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Jose Leonardo Martinez oral history interview: transcript

Date

2020-08-19
2020-08-29

Description

Oral history interview with Jose Leonardo Martinez conducted by Barbara Tabach and Nathalie Martinez on August 19 and 29, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Session 1: Jose discusses his childhood and what it was like growing up during the Salvadoran Civil War. He recounts the dangers he's faced and how he made his way to the United States after traveling through Guatemala and Mexico. Subjects discussed include: Salvadoran Civil War; Ciudad Arce, El Salvador; Guatemala; Mexico; Los Angeles, California. Session 2: Jose continues his discussion of growing up in El Salvador and the violence he witnessed in the country's army during the 1980s. He also talks about his personal life after moving to the United States and his experiences navigating gang culture in Los Angeles, California. Jose recounts his previous jobs, his schooling, how he met his wife, and his family's move to Las Vegas. Subjects discussed include: El Salvador army; gang violence.

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Photographs of Mirage signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Description

Photos show Mirage signs during the daytime. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mirage (Las Vegas, Nev.)
Site address: 3400 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The main attraction of the property is its spectacular exploding volcano placed among an astounding array of lagoons, waterfalls and palm trees. One of the themed hotel casinos, the architectural form takes precedence over an abundance of flashing lights and neon. Two pylon signs reside on the front of the property along Las Vegas Blvd, another on the west side of the property, two arched banner entrances are placed among them, lettering atop the towers, and various text placed among the vast stretch of landscaping are the only visible large elements of signage.
Sign condition: Structure 5 Surface 5 Lighting 5 The structure and lighting on the signs are in excellent repair, with no apparent major physical damage. The surfaces of the pylons and assorted log text, are a bit dirty, but no more than any other establishment, considering the punishment each must undergo due to the elements as well as the live volcano.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Just north of Caesars Palace a giant pylon sign faces north/south, on the east side of the strip. Two giant square posts support a giant backlit advertisement panel, and an adorning entablature containing the channel letters spelling "Mirage." Between the two giant legs two cabinets are present to fill the space. Just below the main backlit panel an LED screen resides just above another back lit panel. The two giant legs have a series of polished metallic panels running vertically up the sides, creating a recessed channel. The sections are separated with slight overhangs. The bottom smaller panel cabinet is an advertisement for "Danny Gans" and the main panel advertises for the "Seigfried and Roy" magic show. A small banner rests between the main entablature, and the panel, reading "Magicians of the Century." The black channel letters in the main pediment spells "The Mirage," and are filled with incandescent bulbs. The lush foliage and walkways continue north where a covered awning faced with a carved wood and brass bullnose, allows pedestrians to take a moving walkway up to the resort. The landscaping continues north where it meets a driveway denoted by a low arched banner supported by a pair of square columns on either end. "The Mirage" is spelled in polished gold channel letters, with white interiors and filled with incandescent bulbs. The banner itself is sculpted into two sweeping solid shapes on the tops and bottoms, with a series of folded ribbon like scroll shapes. The center section is crafted as to allow light to pass through the negative spaces created by the rows of positive scroll shapes. The banners face east. On the faces of each of the flanking posts, two images of jumping dolphins are sculpted and finished in the same fashion. Past the gateway the thick beds of foliage and palm trees can be seen headed back along the drives. Continuing north a multi tiered lagoon rushes circulating water on and over waterfalls, while yet more green shrubbery and palm trees encrust islands and images of eroded rocks and geological formations. The beautiful imagery continues north, twisting and turning in and behind itself to create a fantastic spectacle for a passerby to be lured in and be fascinated. Approximately in the middle of the length of the expanse, the famous functioning volcano rests quietly amongst smaller rocks and waterfalls. Just past the volcano the lagoon opens up into a wide flat area of water where bronze dolphins are positioned to look as if they are jumping out of the water. Still the rich foliage dominates the landscape, until another arched gateway interrupts the expanse to allow traffic. The foliage, and lagoon landscaping, picks up again, cozily grasping the base of a smaller pylon of similar design as the first. The two reflective paneled legs rise up to connect with a horizontal piece of the same design. A large backlit cabinet advertising for Danny Gans occupies approximately three-quarters of the space between the legs. An entablature of the same design as the main pylon, yet smaller, crowns the top of the sign. The trademark font spells "The Mirage" in black channel letters and filled with incandescent bulbs. Just past the small double sided pylon, a small of recess of rocks plays home to the end marker of the Mirage. A bust of Siegfried and Roy with a tiger is ambiently lit, provided photo opportunities for tourists. An interesting function has been added to the bust. In the flower bed behind and on the sides of the object, faux boulders are places with glowing crystals protruding from the surface. The tower of rooms for the Mirage is the popular three winged "Y" configuration converging onto a center structure. On each face of each wing, giant black channel letters spell "The Mirage" in their trademark text. Each is filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Oscillating
Notes: The incandescent bulbs located within text logos on the pylon sign, and upon the tower oscillate to appear as shimmering. The effect is one of the more common animations particularly among the larger, corporate casinos.
Sign environment: The placement of the Mirage right on the curve of the Strip makes the pylons visible from a good distance from either direction. The environment displayed by the mirage is that of paradise. When walking past, and up to the property, it hard not to stop and stare at the amazing foliage and spread of waterfalls, and rocks.
Sign manufacturer: Ad-Art
Sign designer: Pylons: Charles Barnard with touches from Wynn's design group Atlandia Design Group. Dolphin Archways: Barnard and Jack Dubois as well as hotel architect, Joel Bergman
Sign - date of installation: 1989
Sign - date of redesign/move: The main pylon has since been updated with a new Siegfried and Roy Back lit Mural, a new LED screen, and another back lit plastic screen featuring Danny Gans. An internally lit banner reads horizontally across the top of the giant Siegfried and Roy Mural which reads Magicians of the Century.
Sign - thematic influences: The theme is tropical island paradise. Complete with active volcano, the front spectacle of rushing waterfalls, chirping bird noises, and leaping bronze dolphins, serves as the backdrop for the simple, slim design of the property's pylon structure. The pylons were designed to reach harmony with the structure of the tower itself, rather than the island theme. The dolphins over the entrance arches however represent the tropical island theme, as well as speaking about the dolphin habitat inside.
Sign - artistic significance: The main pylon was the first of its kind to feature a full color illuminated photographic pictoral. Designed by Rosco, it was billed as the largest of its type in the world. The resort's themed spectacular was also the first of it's kind in regards to its extravagance and unique functionality. Approximate 125,000 people visited the property on its opening day. The resort fits well into the theme of design of the large, corporate property, after all it was one of the pioneers of such a movement in Las Vegas. The Mirage also set the standards for the now frequently seen element of the attraction spectacle, and the standard of quality on the Las Vegas Strip
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic

Mixed Content

"Exported Democracy": article draft by Roosevelt Fitzgerald

Date

1990 (year approximate)

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On Beijing students' demonstration.

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Art Wolf Professional Papers

Identifier

MS-01168

Abstract

The Art Wolf Professional Papers (1988-2018) document the career of museum professional and consultant Art Wolf who specialized in supporting cultural heritage of indigenous communities, particularly in the Southwest and Las Vegas, Nevada. Materials document Wolf's work with the American Alliance of Museums (AAM) as a board member, in conference planning, and as a Study Leader for Smithsonian Associates Study Tours. Also included are materials that represent Wolf's involvement as an alumni of the Leadership Las Vegas program and director of the Nevada State Museum. The collection includes some ephemera and invitations to different events held in Las Vegas, Nevada that Wolf was invited to. The collection also includes examples of unsuccessful bids for consultancy jobs through WOLF Consulting and his files as a master's thesis adviser for the Museum Studies program at Harvard Extension School.

Archival Collection

David Rea Collection of Howard Hughes Publicity Photographs

Identifier

PH-00400

Abstract

This collection is comprised of publicity photographs of Howard Hughes and his aircrafts, from approximately the 1940s to the 1950s, that were compiled by David Rea, former pilot for Hughes Aircraft Company. This collection also includes clippings and technical drawings of Hughes aircrafts.

Archival Collection

Tonopah Mining Company Records

Identifier

MS-00752

Abstract

The Tonopah Mining Company Records derive from the office of the company’s general manager in Tonopah, Nevada and consist of documents directly generated by its mining and milling operations from 1901 through 1941. The collection includes daily work reports, assay reports and certificates, employee time cards, invoices and receipts for mining equipment and supplies, monthly stores reports, and the company’s numerous insurance policies. Several of the company’s annual reports, including an original typescript copy of the 1907 annual report, are included in the collection. Additionally, select records from the company's subsidiary, Desert Power and Mill Company, as well as the Tonopah and Goldfield Railroad, which include overcharge claims, freight and repair bills, and delivery receipts are included in the collection.

Archival Collection

Southern Nevada Jewish Heritage Project Community Collection

Identifier

MS-00790

Abstract

The Southern Nevada Jewish Heritage Project Community Collection is comprised of organizational records, photographs, event programs, and ephemera donated by members of the Southern Nevada Jewish community as part of the University of Nevada, Las Vegas University Libraries’ Southern Nevada Jewish Heritage Project. Materials document the history of the Jewish community and Southern Nevada from 1941 to 2017. The collection provides information about family life, religious rituals, community events, and local businesses and organizations.

Archival Collection

Southern Nevada Daughters of the American Revolution Records

Identifier

MS-00292

Abstract

The Southern Nevada Daughters of the American Revolution Records primarily document the activities of three Southern Nevada chapters of the National Society Daughters of the American Revolution from 1950 to 2024. The materials center around the records of three chapters from Southern Nevada: Old Spanish Trail, Francisco Garces, and Valley of Fire. Materials include administrative records, scrapbooks, photographs, news clippings, and correspondence about the activities of the Daughters of the American Revolution chapters. Mateirals also include some records and scrapbooks from the Nevada State Society of DAR.

Archival Collection

Transcript of interview with Joan Massagli by Claytee White, August 19, 2010

Date

2010-08-19

Description

Joan Massagli spent her childhood in the Tacoma, Washington area, singing three-part harmony—a member of a musically talented family that included five children and an aunt and uncle who raised all the kids to enjoy music. By high school in the early 1950s, she and her two older sisters were regulars on a local TV show. In 1956, the Sawyer Sisters act was formed and they were soon obtaining regular gigs in Las Vegas. Their popularity continued form 1957 to 1964 and they played many of the major hotels, usually as a warm up act for headliners that includes a list of names such as Roy Clark, Louis Prima, Shecky Greene, and Delia Reece. At first the Sawyer Sisters included older sister Nanette Susan and Joan. When Nanette quit to raise her family, youngest sister Kate stepped into what was called a "lively and lovely" trio. Joan met her future husband and musician Mark Tully Massagli, while performing in the early 1960s. Caring for ailing parents while working mostly in Las Vegas, the couple made Vegas home. Even after the Sawyer Sisters name faded from the Strip's marquees, Las Vegas remained home to the Massagli's, who raised their children here. Today they live in the Blue Diamond Village area and recall the changes that have occurred on the Las Vegas Strip—especially from an entertainer's point of view.

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