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Transcript of interview with Patricia "Pat" Marchese and Lamar Marchese by Stefani Evans and Claytee White, February 7, 2017

Date

2017-02-07

Description

In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.

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Transcript of interview with Mark Hall-Patton by Claytee White and Stefani Evans, August 25, 2016

Date

2016-08-25

Description

Mark Hall-Patton, administrator of Clark County Museums and since 2008 a frequent guest on the popular cable television show Pawn Stars, was born in 1954 in San Diego, California. His mother was a registered nurse and his father served in the United States Navy. From early childhood, Mark’s interest in history and museums shaped his path in life. After graduating high school in Santa Ana, California, he earned his Bachelor’s degree in history at nearby University of California, Irvine. Degree in hand, Mark worked for Bowers Museum in Santa Ana and founded the Anaheim Museum in 1984. He moved to Las Vegas, Nevada in 1993 to create the Howard W. Cannon Aviation Museum in McCarran International Airport. By 2008, Mark had become administrator over all Clark County museums. In this interview, he explains the various ways his involvement with the popular Pawn Stars program has turned “the museum guy” into a brand, introduced production companies to the value of filming in Las Vegas, increased Clark County museum visits and donations, and raised popular awareness of the academic fields of history and museum studies.

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Transcript of interview with Julie Menard by Joyce Marshall, March 17, 1996

Date

1996-03-17

Description

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

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Theresa Thomas interview, February 29, 1980: transcript

Date

1980-02-29

Description

Thomas discusses her family history and arriving to Boulder City, Nevada in 1930. Thomas describes housing in Boulder City and explains that people needed to build their own homes in the 1930s. She then discusses prostitution becoming illegal in Nevada, the Helldorado Parade, and the construction of Hoover Dam (Boulder Dam). Lastly, Thomas recalls how her musical career began and entertainment in casinos.

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Russell K. Grater interview, March 15, 1995: transcript

Date

1995-03-15
1995-03-28

Description

Interviewed by Dennis McBride; work with National Park Service including time at the Lake Mead National Recreation Area

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Transcript of interview with Stella Iaconis by Gary Gione, February 26, 1976

Date

1976-02-26

Description

On February 26, 1976, Gary Gione interviewed Stella Iaconis (born September 16th, 1910 in Italy) about her life in Southern Nevada. The two discuss Iaconis’ reasons for moving to Las Vegas as well as her childhood memories of Hooverville. Iaconis also talks about seeing the above-ground atomic tests in Southern Nevada from Los Angeles, and the drastic population growth that occurred after the construction of Hoover Dam.

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"An Impact of the Moulin Rouge Hotel on Race Relations in Las Vegas": paper by Roosevelt Fitzgerald

Date

1989-04-06 to 1989-04-08

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. Presented to the National Social Science Association, Reno, Nevada.

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Transcript of interview with Jacqueline Baskow by Barbara Tabach, October 24, 2016

Date

2016-10-24

Description

In 1976, Jacqueline "Jaki" Baskow was an aspiring actress when she and a friend accepted an invitation to worked in a movie studio in Las Vegas. She had three-hundred dollars to her name, a dream and lots of dynamic energy. Though the movie studio offer did not quite materialized as she hoped - the invitation had come from Batman co-creator Bob Kane - Jaki's trajectory into Las Vegas, working with talents and planning events became an over forty year career. In this interview, she talks about growing up Jewish in Camden, New Jersey where her father was a murder victim; her tenacious effort to find the perpetrator included the help of celebrity detective Joe Schillaci. She shares stories of the colorful array of A-list entertainers she has worked with to build her successful business, Baskow and Associates. She has built a niche of handling large corporate events, hiring talent and attention to details for exciting events. She reflects on the people and moments that impelled her on; mentors such as Bobby Morris and Frank Sinatra and Jilly Rizzo.

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Jill Roberts oral history interview: transcript

Date

2018-03-20

Description

Oral history interview with Jill Roberts conducted by Barbara Tabach and Claytee D. White on March 20, 2018 for the Remembering 1 October Oral History Project. In this interview, Jill Roberts discusses her position as the CEO of the Trauma Intervention Program (TIP) of Southern Nevada. She also delves into her part-time work at the coroner's office as a death investigator and discusses her personal background in Las Vegas, Nevada after she moved to the city in 1977. She describes the role TIP had during the aftermath of the October 1, 2017 mass shooting, where well-trained volunteers were dispatched to hotels, hospitals, and anywhere else the survivors reached in order to provide emotional and practical support. Throughout the interview, Roberts emphasizes that the assistance provided to those in a traumatic event depends on each individual's needs. She shares a few examples of what the TIP volunteers had helped with after the shooting, including listening to the survivors' stories as well as providing information on the situation, helping separated loved ones find each other, arranging travel for some survivors to go back to their homes, and procuring clothes and shoes for those who needed them. Roberts also discusses the gratitude TIP had received after the shooting, including the thank you cards sent by Sandy Hook High School.

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Transcript of interview with Florence McClure by Joanne Goodwin, January 24, 1996 & February 6, 1996

Date

1996-01-24
1996-02-06

Description

Florence McClure came to Las Vegas later in her life, but the state felt her presence and the community her contributions as if she were a native daughter. Introduced to the League of Women Voters in 1967, McClure met her political mentor Jean Ford and learned how to practice the core elements of democracy. She put those tools to work in a number of ways, however her participation in the creation of the Rape Crises Center and her advocacy for locating the women’s prison near Las Vegas are two of her long-lasting efforts. Florence Alberta Schilling was born in southern Illinois where she enjoyed the security of a tight-knit family and the independence to test her abilities growing up. She graduated from high school and attended the MacMurray College for Women at Jacksonville. With the attack on Pearl Harbor in 1941, she began a series of jobs working for the war effort. She moved to Ypsilanti, Michigan with a girlfriend to work at the Willow Run Army Airbase and then moved to Miami, Florida where she worked for the Provost Marshall in the Security and Intelligence Division. She met her husband, James McClure, at the time and they married in 1945. During the next several years, they raised a family and moved around the country and to Japan with the military. McClure came to Las Vegas in 1966 as part of her work in the hotel industry which she engaged in after her husband’s retirement from the military. She had worked in California and Miami Beach, but it was Burton Cohen in Los Angeles who invited her to join him in a move to Las Vegas to build the new Frontier Hotel and Casino. Following the completion of the Frontier, she moved to the Desert Inn with Cohen in 1967 and worked as the executive office manager. After a few years, she decided to leave the industry and complete her college education. She graduated from UNLV in 1971with a BA in Sociology with an emphasis on criminology. She was 50 years old. McClure had been a member of the League of Women Voters for a few years at that point and had learned the political process from Jean Ford and workshops on lobbying. She had numerous skills that were waiting to be tapped when she attended an informational meeting on the incidence of rape in the Las Vegas valley. From that meeting, a small group of individuals, including McClure, began the organization Community Action Against Rape (later renamed the Rape Crisis Center) in 1973. It was the first agency in the area devoted to serving individuals who had been assaulted and changing the laws on rape. The organization’s first office was set up in McClure’s home. Over the next decade, she worked to change attitudes and reshape policy by constantly raising the issues of sexual assault with police officers, emergency room doctors, judges, and legislators. Her role as an advocate took her into hospital emergency rooms and courtrooms to assist victims. It also took her to the state legislator to lobby repeatedly for a change in laws. During this period, journalist Jan Seagrave gave McClure the nickname “Hurricane Florence” - a fitting moniker that captured the force with which McClure attacked the issue. As a result of her efforts and those of the people with whom she worked, we now 1) recognize rape as a crime of assault; 2) forbid the sexual history of a rape victim from being used against her in court; and 3) recognize marital rape. In addition to learning about Florence McClure’s activities, the reader of this interview will gain information on the role of civic organizations like the League of Women Voters in engaging the voluntary efforts of women in the post-war years.

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