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Transcript of interview with Betty Bunch by Joyce Marshall, January 9, 1996, February 7, 1996, & February 13, 2002

Date

1996-01-09
1996-02-07
2002-02-13

Description

Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin

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Transcript of interview with Myoung-ja Lee Kwon by Claytee White, September 4, 2004

Date

2004-09-03

Description

Myoung-ja Lee Kwon began her life on the grounds of the Kyongbok Palace in Korea. In a country where education is valued, her father's occupation as a university professor meant that the family was highly honored, thus this palatial space allowed them live in a state of prosperity. But war changed these circumstances and in this interview Kwon vividly explains the family's evolution. In 1965, after graduation from Seoul National University she married and a year later, moved to the United State of America where she earned a Master's degree in Library Science in Provo, Utah. Her first professional position was at the University of Nevada Las Vegas as a cataloguer and after many promotions, became interim dean of UNLV Libraries. In 2001, she took the job as Dean of Libraries at California State East Bay Library, retiring in 2008. Currently, she serves as a special lecturer and discussion leader with the Fulbright Senior Specialist Program. During her 2009 visit to Korea, she pr

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Transcript of interview with Pat and Lamar Marchese by Claytee White, January 16, 2008

Date

2008-01-16

Description

Pat Marchese grew up in Johnston, Pennsylvania, and Lamar was reared in Tampa, Florida. Pat was raised on a farm surrounded by relatives. Lamar takes pride in his mother heritage, which can be traced to Tampa Bay, Florida, in the early 1840's. Pat and Lamar graduated from the University of South Florida and relocated to Las Vegas in 1972. Pat's remarkable 30-plus year passion includes working for the city of Las Vegas and Clark County, Nevada. She created numerous art and cultural programs which consist of the Civic Symphony, Charleston Heights Arts Center, Rainbow Company Theatre, along with consulting work for the Allied Arts Council. In addition, to her creating art and cultural agendas, she became a budget analyst and chief lobbyists for the county, testifying before the Senate Taxation Committee. She implemented through the public arts program, a Mural Arts Series, the Parks and Recreation Cultural Division, and culture on the Strip. Pat executed the grant that ensured the necessary funding for the expansion for public broadcasting radio stations throughout California, Utah, Arizona and Nevada. She's certainly worthy of her title "Queen of Las Vegas Culture". Lamar's amazing 30-plus year's calling comprises putting into action an abundant number of libraries programs for the State of Nevada along with establishing the first public broadcast radio station in Nevada. His library accomplishments include merging the City's libraries branches, library programs, shows, concerts, unification of academic libraries and public libraries and the first reciprocal borrowing agreement for the State of Nevada with the Nevada library card. He consolidated Las Vegas Libraries and the Las Vegas Clark County Library District. He also sold bonds for the development of future libraries. Lamar's broadcasting achievements consist of incorporating the Nevada Public Radio Corporation with State of Nevada, serving as Chairman of the board for NPRC, constructing broadcasting translators and radio stations throughout the tri-state and enveloping the State of Nevada through public broadcasting. Combined, Pat and Lamar Marchese have served the Las Vegas community for over six decades. Thanks to the Marcheses, broadcasting is thriving throughout the tri-state area, libraries are blossoming and cultural programs are flourishing. They are looking forward to retiring, traveling, spending time with loved ones, and most of all, Pat and Lamar time together.

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Transcript of interview with Joan Massagli by Claytee White, August 19, 2010

Date

2010-08-19

Description

Joan Massagli spent her childhood in the Tacoma, Washington area, singing three-part harmony—a member of a musically talented family that included five children and an aunt and uncle who raised all the kids to enjoy music. By high school in the early 1950s, she and her two older sisters were regulars on a local TV show. In 1956, the Sawyer Sisters act was formed and they were soon obtaining regular gigs in Las Vegas. Their popularity continued form 1957 to 1964 and they played many of the major hotels, usually as a warm up act for headliners that includes a list of names such as Roy Clark, Louis Prima, Shecky Greene, and Delia Reece. At first the Sawyer Sisters included older sister Nanette Susan and Joan. When Nanette quit to raise her family, youngest sister Kate stepped into what was called a "lively and lovely" trio. Joan met her future husband and musician Mark Tully Massagli, while performing in the early 1960s. Caring for ailing parents while working mostly in Las Vegas, the couple made Vegas home. Even after the Sawyer Sisters name faded from the Strip's marquees, Las Vegas remained home to the Massagli's, who raised their children here. Today they live in the Blue Diamond Village area and recall the changes that have occurred on the Las Vegas Strip—especially from an entertainer's point of view.

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Transcript of interview with Marie McMillan by Kelli Luchs, September 15, September 23, October 1, & November 24, 2009

Date

2009-09-15
2009-09-23
2009-10-01
2009-11-24

Description

From an early age, Marie McMillan displayed an adventurous sensibility, a characteristic that is revealed in how life unfolded for her. In this multi-part interview, Marie begins with her birth in 1926 California, and continues with stories of her childhood recollections of the Depression era, her longstanding closeness with Nanny, her maternal grandmother, and memories of Old Bent, her paternal grandfather. She enjoys a flirtatious vitality and attends college for a year. However, as World War II begins to infest the U.S., Marie finds herself falling for a young merchant marine named Duke Daly. They marry, have two children, and live a transient life moving about California and Hawaii as he goes to school, then seeks and finds employment in a postwar economy. By the late 1950s, the Daly household is stressed and begin to split time between California and Las Vegas. Marie holds positions that require security clearance and administrative talents. In 1961, Duke passes away a

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Transcript of interview with Fluff LeCoque by Joyce Marshall, May 5, 1997

Date

1997-05-05

Description

This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.

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Transcript of interview with Dr. Catherine Bellver by Caryll Batt Dziedziak, November 13, 1995

Date

1995-11-13

Description

Dr. Catherine Bellver is a woman with tenacity. How else could one describe her drive to create the Women's Studies Program spanning fifteen years? As a faculty member in the Department of Foreign Languages, Dr. Bellver first joined the Women's Studies steering committee in 1979. In the following decade, the committee oversaw the formation of the Women's Studies Program, including: procuring administrative and faculty support, creating bylaws and course criteria, critiquing proposed cross-listed courses, and selecting course offerings. During that period she also worked with a volunteer group to create and staff the first Women's Center on campus. In the early Nineties, she played an instrumental role in the presentation of four public colloquia that addressed key issues pertaining to women. Dr. Bellver acted as interim director of the Women's Studies Program while overseeing the search for a permanent director. She continued to remain involved with the Women's Studies program, serving as faculty member on several committees. She has also worked in the Women's Caucus on the regional and national levels of the Modem Languages Association Dr. Bellver is currently Distinguished Professor of Spanish in the Department of Foreign Languages at the University of Nevada, Las Vegas. Her work has appeared in journals such as Anales de la Literature Espanola Contemporanea, Hispanic Review, Hispanofila, Insula, Journal of Interdisciplinary Studies, Monographic Review/Revista Monografica, Revista de Estudios Modernos, Revista Hispanica Moderna, Romance Notes and Romanic Review. Dr. Bellver's participation in the creation of the Women's Studies Program illustrates how critical institutional and social progress can result from the commitment of a determined group of individuals. Her decades of involvement in creating an academic arena for the study of women and gender issues underscores the significance of women's contributions to the history of Las Vegas. In addition to the history of the Women's Studies Program at the University of Nevada Las Vegas this interview contains information regarding the creation of the first Women's Center on campus.

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Transcript of interview with Barbara Agonia by Suzanne Becker, September 17, 2007, September 25, 2010, & October 2, 2007

Date

2007-09-17
2007-09-25
2007-10-02

Description

When Barbara Agonia arrived in Las Vegas in 1969 to pursue a Master's Degree in English, the University of Nevada Las Vegas was barely ten years old and the population of Las Vegas was just approaching 160,000 residents. At the time, she was 35 years-old and it was a decision and move that would forever change her life and higher education in Clark County. Barbara Agonia was born in St. Louis, Missouri, in 1934 to Robert Lewis Klinefelter and Suzanne Carter Klinefelter. At the time of Barbara's birth, her father worked for Brown Shoe Company in St. Louis. The family moved to Bunker Hill, Illinois when Barbara was still an infant. This was Mr. Klinefelter's hometown where a portion of the extended family still resided. In the late 1930s, Mr. Klinefelter got a job in a brass mill near Alton, Illinois, and he commuted there daily. When the United States entered World War II, Mr. Klinefelter tried to enlist in the army, but was rejected because he had two small children and because he worked in an essential industry. He decided to work in a non-essential industry and took a job at Montgomery Ward in Oak Park, Illinois. Barbara was in the third grade that year. Still unable to enlist, Mr. Klinefelter moved the family to Wabash, Indiana, and began working for General Tire in 1943. They moved to Logansport, Indiana in 1947. Agonia recounts that education has always been a significant part of her life, with the importance of a good education stressed in her life from early childhood forward. After graduating from high school in Logansport, Indiana, she attended Hanover College in southern Indiana, enrolling in 1952. Her educational experience at Hanover included a year studying abroad at the University of Exeter in Devonshire, England—an experience which Agonia credits as further cementing her commitment to education and her love of literature and language. She graduated from Hanover in 1957 with a double major in English and speech/ theater. Agonia spent her first years out of college teaching high school English, speech, and theater in west central Illinois and the next eight in northern Illinois. A little over ten years into her career, at the age of 35, she decided to pursue a Master's degree in English. Her sister, Martha, who at the time lived in Las Vegas, suggested checking into programs offered at the city's newly formed university. In 1969, Barbara moved to Las Vegas and enrolled in the English Department at UNLV. As Agonia was completing her degree in 1971, the community college system in Nevada was emerging and seeking faculty for the up and coming institution. Curious to know more about the new system, Agonia scheduled a meeting with the person in charge of hiring. Two hours later, she walked out with a contract in her hand, one of eight new faculty members at Clark County Community College, now known as College of Southern Nevada. In her early years with the college, Agonia did a great deal of public speaking on behalf on the newly formed system, promoting the new institution and reaching out to potential students. At the same time, she taught full course loads in composition and literature, and eventually became chair of the English department. Her new position and public speaking work on behalf of the college not only provided her contact with the local Las Vegas community, it ultimately became the catalyst in spurring her passion for community involvement, particularly working on behalf of women within the community. • • Vll As the 1980s approached, Agonia became actively involved in rape crisis education, at the urging of Florence McClure. Then, in 1980, Agonia was again in on the ground floor of community programming, when she and Beverly Funk, at the urging of Judith Eaton, the president of Clark County Community College, established a Women's Center on campus. The Center was initially set up to help women in a variety of life circumstances, including women who were wanting to return to school or who were new to the process of school altogether. The center eventually became the Re-Entry Center offering skill development, tutoring programs, and other forms of assistance for anyone interested in returning to school. In addition to her involvement in and commitment to public education, Agonia has also been involved in the Soroptimist International organization for business and professional women who work to improve the lives of women and girls in local and international communities. In the Las Vegas area, Soroptimist International of Greater Las Vegas worked to establish the Rape Crisis Center and the Center for Domestic Violence, which later became SafeNest. Agonia has been working with the organization since 1982. Through Soroptimist International, she also became involved in Friends of the Nevada Wilderness, an organization devoted to designation and long-term protection of Nevada's wilderness areas. As the representative for Soroptimist International, she traveled to Washington to lobby and testify in front of the senate for the establishment of Great Basin National Park. Agonia's work in the Las Vegas community over the past forty years has been significant. She counts Florence McClure, Geneva Douglas, and Jean Ford amongst her greatest influences. As she notes in her oral history, "I learned how to be radical from those women." She happily embraces the label of radical. This attitude surfaces throughout Agonia's experiences and recollections, and underscores her work and dedication to the interplay of local education and women's issues within Nevada.

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Transcript of interview with Bernice Jaeger by Joanne L. Goodwin on July 25, 1997, July 30, 1997, & February 3, 1998

Date

1997-07-25
1997-07-30
1998-02-03

Description

Interviewed by Joanne L. Goodwin. Bernice Smith was born in Cincinnati, Ohio, on July 27, 1934. She married Ivan Jaeger in 1955. He and his family were involved in the underground gaming industry in the Midwest. When it shut down in 1961, they moved to Las Vegas where Ivan worked first as a dealer and later in various executive gaming positions. Bernice was one of the fist students to attend Clark County Community College (later Community College of Southern Nevada) when it was founded in 1971. She earned a liberal arts degree in 1973 and a degree in hotel administration in 1974. Bernice worked as the secretary of Inez Rambeau, the director of convention sales at the Riviera Hotel and Casino. After a few years, she became the assistant of the hotel director at the Riviera. Later Bernice was the personal secretary to the owner and general manager of the Aladdin Hotel and Casino. She left that position in 1984, completed a bachelor's degree in the field of women's studies, and started Flex-Time, a temporary employment agency catering to working women. Then she was hired by Ira levy, the new owner of the Continental Hotel and Casino to be his assistant general manager. In 2003 Bernice earned a master's degree in counseling at the University of Nevada, Las Vegas, and she now works for Legal Rehabilitation Services, leading court-mandated group counseling for people in domestic violence situations

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Transcript of interview with Della Mae Rostine by Irene Rostine, October 31, 1991

Date

1991-10-31

Description

Della Mae Rostine left Missouri with her husband, Rocco, in 1942, and headed to Las Vegas. Happy to leave behind the hard life and instability the mining industry had to offer, after living in Las Vegas for the first year the couple settled in Henderson, Nevada, known as the townsite at that time. Della Mae’s oral history provides readers with a glimpse of what life was like for the 14,000-plus individuals and families who also moved to southern Nevada during the same period in order to make a living in the growing “war work” industry the area had to offer. Della Mae shares the hardships faced in finding housing, especially for families with children. She discusses challenges ranging from securing home furnishings to purchasing groceries, including the rations on gasoline and butter at that time. Della Mae also discusses her experiences with the Basic Magnesium plant where her husband was hired as a construction worker in the early days of the plant and where she would work briefly as a machinist making shell casings and monitoring the down time on the production line. She also touches briefly on the social opportunities the BMI plant, and later Rheem Manufacturing, offered to the workers and their families. When World War II ended, more than half of residents of the townsite left, leaving fewer than 7,000 people to form what would later become the city of Henderson, Nevada. Della Mae’s oral history is a brief overview of a family life which began when BMI was just getting off the ground and continued through the many changes that took place in the BMI complex and the town site over several decades. The timing of the Rostine family’s arrival and the fact that they stayed and made a permanent home in Henderson led to their designation as one of Henderson’s “founding families.”

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