Rita Deanin Abbey is an Emeritus Professor of Art at the University of Nevada, Las Vegas. She taught drawing, painting, and color theory and innovated interdisciplinary courses with the sciences at UNLV from 1965 to 1987. The University of Nevada, Las Vegas, Marjorie Barrick Museum and the Palm Springs Desert Museum (presently Palm Springs Art Museum), Palm Springs, CA collaborated to present the Rita Deanin Abbey 35 Year Retrospective, which was held February 16-March 5,1988 at UNLV and March 25-June 5,1988 at the Palm Springs Art Museum. Abbey received her Bachelor of Fine Arts degree in 1952 and her Master of Arts degree in 1954 from the University of New Mexico, Albuquerque, NM. She also studied at Goddard College, Plainfield, VT; the Art Student s League, Woodstock, NY; the Fians Hofmann School of Fine Arts, Provincetown, MA; and the San Francisco Art Institute, San Francisco, CA. She was an artist in residence in the studios of Toshi Yoshida, Tokyo, Japan, John Killmaster, Boise, ID; Methow Iron Works, Twisp, WA; Tamarind Institute, University of New Mexico, Albuquerque, NM; the Mason Gross School of the Arts, Rutgers, The State University of New Jersey, New Brunswick, NJ; Shidoni Foundry, Tesuque, NM; Bill Weaver Studio, Chupadero, NM; Savoy Studios, Portland, OR; and Carlson & Co., San Fernando, CA. Abbey, who works in the areas of painting, drawing, printmaking, sculpture, porcelain enamel fired on steel, stained-glass, and computer art, has had 60 individual exhibitions and has participated in over 200 national and international group exhibitions. She is represented in private and public collections in the United States, the Middle East, Europe, and South America. Abbey has published several articles in journals, and six books: Rivertrip, Northland Press, Flagstaff, AZ, 1977; Art and Geology: Expressive Aspects of the Desert, Peregrine Smith Books, Layton, UT, 1986 (co-authored by G. William Fiero); the Rita Deanin Abbey Rio Grande Series, Gan Or, Las Vegas, NV, 1996; In Praise of Bristlecone Pines, The Artists' Press, Johannesburg (presently located in White River), South Africa, 2000; Isaiah Stained- Glass Windows, Gan Or, Las Vegas, NV, 2002; Seeds Yet Ever Secret, Poems and Images, Gan Or, Las Vegas, NV, 2013. She has been the recipient of many commissions and grants and has won several awards, including the Bicentennial Commission for the State of Nevada, 1976; the Governor's Seventh Annual Visual Arts Award for the State of Nevada, 1986; and the Chairman's Award of Excellence at the 1987 International Exhibition of Enamelling Art, Ueno Royal Museum, Tokyo, Japan. From 1988-1990, Abbey fabricated Northwind, a steel sculpture (17ft. x 27 ft. 5 in. x 25 ft. 10 in., 7 tons), installed in Las Vegas, NV. Abbey was invited by the Gallery Association of New York State to exhibit four of her works in its 1989-1991 traveling exhibition, Color and Image: Recent American Enamels. In 1992, the Markus Galleries, Las Vegas, NV, and the Nevada Symphony presented an exhibition of art by Abbey, which inspired Virko Baley s Piano Concerto No. 1. The world premiere performance of the concerto was held in 1993 at the National Opera House, Kiev, Ukraine. In 1993, Abbey constructed Spirit Tower, a cor-ten steel sculpture (20 ft., 11 tons), which was commissioned by the Las Vegas-Clark County Library District for the Summerlin Library and Performing Arts Center. Abbey was invited by the Pacific Division of the American Association for the Advancement of Science to lecture on Art and Geology at San Francisco State University for the 75th Annual Meeting, on June 19-24,1994. She was one of three artists from the United States invited to participate in the exhibition, Enamel Today, at Villa am Aabach, Uster, Switzerland, June-July, 1995. Additionally in 1995, Abbey completed a series of cast bronze sculptures at Shidoni Foundry, Tesuque, New Mexico. Commissioned in 1998, Abbey completed the Isaiah Stained-Glass Windows in 2000, sixteen 10 ft. x 2 ft. stained-glass windows for the main sanctuary of Temple Beth Sholom, Las Vegas, NV. Also in 2000, she completed Holocaust, a stainless steel sculpture (14 ft. 3 in., 4.5 tons), installed in Las Vegas, NV. In 2003 her bronze sculpture, Ner Tamid, was installed in Temple Adat Ami, Las Vegas, NV. Snakewash, a cor-ten steel ground sculpture (62 ft.), was completed in November 2003. Abbey fabricated steel sculptures and cast small and large bronzes from 2004 through the present. In 2006 she completed and installed Guardian of All Directions, a stainless steel sculpture (14 ft., 1.5 tons). The Guggenheim Hermitage Museum and Young Collectors Council visited the studio and home of Rita Deanin Abbey, Las Vegas, Nevada October 15, 2006. During March 2008, Women's History Month, Abbey was recognized for her contributions to the Arts by Mayor Goodman and Members of the Las Vegas City Council. Hidden Pass, a 2-inch steel plate sculpture (16 x 28 ft. 8 in. x 13 ft., 22 tons), was installed in 2010. Between July 16-December 23, 2011, Abbey exhibited in Blast from the Past, '60s & '70s Geometric Abstraction at Palm Springs Art Museum, Palm Springs, California. The City of Las Vegas Office of Cultural Affairs, Las Vegas Arts Commission presented Abbey the Lifetime Achievement Award for Excellence in the Arts on May 25, 2012. Balanced Arc, an outdoor bronze sculpture (8ft. 8 in. x 9 ft. x 7 ft. 4 in., 1600 lbs.), completed in 2012, was installed in April 2013. The Western Museums Association 2014 Annual Meeting in Las Vegas, NV, toured The Art of Rita Deanin Abbey at the Desert Space Museum October 5, 2014. Abbey participated in the fall group exhibition Macrocosm/Microcosm: Abstract Expressionism in the American Southwest at the Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 2, 2014-January 4, 2015. Her artwork was also shown in the Recent Acquisitions exhibition at the Marjorie Barrick Museum, University of Nevada, Las Vegas, June 19-September 19, 2015. Currently, Abbey is working on new sculptures, paintings, and enamels. vii

On February 27, 1979, Cindy Gaylor interviewed engineering aid accountant, Laura Kelly (born December 31st, 1928 in Silverton, Colorado) in her home in Boulder City, Nevada. The two discuss Kelly’s reasons for moving, as well as her early life in Boulder City. They also discuss Nellis Air Force Base, as well as local politics. The interview concludes with a discussion of the Civilian Conservation Corps (CCC) in Southern Nevada, during the Great Depression.

On March 13, 1976, Mary Germain interviewed Thalia Dondero (born 1921 in Greeley, Colorado) about her life in Nevada and her experiences as the first female commissioner for the Clark County Commission. Dondero first talks about her upbringing and her eventual move to Southern Nevada. She also discusses her involvement in extracurricular activities, such as being a leader for the Girl Scouts, and how some of those experiences led her to get involved in politics. Dondero also mentions her work with National Geographic and her passion for working with oil paintings and watercolors. The final part of the interview involves some of Dondero’s accounts as a commissioner for Clark County and some of the challenges she has faced in that position.

In this interview, Stein lovingly describes various forms and mediums of art, especially rubber stamping, which included starting and managing a related craft publication, National Stampagraphic, as well as working with polymer clay. She talks about her involvement with the local Polymer Clay Guild, of which she is president, and their various projects, including Bottles of Hope and Hearts for Heroes. Stein also discusses her teaching career at the Hebrew Academy and Adelson Educational Campus.

Interview with Elliot B. Karp by Barbara Tabach on December 17, 2014. In this interview, Elliot Karp discusses growing up in a culturally Jewish household in New York and becoming more observant in his teenage and college years. He decided, after a trip to Israel and a year in a rabbinical program, that he wanted to be a "Jewish professional" with a focus on social work and community organizing, and attended a Master's program at Brandeis University. Karp goes on to talk about his work for the Jewish Federation in Ohio and Pennsylvania, and being recruited to come to Las Vegas. He talks about the challenges in the Las Vegas Jewish community and the Jewish Federation's role as an umbrella organization to partner with other agencies to grow and sustain a robust Jewish community in Southern Nevada.

On October 6, 1955, Elliot Karp was born in Mineola, New York to parents of East European heritage who identified as culturally Jewish. As a teenager, Elliot felt the calling to become kosher, balancing this practice with household norms that were not as strict. He eventually became shomer Shabbat just after enrolling at State University of New York at Stony Brook, where he majored in Political Science. After graduating from SUNY, Elliot spent a year living in Israel considering a path in rabbinical studies. By the end of his time, he decided on a different, yet related path, and registered as a graduate student in Brandeis University's School of Jewish Communal Service, on fellowship from Council of Jewish Federations. After graduating, Elliot moved to Columbus, Ohio to work for the Jewish Federation, focusing on fundraising, but was exposed to many different operational areas of the organization. After three years, Elliot was recruited to the Philadelphia office as its director of leadership development. He then left the Federation to work in development at Brandeis University, but after two years, returned to the Federation as the Cincinnati office's chief development officer. In 2008, Elliot received a call to take his highly cultivated leadership and fundraising skills to another Federation office: Las Vegas. After much consideration, he took the job - and challenge - as the office's new chief executive officer. Since then, Elliot has done much to promote communication, coordination and collaboration within the local Jewish community and beyond, through relationship building and successful fundraising efforts. His ultimate desire is to expand funding for programs that get more people involved in Jewish life - while also empowering community members define what a Jewish life means for them.