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Robert Scott Hooper Photographs (PH-00459)

Abstract

The Robert Scott Hooper Photographs (approximately 1950-2018) consist of photographic negatives, positives, slides, prints, Polaroids, business records, correspondence, drawings, audiovisual material, and ephemera. The collection was created by prolific photographer Robert Scott Hooper and his longtime business partner and wife, Theresa Holmes. The couple's life and business was based in Las Vegas, Nevada. Hooper's work focused on the female form, encompassing many areas of interest including sexual entertainment, modeling, pornography, and Las Vegas entertainment. Hooper was a contributing photographer with Playboy and Vegas Visitor magazines. Hooper also photographed many celebrities, Las Vegas production shows, notable events like hotel implosions, and the development of the Las Vegas Strip, including early time-lapse work of the Luxor Hotel and Casino and The Venetian.

Finding Aid PDF
Date
1950 to 2018
Extent
159.26 Cubic Feet (257 boxes, 11 oversized boxes, 1 flat file)
153.23 Linear Feet
Related People/Corporations
Scope and Contents Note

The Robert Scott Hooper Photographs (approximately 1950-2018) consist of photographic negatives, positives, slides, prints, Polaroids, business records, correspondence, drawings, audiovisual material, and ephemera. The collection was created by prolific photographer Robert Scott Hooper and his longtime business partner and wife, Theresa Holmes. The couple's life and business was based in Las Vegas, Nevada. Hooper's work focused on the female form, encompassing many areas of interest including sexual entertainment, modeling, pornography, and Las Vegas entertainment. Hooper was a contributing photographer with Playboy, Vegas Visitor, and Las Vegan magazines, among others. Hooper also photographed many celebrities around the city, including Liberace, Siegfried and Roy, Tom Jones, Jimmy Durante, and Liza Minelli. Other notable subjects of Hooper’s photography include Las Vegas production shows, the implosion of the Dunes Hotel and Casino, and the development of the Las Vegas Strip, including early time-lapse work of the Luxor Hotel and Casino and The Venetian. Hooper’s creative work also included advertising for several Las Vegas businesses, including the Palomino Club, a long-running Las Vegas gentlemen’s club.

Access Note

Collection is open for research. Where use copies do not exist, production of use copies is required before access will be granted; this may delay research requests. Please contact UNLV Special Collections and Archives for additional information.

Publication Rights

This material is made available to facilitate private study, scholarship, or research. However, some material may be protected by copyright, trademark, privacy, publicity rights, or other interests not owned by UNLV. Playboy retains all copyrights for any work contracted with Robert Scott Hooper. Users are responsible for determining whether permissions are necessary from rights owners for any intended use and for obtaining all required permissions. Acknowledgement of the UNLV University Libraries is requested. For more information, please see the UNLV Special Collections policies on reproductions and use or contact us at special.collections@unlv.edu. Contact Playboy (copyright@playboy.com) for rights and permissions.

Arrangement

Materials remain roughly in original order, as the creator had them organized and stored in his studio. The collection is organized into three series, and materials are primarily grouped by format within each series:

Series I. Photoshoots;

Series II. Professional files;

Series III. Audiovisual material.

Biographical / Historical Note

Robert Scott Hooper, was an artist and photographer based in Las Vegas, Nevada who photographed diverse subjects over many decades. His work has been seen on the pages of newspapers and magazines worldwide, from Life to the cover of Playboy; featured on billboards, posters, postcards, phone cards and video game machines; and exhibited in galleries and private collections. He won numerous awards for his creations in graphic arts, commercial television production, advertising, print work, and even photographing a centerfold for Playboy.

Born in Iowa, Hooper was artistic from a young age. He first entered college to study architecture but left school and searched for a job as an artist, finally landing at a large midwestern printing company. While at the print company he joined the National Guard and ended up in the photograph division where he had the opportunity to learn photography. After five years as art director for the printing company, Hooper opened his own photography studio in downtown Des Moines, Iowa. The studio prospered over the next few years, doing illustration and advertising photography, and Bob dreamed of being a Playboy photographer someday. When he was not photographing pretty Iowa girls, he pursued his other passion, road racing. After racing Corvettes at tracks around the midwest for several years, he decided to design and build his own car. The aerodynamically designed "Mongoose" went on to win several top races.

In 1966, Hooper closed his studio and moved to Las Vegas, Nevada and took a job at the Review Journal as a photojournalist. He then went on to work at the Las Vegas News Bureau for about five years shooting hotels, events, shows, and entertainers. His photography attracted the attention of a local entertainment weekly publication, the Vegas Visitor, a weekly entertainment publication. They contracted Hooper to exclusively photograph the "cover girls" that would be on the front page of each issue from 1968 to 1984. In 1971, Hooper left the News Bureau and opened his own commercial studio in Las Vegas. His graphic art background became a valuable asset in that he was able to design the billboards and advertisements as well as shoot the photographs for his clients. His advertising contracts included show producers, entertainers, hotels, casinos and clubs.

Hooper went on to work for Playboy Magazine, first as a freelance photographer and then securing more steady work due to his successful first pitch for “Sex Education and the Automobile.” The ten page pictorial, which ran in May 1973, was a hit and gained the greatest reader response of any pictorial in the history of the magazine at the time. Hooper continued to work extensively for Playboy for the next decade, and his pictorials were some of the most popular and memorable that the magazine printed. He photographed Debra Jo Fondren, Playboy’s 1977 “Miss September”, who became the longest running centerfold and one of the most popular Playmates to date. Hooper's ability as a photojournalist led Playboy to send him on the road to do the "Sex In America" series. When they sent he and his longtime assistant and wife, Theresa Holmes, to cover a swingers convention in California, he returned with photographs and interviews that startled even the most liberal editors. They then sent Hooper's team to New York to cover the sex club phenomenon, resulting in a pictorial featuring Plato's Retreat which gained Hooper his second Playboy award for Best Pictorial Reportage in 1978. Their ability to find, interview, and photograph real people in real life intimate situations led Hooper and Holmes to be dubbed the "SWAT" team by the editors and sent on to do "Sex In Miami," "Sex In Chicago," "Couch Dancing," and "Phone Sex."

By 1983, along with publishing his own calendar "The Fabulous Girls of Las Vegas," Hooper decided to expand his talents to the world of video and motion pictures and began doing small video projects for clients. By the mid-1980s, the VCR had affected the men's magazine business and Playboy was going through big changes. In 1986, after finishing the pictorial "The Girls of Magic" for Playboy, Hooper began in earnest to build a film production company. By producing local television commercials, sales films, and some Playboy Video products, Hooper learned the business and soon added music videos and his own line of R-rated productions to the company's projects. The company later added time-lapse into its repertoire, including the construction of the Luxor Hotel, Caesars Palace addition, and The Venetian.

Hooper passed away on December 4, 2023 in Las Vegas, Nevada. Theresa Holmes Hooper, his partner of over 50 years, passed away shortly after in February 2024.

Sources:

“R. Scott Hooper biography,” https://www.rscotthooper.com/frame.php?strt=bio. Accessed July 1, 2024.

Conversations with Hooper's son, James Hooper, at the time of collection pick up, June 2024.

Related Collections

The following material may provide additional information related to this collection:

Vegas Visitor magazine, 1960s-1980s. UNLV Special Collections and Archives. Call number: Oversize Per. F849.L35 V453.

Playboy magazine, 1950s-1980s. UNLV Special Collections and Archives.

Preferred Citation

Robert Scott Hooper Photographs, approximately 1950-2018. PH-00459. Special Collections and Archives, University Libraries, University of Nevada, Las Vegas. Las Vegas, Nevada. http://n2t.net/ark:/62930/f1tf69

Acquisition Note

Materials were donated by James Hooper, son of Robert Scott Hooper, in 2024; accession number 2024-079.

Processing Note

In 2024, Sarah Jones created the accession record and brief finding aid in ArchivesSpace. In 2025, Tammi Kim transferred digital files off of original source media and personal computers onto UNLV Libraries' networked servers. In 2025 and 2026, Sarah Jones and Landon Paljusaj rehoused the collection and created the inventory. Sarah Jones compiled the spreadsheets and wrote the finding aid in ArchivesSpace.

Resource Type
Papers
Collection Type
EAD ID
US::NvLN::PH00459
Appraisal Note

Acquired by Aaron Mayes, Visual Materials Curator, as part of UNLV Special Collections and Archives' holdings on entertainment, Las Vegas history, and sexual entertainment and economies. In 2025, original source media and personal computers that were part of the original acquisition were securely disposed of after the digital files were transferred onto UNLV Libraries' networked servers. In 2026, approximately 13.50 linear feet of duplicate photographic prints and unlabeled audiovisual materials were discarded.

Finding Aid Description Rules
Describing Archives: A Content Standard
English