Raymonde "Ray" Fiol was born August 22, 1936 in Germany. A Jewish Holocaust survivor whose parents were killed in Auschwitz, Fiol was hidden by a Christian family of Resistance fighters during her childhood in Nazi-occupied Paris, France. She married American serviceman Phil Fiol and left Paris in 1957. The couple lived in New York City, New York where she worked in inventory control. Fiol retired to Las Vegas, Nevada around 2003 and became active in the local Holocaust Survivors Group.
Rudy Horst was a prisoner at Auschwitz and was part of the Death March from Warso to Kutno, then transported to Dachau. He was liberated from the camp at Muldorf in 1944. He came to the United States in 1948.
Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.
Correspondence and ephemera from Edythe and Lloyd Katz's involvement in the Jewish community and Holocaust education, 1967-2001. Letters include discussion of Ralph Englestad and Imperial Palace Hotel.