Oral history interview with Christina Gruber conducted by Barbara Tabach on March 2, 2019 for the Remembering 1 October Oral History Project. In this interview, Gruber shares her experience living in Las Vegas, Nevada since 1997 and as a Certified Public Accountant (CPA), mother of two, and physical fitness enthusiast. She recalls being shot during the Route 91 Harvest Festival and being rescued by strangers. She recalls the chaos of the evening, but also how strangers worked together to comfort each other amidst the terror. She discusses dedicated her athletic races to those who were murdered that evening, and how it has helped her recovery.

Oral history interview with Charissa B. Fabian conducted by Kyle Gregory Baluyut on November 24, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Charissa B. Fabian discusses her upbringing in Angeles City, Pampanga, Philippines with her three siblings and memories shared with her grandparents and cousins. She talks about her nursing education from the University of the Philippines and her immigration via a recruitment agency to work in New York. Charissa Fabian reflects on her move to Las Vegas, Nevada with her husband in 1995, the growing Filipino population in the city, and her work as a nurse. She also shares her thoughts on the immigration process, the COVID-19 pandemic, and politics.

During this interview, Michael Mack visualizes his childhood memories of the later 1930s, when Las Vegas was a small, but steadily growing, desert town. As he says, "The desert was our backyard." The Strip hotels like the last Frontier and the Flamingo pop into the stories, but it was basically an innocent time. He attended John S. Park Elementary when classrooms were temporary buildings from the local Air Force base and the neighborhood was filled with children. He still maintains close friendships from that time. And he also recalls friends from the Westside neighborhood. Michael talks of scouting, riding horses, and watching Helldorado parades.

Michael Mack's first recollection of Las Vegas is as a two-year-old living in a duplex on Bonneville Ave. Though the family moved several times, they remained in or near the John S. Park neighborhood. Michael's father was a Polish immigrant who arrived in Boulder City, where he opened a shoe store, in 1932. The building of the Hoover Dam brought opportunities and his father Louis expanded into the salvage business. In time Louis moved the family to Las Vegas, opened a retail clothing store, which eventually sold uniforms, and set up the first local bail bondman office. During this interview, Michael visualizes his childhood memories of the later 1930s, when Las Vegas was a small, but steadily growing, desert town. As he says, "The desert was our backyard." The Strip hotels like the last Frontier and the Flamingo pop into the stories, but it was basically an innocent time. He attended John S. Park Elementary when classrooms were temporary buildings from the local Air Force base and the neighborhood was filled with children. He still maintains close friendships from that time. And he also recalls friends from the Westside neighborhood. Michael talks of scouting, riding horses, and watching Helldorado parades. Though the Macks were a Jewish family, Michael's mother always brought the Christmas tree to school. It was a period when people memorized each other's 3-digit phone numbers, went to movies for 14 cents, and there was a ranch for people to stay while getting divorced. Halloween Trick-or-treaters in the John S. Park neighborhood might get a tasty cupcake or a shiny dime. Michael has a plethora of stories about innocent mischief and the unique experiences of a boy growing up in Las Vegas.

Part 1: Interviewed by Stefani Evans. Myron G. Martin, President and CEO, and Donald D. Snyder, Chairman of the Board of Directors, share their memories of the founding of The Smith Center for the Performing Arts from the first non-for-profit foundation formed in 1996. The second iteration led by Snyder in 1999 brought in Martin--former Director of UNLV Performing Arts Center--and created a sustainable business plan for a center for the performing arts that would be accessible geographically and culturally for all segments of Nevada society. Here, Martin and Snyder recall how land, funding, and legislation for The Smith Center depended on the ""power of the project"" and the Snyder-Martin team's ability to overcome skeptics in the public, the Nevada Legislature, the Clark County Commission, the Las Vegas City Council, and the Don Reynolds Foundation. Martin and Snyder satisfied the various requirements for each organization and earned unanimous approval at each stop--in fact, the $50 million donation to The Smith Center was the largest the Don Reynolds Foundation had ever granted largest. That the approvals came on three consecutive days from competing municipal jurisdictions makes the accomplishment even sweeter. Subjects: Las Vegas, NV; Cultural center; Performing arts; The Smith Center for the Performing Arts; The Smith Center; Not-for-profit;; Nevada Legislature; Clark County Commission; Las Vegas City Council; The Don Reynolds Foundation; Fundraising; Planning; Endowment; Part 2: Interviewed by Stefani Evans. Martin, who was the youngest of three boys raised in suburban Houston, Texas, likes to say that in college at the University of North Texas he played for the Atlanta Braves and the Texas Rangers. So he did--as the organist. He earned a Bachelors of Music in piano, organ, and voice and an MBA from Golden Gate University. He came to Las Vegas after a fifteen-year career with the Baldwin Piano Company as executive director of the Liberace Foundation; he later became president of UNLV?s Performing Arts Center and in 1999 he became president of the Las Vegas Performing Arts Center Foundation. Here, Martin and Snyder recall the process whereby they hired architect David Schwarz of Washington, DC, to create The Smith Center's ""timeless, elegant"" look; creating a ""shared vocabulary"" by visiting 14 performing venues in 5 European countries; the City of Las Vegas's RFP that resulted in hiring Whiting-Turner Contracting Company; the exterior art/artists, significance of the bell tower, Founding Fifty(seven), and the ability of the theater to adapt from staging The Book of Mormon to staging a community funeral for two slain police officers. Subjects: The Smith Center; The Smith Center for the Performing Arts; Architecture; Fundraising; Acoustics; Public private partnerships; Request for proposals; Whiting-Turner; Theater Projects Group; vocabulary; Part 3: Interviewed by Stefani Evans. Author Jack Sheehan, joining this third session on The Smith Center in his role as Don Snyder's biographer, explains the way he envisions the place of The Smith Center in the larger context of Las Vegas. Martin and Snyder provide names for the group that grew out of the Call to Action meeting and founded the original Las Vegas Performing Arts Foundation. They share anecdotes of a 2005 trip, wherein they were joined by Las Vegas City Councilman Lawrence Weekly, City of Las Vegas Mayor Oscar Goodman, and consultant to the City of Las Vegas Dan Van Epp to visit City Place and the Kravis Center for Performing Arts in West Palm Beach as an example of a place where a performing arts center was a catalyst for revitalization in an area of underused and underutilized urban land. They discuss opening night, March 10, 2012, /From Dust To Dreams: Opening Night at the Smith Center For The Performing Arts/, which was produced broadcast live on national Public Broadcasting System (PBS) television stations, produced by George Stevens Jr. and directed and produced by Michael Stevens for The Stevens Company; hosted by Neil Patrick Harris; and featuring Jennifer Hudson, Willie Nelson, Merle Haggard, Emmylou Harris, Martina McBride, Carole King, Arturo Sandoval, Joshua Bell, Mavis Staples, Pat Monahan; American Ballet Theater dancers Marcello Gomes and Luciana Paris; also Broadway performers Brian Stokes Mitchell, Laura Osnes, Cheyenne Jackson, Sherie Rene Scott, Montego Glover, and Benjamin Walker. Martin describes how provisions of Nevada SB235--introduced March 6, 2017, signed into law by Governor Bob Sandoval, and became effective October 1, 2017--for the regulation of ticket sales to an athletic contest or live entertainment event affect The Smith Center ticket sales. They talk of providing 3,600 good construction jobs during the recession, of Discovery Childrens Museum, of future development plans for the entire 61-acre Symphony Park parcel, and of a second capital campaign to increase the endowment to $100 million to enable The Smith Center to be economically sustainable.

Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Educational work and legacy file. This folder includes teaching contracts, a Clark County School District Las Vegas Area map, teacher-student guidelines, newsletters, a conference booklet, a speech transcript, and other documents related to Mabel Hoggard's teaching career.

Multicultural advancements in Las Vegas cannot be mentioned without speaking on the monumental contributions of Dorothy Eisenberg. From 1971 to 1998, she was involved with over 25 local organizations and committees and had the honor of having an elementary school named after her. Eisenberg’s beginnings start in the midst of the all American melting pot experience though immigration. Her mother came to the United States from Russia at age twelve and her father from Austria at age sixteen to go upholstery school. Upon marriage, they settled down in Philadelphia after the World War II. They raised Dorothy and her siblings to contribute to the community despite the anti-Semitism that was displayed there on a regular basis. Signs that said, “No dogs and Jews allowed” were common place. After her first husband died, leaving her as a single mother of four little girls, she didn’t allow herself to be trampled by her circumstances by enrolling in Temple University to be a teacher at a time when the university had stigma towards older students. Upon her marriage to her second husband, the family moved to Las Vegas where she found a spiritual home for her family at Temple Beth Sholom, where her children went learned to deeply appreciate their Jewish heritage and attended Hebrew school. Having always been involved with politics in Philadelphia, she faced personal discrimination due to her religion when she was searching for organizations to involve her time. She eventually found a home with the League of Women Voters in 1965 and became involved with the Observers Corp and became aware of what was going on with the African American community from community based research and dialogue. She played a key role as president of the organization and faced heat for her involvement in the desegregation of sixth grade centers with the Kelly vs. Guinn decision in 1972 and was involved with the Welfare Rights Movement. She met Ruby Duncan and Jane Fonda, and she even showed up to the march with her daughters. Eisenberg was heavily involved with her namesake school through meetings with principals at least once a year, reading to students in the classroom, and bringing latkes to the school on Hanukkah. She continues the intergenerational legacy of educational involvement set forth by her parents with supporting her children, grandchildren and great grandchildren in the school as well. Dorothy Eisenberg is a true role model for Nevada and a pioneer for equal education in Las Vegas.