Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

Ernie Hensley, an accomplished African American musician, was born in Washington D.C. on March 14 1940, the son of Ernest W. Hensley Jr. and Gladys Barbara Hensley. Both of his parents worked for the federal government in the nation's capital. Ernest W. Hensley Jr., was an employee at the Department of Defense and Gladys Barbara Hensley mother, who was an excellent pianist and drum major, ultimately set her musical career aside to provide for her family and worked for the National Labor Relations board. At the age of seven, after finding a saxophone in his grandmother's attic, Ernie embarked on his musical journey. He took lessons at the Modem School of Music in Washington D.C. Eventually acquired proficiency with the clarinet and the flute through long hours of practice. Ernie attended a historically black school, Armstrong High School in D.C., until he was transferred to integrated McKinley High School in 1954 following the Brown v. Board of Education ruling. Ernie recalls his experience in a new desegregated environment. After High School in 1957, Ernie joined the Air Force as a member of the 511th Air Force Band. In 1959 he resettled in France to play saxophone for the Air Force Band. Emie ultimately made a career in the Air Force. He had countless experiences of performing around Europe and in Washington D.C. at places like Constitution Hall. A dream came true when Emie was honored to become a member of the "Airmen of Note," the premier jazz ensemble for the United States Air Force. He retired from the Air Force in 1979. Because of his distinguished career in the United States Air Force, Emie had a number of opportunities once he retired from the military. He moved to Las Vegas in 1979 at age 39 and after living in area for just a few weeks, Emie started working with Johnny Haig 3 nights a week. Shortly thereafter, Emie found a long-term home working with Jimmy Mulidore's group at the Hilton for nearly a decade until 1995. Throughout Ernie's lifetime he has been fortunate to work with notable musicians such as Andy Williams, Sammy Davis Jr., Somers, Juliet Prowse, Steve an Eydie and his good friend Sarah Vaughn. Emie, along with his wife Carolyn, a retired UNLV faculty member, still resides in Las Vegas.

Tony was born the only son of the only son in Beloit, Wisconsin. Following his parents divorce when he was 12, he and his father went to live with his grandparents who, he admits, spoiled him. While neither of his parents played a musical instrument, Tony’s grandmother was a professional organist. In addition, Tony had an uncle who was a professional saxophone player and who was an inspiration to him. Tony’s dad was very supportive of his decision to learn trumpet and rented Tony an instrument, took him to his lessens, and sat with him while he practiced. Tony was firm in his convictions by the 9th grade that he was going to be a musician. Following high school, Tony was awarded a full scholarship to the Berklee School of Music in Boston which was a very prestigious music school. Tony repeatedly left school to go on the road which the school fully expected of their students. The last time he left the school he never went back. Tony states he got his degree on the road with experience from playing in bands like Stan Kenton, Tommy Dorsey, and with his idol Harry James. Tony took his career abroad when he took up residence in Cologne, Germany to play with a band there. Tony came to Las Vegas to play in a band with Buddy Rich which turned out to be of a shorter duration than he expected. Tony then played in Las Vegas and Reno for a time before going back on the road after realizing he preferred playing jazz on the road as opposed to playing in show bands. After eight years on the road, Tony returned to Las Vegas, got married, and settled down. Aptitude tests proved accurate when they showed Tony had a talent for things mechanical and metal as Tony went on to manufacture trumpets in addition to playing them. One can feel the love Tony has for his trumpets as he describes the process of creating them. After playing trumpet for almost 30 years, Tony decided it was time to concentrate on his photography for a while. Tony does not consider himself retired, but rather he likes to play, take pictures, and, of course, he practices the trumpet every day.

Santo was born in the Bronx, New York in 1937. Santo’s family includes his father who was a butcher, and his mother who mostly stayed at home to raise the children, as well as a brother who currently lives with Santo. Santo recalls that it was great growing up in the Bronx, and he spent most of his life there until he joined the Air Force when he was 17. Santo’s immediate family was not musically oriented, but he learned to play the drums from a cousin. Music came easy for Santo, and he started getting paid for playing when he was 12. At 17, Santo joined the Air Force with a group of friends. He auditioned for and was accepted into the Air Force band where he played drums for four years. Santo was married with a child and another child on the way when he ended his military career and moved to California. After jobs working as a security guard and on an assembly line, Santo knew he just wanted to play and came to Las Vegas in 1960 to play with a band. It took several years before Santo was able to get on with a permanent band. Once Santo broke into the scene in Las Vegas, he played for six years at the Flamingo. Following that he was on the road for a couple of years with Paul Anka. Upon returning to Las Vegas, Santo worked for 14 years at the Sahara. Santo talks about when “the boys” had the hotels before the corporations came in and how everything changed. Currently, Santo does a lot of work with trumpet player Carl Saunders, frequently traveling to Los Angeles to do recordings together.

First played in Las Vegas with Jack E. Leonard in 1960. Only worked at two hotels during his 24-year Las Vegas career - Flamingo and riviera

Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.

Liliam Lujan Hickey was born in 1932 Havana, Cuba, where her father owned an insurance company and her mother was a music teacher. At age 17, Liliam married Enrique Lujan who owned five casinos and who was twelve years her senior. It was the early 1950s, and the people of Cuba lived with stark distinctions between upper class and low-income families. Liliam and Enrique lived a life of luxury. She became accustomed to flying to New York for dinner and wearing the finest Italian silks for custom dresses. Then in 1959, Liliam’s life took a vast turn as Fidel Castro rose to power and seized assets from the wealthy class. This upended Liliam’s family and in 1962, Liliam, Enrique and their three children fled to the United States. They first arrived in San Diego, California, where Liliam took a job at the Scripps Clinic. While Liliam spoke five different languages, she attended night school to learn English. Eventually, Liliam and her family moved to Las Vegas where Enrique could find work in the casinos. Unexpectedly in 1972, Enrique passed away, leaving Liliam and her children to fend for themselves. Liliam was thrust into the role of matriarch; she learned how to write a check and drive a car. She describes this as a period when her community activism awoke, how she secured a position working for the Nevada Welfare Administration Office, and how her persistent spirit led her to citizenship within a week. Through friends, Liliam met Nevada legislator Thomas Hickey, an Irish American who she endearingly nicknamed her Pink Husband. Liliam credits Senator Hickey with teaching her about life and the world, and ultimately inspiring much of her political activism. She was an active member of the Latin Chamber of Commerce, first known as el Circulo Cubano. At the peak of her career, Liliam became the first Latina to be elected to the Nevada State Board of Education. She envisioned building a village through schools in order to support and help all students be successful. A local Las Vegas school, Liliam Lujan Hickey Elementary School, was named in honor of her public service. Today, Liliam is retired, but continues to work to increase civic engagement in the Latinx community and improve our educational system.