Judy Jetter, a devout jazz music enthusiast, was born in a Chicago suburb in 1939. At the age of three, Judy began taking acting as well as tap and ballet classes. While raised by her mother until age 15 Judy was forced to study opera even though jazz music was her passion. Her first introduction to jazz came while listening to, legendary jazz great, Woody Herman on the radio. Judy developed an instant appreciation and love for jazz music. While working as a commercial actress during her childhood - Super Circus and Peter Pan peanut butter - Judy experienced live performances by the Stan Kenton Orchestra and was completely amazed. After graduation Judy was married and gave birth to her son. She worked for a movie studio in Chicago doing various jobs such as cleaning the stage, typing scripts, model work, and even playing the role of housewife. Later Judy went to college and earned a degree in psychology, which led to a job as a therapist. However, after remarrying to Bill Jetter, Judy switched careers and soon became an exercise instructor at the YMCA. There she cultivated her passion for working with people who suffered from disabilities. In particular, Judy developed a water regiment specifically designed for people with disabilities. Judy would go on to share her experiences in this field in two subsequent book publications. Unfortunately Judy's husband passed away with cancer. However, Judy found refuge and support from a group of jazz enthusiasts. Alongside her cadre, Judy began really studying how to listen to music. She moved to Las Vegas in 1992 and can often be found at different jazz venues throughout the city. She enjoys the local jazz scene in Las Vegas and making her weekly rounds to take-in Big Band and jazz singers such as Jobell and Terri James, as well as going to see Bruce Harper playing at Bugsy's, and the talented Gus Mancuso performing at the Bootlegger. Judy believes that music, like everything else, has evolved and will continue to mature; however, jazz musicians such as Louis Armstrong still remain as the foremost contributors in the long history of jazz music. Her hope is that music and the arts will continue to be offered through education to allow the next generation another "dimension to not only their education but their soul."

It is February 20th, 1995, the world’s eyes are set on El Estadio Azteca, Mexico’s largest sports stadium. Inside the facility, in front of an estimated 130,000 people, Mexican legend, Julio César Chávez, is defending his WBC super-light weight title against the American, Greg Haugen. In front of his countrymen, Chávez is punishing Haugen, who disrespected him years earlier in Las Vegas. During the 5th round, Haugen is barely able to stand on his feet, as the record breaking crowd calls for him to be knocked out. Chávez continues to land a barrage of punches, until finally the third man in the ring that night decides to step in to put an end to it. The stadium erupts with cheers for El León de Culiacán. The history books remembers this fight as the largest outdoor fight in the history of the sport. Casual boxing fans will always remember Chávez and Haugen battling it out in the heart of Mexico, but a third man stood in the ring that night: Joe Cortez. Cortez was born to Puerto Rican parents in Spanish Harlem, New York City. Boxing was always a part of this Hall of Fame referee’s life. Cortez won multiple Golden Glove tournaments as an amateur boxer and had a successful, but short career as a professional boxer. Outside of boxing, Cortez also found success as military man, deli owner, hotel manager, and director of an ophthalmologist outreach program. Eventually, he would find himself back in the boxing ring, this time as a referee. His career as a referee took Cortez to the top of the boxing world. When he retired in 2012, Cortez officiated 176 World Championship Fights. In 2011, Cortez was inducted in the International Boxing Hall of Fame alongside, Mike Tyson, Julio César Chávez, Kostya Tszyu, Ignacio Beristain, and Sylvester Stallone.

On March 6, 1977, Ronald Robinson interviewed Mary Ellen Campbell (born 1886 in Panaca, Nevada) about her life in Nevada. Campbell first talks about her parents’ move to the United States from England and her own life growing up in Panaca. She also talks about living in Pioche and the conditions of living in these two small Nevada towns. Also present during the interview is Mary’s grandson, Allen Campbell, who sometimes asks a few questions as well.

In this interview, Morris reflects upon his career and the wide range of influential artists he has worked with, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration, to name a few. He also talks about his agency, attributing its success to the strong relationships he built with casino management.

On May 23, 1983, collector Elizabeth N. Patrick interviewed gaming professional John Grayson (born May 25, 1898 in Grayson, Missouri) at the University of Nevada, Las Vegas. The interview covers John Grayson’s experience with gaming in Arizona, California, and Nevada. Also present during John Grayson’s interview is Billy H. Gray, a longtime gaming associate of his, who helps Mr. Grayson go into greater detail about key events.

On March 8, 1975, John Neal interviews Ruth Hazard (birthdate unknown, 67 years old) in her home about her memory of how Southern Nevada has changed economically. Hazard goes in-depth about her knowledge of municipal politics and her husband’s friendships with a number of Nevadan politicians. Hazard also briefly talks about her fascination with the above-ground atomic tests, speakeasies during Prohibition, and local anxieties about Las Vegas “losing its identity.”