Interview with Jerry Countess and Dorothy Eisenberg by Barbara Tabach on October 28, 2014. Countess discusses his childhood and military life. He became involved in the United Jewish Appeal in Las Vegas and started the Jewish Reporter newspaper. Dorothy Eisenberg is also involved in the interview to discuss the Jewish Federation and the Jewish community.
Jerome Countess, known as Jerry to most, was born on December 22, 1920 in Brooklyn, New York. He grew up in the borough's Jewish neighborhood, and he developed a reputation for being a skillful handball player and a great dancer. Though he was not allowed to enlist in the U.S. Coast Guard due to colorblindness, Jerry was eventually drafted into the army during World War II. With very minimal combat training, Jerry was sent to North Africa as an infantryman, and was later stationed in Italy. After three years of service, Jerry returned home and married his childhood sweetheart, Rachel, in 1945. Using the G.I. Bill, he enrolled at New York University to study writing, though he quit just shy of graduation as his wife was expecting. After briefly working in the television broadcasting industry, Jerry landed a job with the United Jewish Appeal. In 1975, following in his desire to move west, Jerry took the job of executive director of the Combined Jewish Appeal in Las Vegas, what would soon be renamed the Jewish Federation of Las Vegas. Under his leadership, the federation started the Jewish Family Service as well as The Jewish Reporter, a monthly publication to promote engagement of the Jewish community. Jerry served as the executive director of the federation for many years, serving at the pleasure of many board members and presidents, including the first female federation president, Dorothy Eisenberg.
Bound booklet with concierge information for Caesars Palace. The guide provides entertainment and dining information about the resort and casino, including room service menus and a telephone directory.
In this interview, Stein lovingly describes various forms and mediums of art, especially rubber stamping, which included starting and managing a related craft publication, National Stampagraphic, as well as working with polymer clay. She talks about her involvement with the local Polymer Clay Guild, of which she is president, and their various projects, including Bottles of Hope and Hearts for Heroes. Stein also discusses her teaching career at the Hebrew Academy and Adelson Educational Campus.
In this interview, Phyllis Friedman reflects upon her extensive work with the ADL in Las Vegas. She discusses the city?s relatively low anti-Semitic activity, and how this allowed the Las Vegas ADL office to focus its efforts more broadly than in other cities. She also touches upon her family history, and how the community of Las Vegas has evolved since first visiting in 1963.
A Chicago native, Phyllis Friedman first came to Las Vegas in 1996 to become the Jewish Federation of Las Vegas? first foundation director. After two years, Friedman moved to year Los Angeles to work for ORT. Itching to get back to Las Vegas, in 2007, Friedman returned to the city to became director of the Nevada regional office of the Anti-Defamation League (ADL). In this position, she worked with schools as well as law enforcement, including the Federal Bureau of Investigation (FBI), teaching about tolerance and justice. She is a recipient of the FBI?s Las Vegas Division Director?s Community Leadership Award as well as the first awardee of Jewish Federation?s Jewish Professional of the Year. Three weeks into retirement, Friedman gave this interview, reflecting upon her extensive work with the ADL in Las Vegas. She discusses the city?s relatively low anti-Semitic activity, and how this allowed the Las Vegas ADL office to focus its efforts more broadly than in other cities. She also touches upon her family history, and how the community of Las Vegas has evolved since first visiting in 1963.
In this interview, Morris reflects upon his career and the wide range of influential artists he has worked with, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration, to name a few. He also talks about his agency, attributing its success to the strong relationships he built with casino management.