The C. C. (Clio Cline) Mobley Photograph Collection (approximately 1911 to 1917) consists of sixteen black-and-white photographic prints with corresponding photographic negatives. The images depict the Las Vegas, Nevada Ranch while the Mobley family leased it from the Union Pacific Railroad during the period. The photographs depict the home, swimming pool, the Old Las Vegas Mormon Fort, and orchards and streams on the property.
The Las Vegas Bugle Collection on Lesbian, Gay, Bisexual, and Transgender (LGBT) History (1984-2002) consists of correspondence, newspaper clippings, photographs, and ephemera chronicling issues of the LGBT communities in Nevada. In addition to records of the newspaper, the Las Vegas Bugle, the collection also contains documents pertaining to the founding of the Gay Community Service Center of Las Vegas, Nevada; Parents, Families, and Friends of Lesbians and Gays (PFLAG); local political campaigns; and photographs documenting LGBT life and culture in Las Vegas, Nevada.
The Daly v Daly Collection documents materials produced for and as a result of the lawsuits between Suzanne Daly (formerly Tim Daly), a male-to-female transgender woman, and Nancy Toews Daly from 1980 to 2003. The collection primarily focuses on the motions filed with the Nevada District Courts and Nevada Supreme Court and transcripts of the divorce, the battle for parental rights, and an allegation of civil rights violations.
The Tony Costa Sheet Music and Music Scores (1936-1995) consists of printed sheet music and hand-written scores composed by entertainer, songwriter, and Las Vegas, Nevada orchestra conductor Tony Costa.
The Evelyn Stuckey Papers date from 1940 to 1972 and document Stuckey's experience as a physical education teacher at Las Vegas High School (LVHS) in Las Vegas, Nevada and founder of the LVHS Rhythmettes dance group. The collection contains personal and educational materials from Stuckey’s college years, personal correspondence, and photographs. It also contains materials documenting the Rhythmettes' activities including travel plans, posters and fliers, news clippings, and group rosters.
The Las Vegas Professional Sports Teams Collection (1988-2008) consists of brochures, ephemera, and programs from various Las Vegas, Nevada sports teams. Teams include the Coyotes, Dustdevils, Flash, Thunder, Silver Streaks, and Wranglers. The sports include basketball, ice hockey, inline hockey and indoor soccer.
The State of Arizona vs. State of California Proceedings Concerning the Colorado River Usage Dispute collection (1957-1961) contains supplemental documents from the Arizona v. California Supreme Court case that began in 1931 and ended in 2000, including briefs, objections, requests for admissions of facts, rebuttal outlines, witness outlines, comments, and requested findings of facts.
The UNLV Libraries Collection of Scientific Games Holding Corporation Financial Reports and Press Materials contains financial reports, equity research reports, Securities Exchange Commission Form 10-K, Securities Exchange Commission Form 10-Q, prospectus, press kits, and press releases from Scientific Games Holding Corporation, an instant lottery ticket manufacturer based in Alpharetta, Georgia. The records date from 1993 to 2006.
Photos show Little Church of the West signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site name: Little Church of the West Site address: 4617 S Las Vegas Blvd Sign owner: Greg Smith Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip. Sign condition: Structure 4 Surface 4 Lighting 5 Sign form: Pylon; Fascia Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon. Sign - type of display: Neon; Backlit Sign - media: Steel; Plastic Sign - non-neon treatments: Graphics; Paint Sign animation: none Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church. Sign manufacturer: Larsen Sign Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996. Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996. Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon. Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint