interview with Justice Michael Cherry by Barbara Tabach on September 19, 2014. In this interview, Justice Cherry talks about how he came to Las Vegas and his work as a public defender and as a lawyer in private practice. He also discusses his involvement with Jewish organizations in various capacities, and his involvement with high-profile cases such as the MGM Grand and Las Vegas Hilton fires, earning him the nickname "master of disaster."
Justice Michael Cherry was born in St. Louis, Missouri, and went on to spend his childhood in the Jewish neighborhood of University City. He attended University of Missouri and became a leader in his fraternity, Alpha Epsilon Pi, and a committed ROTC cadet. By the time Justice Cherry graduated from Missouri and was heading to Washington University School of Law, he was a second lieutenant; halfway through law school, he was promoted to first lieutenant. It was also during law school that he married his college sweetheart, Rachel Wolfson. When a bad back prevented him from becoming an active air force officer, he and his wife decided to follow his mother to Las Vegas. Justice Cherry worked both as a law clerk with the Public Defender's Office as well as a security guard at Wonder World when he first moved to the city. After passing the Nevada bar, Cherry took at position with the Public Defender's Office, and later went into private practice as a successful criminal defense attorney. Cherry was elected as district judge in 1998 and 2002. In 2006, he won his campaign for state Supreme Court justice. Justice Cherry was reelected to office in 2012 for another four-year term. He is currently the highest-positioned Jewish official in the state of Nevada. Throughout his years in Las Vegas, Justice Cherry has been an extremely active and influential member of the Jewish community and served as chairman of the Anti-Defamation League and is active in the Jewish Federation. Justice Cherry attributes his commitment to service to his mother. In addition to his service to the Jewish community, he has been active in numerous other service organizations, including March of Dimes, Olive Crest, Adoption Exchange and American Cancer Society.
Text
neo000049-003
Date
2002
Description
Sign animation: Chasing, flashing, oscillating
Notes: The text letters on the porte-cochere and entrances hold a three step animation: The incandescent bulbs all oscillate rapidly inside the letters, then steady burn on, and finally come to rest in the off position. The sequence then repeats. The main pylon sign carries several different sections which all hold different animation patterns. Inside the middle sculptural piece, the incandescent bulbs, which encrust the star shapes, oscillate in a twinkling fashion. The bulbs which border the outlying portion of the middle section chase each other, with the inner row running downward, and the outer row chasing upward. The double rows of incandescent bulbs that create the outer border, also chase each other in a similar fashion. The outer-most lane, of the double rowed bulbs, animate chasing downward, while the inner is treated with chasing animation, which chases upward. The bulbs, which encrust the bottom of the main marquee oscillate, as well as the bulbs on the widths edge of the main message center. The incandescent bulbs, which fill the text in the main marquee of the pylon, oscillate rapidly while the vertical red bars of neon, animate behind them. They star in the middle and chase out to either side illuminating all of the bars, then chase back to the center leaving them dark. They then start all illuminated, and curtain open to either side, then animates, chasing each other from either side back to the middle again. Once all illuminated, they flash off, on, off, on, then off. The marquee seems to be the one with a set sequence. On the main message board, the golden image of the cowboy animates in three stages, rocking back and forth, as if riding the bull. The letters, which adorn the tower of the building, animate in sequence. The incandescent bulbs in each letter light up individually one at a time from left to right, then once all are illuminated, they each oscillate one at a time, from left to right. They then light up continuously from left to right again one at a time, and then turn off. The letters, which run vertically on the northwest side of the tower, also have the same sequence.
Notes: The text letters on the porte-cochere and entrances hold a three step animation: The incandescent bulbs all oscillate rapidly inside the letters, then steady burn on, and finally come to rest in the off position. The sequence then repeats. The main pylon sign carries several different sections which all hold different animation patterns. Inside the middle sculptural piece, the incandescent bulbs, which encrust the star shapes, oscillate in a twinkling fashion. The bulbs which border the outlying portion of the middle section chase each other, with the inner row running downward, and the outer row chasing upward. The double rows of incandescent bulbs that create the outer border, also chase each other in a similar fashion. The outer-most lane, of the double rowed bulbs, animate chasing downward, while the inner is treated with chasing animation, which chases upward. The bulbs, which encrust the bottom of the main marquee oscillate, as well as the bulbs on the widths edge of the main message center. The incandescent bulbs, which fill the text in the main marquee of the pylon, oscillate rapidly while the vertical red bars of neon, animate behind them. They star in the middle and chase out to either side illuminating all of the bars, then chase back to the center leaving them dark. They then start all illuminated, and curtain open to either side, then animates, chasing each other from either side back to the middle again. Once all illuminated, they flash off, on, off, on, then off. The marquee seems to be the one with a set sequence. On the main message board, the golden image of the cowboy animates in three stages, rocking back and forth, as if riding the bull. The letters, which adorn the tower of the building, animate in sequence. The incandescent bulbs in each letter light up individually one at a time from left to right, then once all are illuminated, they each oscillate one at a time, from left to right. They then light up continuously from left to right again one at a time, and then turn off. The letters, which run vertically on the northwest side of the tower, also have the same sequence.