Judy Smith was a teenager when her family relocated from Barstow, CA to Las Vegas in 1958. It was a wide open setting, an ideal location for riding her horse. It was also an era of growth as the city became a gambling destination and the Strip became dotted with early casinos and hotels. Judy attended Las Vegas High School, worked for the Las Vegas Sun and earned a scholarship to UNR. By 1967, she was married and moving back to Vegas with her young family. They chose the John S. Park Neighborhood as the place to call home. For Judy living in John S. Park is about a "sense of place" and "a sense of timelessness." She describer the evolution of the neighborhood and the greater Las Vegas community from the pioneers to the contemporary leaders. In 2006, Judy's home was gutted by a fire. Her life was saved by an observant neighbor. She could have relocated at the time, but chose not to move from the area that she has called home for over 40 years.

Wendy Starkweather recalls her move to Las Vegas on a hot summer day in 1978. Her husband, Peter L. Starkweather had accepted a position to teach biology, but nothing had prepaied her for desert weather in July. She was a small town girl, born and raised in rural Ogdensburg, New York. She attended Skidmore College in Saratoga Springs, NY and became a teacher and librarian in New Hampshire Getting a job at UNLV's library took some time, but finally in 1985, she was offered the position of head of references. From that point on, there was only looking forward for Wendy. She was to be an active member of the library staff until her retirement in 2010. During her over two decades at UNLV she worked under the leadership of six deans. She was an vigorous voice in the development of services, impacting circulation, interlibrary loans and non-book services that included media and instruction. In addition, she was here during a momentous period as the future Lied Library was being fu

When Bruce Woodbury, native Las Vegan, attorney, and former county commissioner, looks back on growing up, he immediately says: My first memory of a house here in Las Vegas was in the John S. Park area. The Woodbuiy family lived in two houses in the neighborhood and attended only two schools, John S. Park Elementaiy and Las Vegas High School. Bruce's recollections begin in the 1940s, when they lived on the edge of town. Bruce has what he calls a "nostalgic yearning for the old Las Vegas, even though today it's an exciting, vibrant community in many ways." And during this oral history interview, he recalls the safe feeling of the times—unlocked doors and children allowed to roam more freely than today. The Strip was a "separate world" where kids like himself might go to a show occasionally with their parents, celebrate a prom dance or, as he did, get a part-time job. One of Bruce's jobs included being a busboy at the Flamingo Hotel & Casino where he confesses to learning and

As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”

Chemist, mathematician, and health physicist Billy Paul Smith donates time to tutor young people in hopes of attracting more youth into the fields of math and science. Born in 1942 and schooled in segregated black schools in Shreveport, Louisiana, and Texarkana, Texas, he graduated from high school at age fifteen and enrolled at Prairie View A&M University, where he trained with the Reserve Officer Training Corps (ROTC) and earned his Bachelor’s degree in chemistry and in 1964 his Master’s degrees in chemistry and math. Most young U.S. Army officers in 1964 went to Vietnam, but Billy’s math and science background steered him to the Army Chemical Corps, where he was quickly selected to join a new team. The team was to develop responses to nuclear weapon accidents and worked under the Defense Atomic Support Agency (DASA) in Albuquerque, New Mexico. At the same time, Billy completed the Weapons Ordinance Army course on classified information relating to the U.S. nuclear weapons arsenal. In this interview, Billy talks about his service with DASA and his subsequent twenty-seven years working at the Nevada Test Site in a variety of positions with Reynolds Electrical and Engineering Company, Inc. (REECo), a company that had “percentagewise more blacks in management positions than any other [Las Vegas] company.” He experienced the quiet racism of Las Vegas residential segregation when he tried to purchase a house in a neighborhood he liked and the unexpected kindness of the REECo general manager, Ron Keen, who made sure the Smith family could live where they wanted to live. He talks about Area 51 and explains underground testing activity and offers the scientific and ecological reasons why scientists deemed Yucca Mountain safe to store nuclear waste. After retiring at fifty-two, Billy and a colleague formed an independent instrumentation company, which, from 1995–2005 provided and calibrated radiological measurement and detection instruments for the decommissioning and closure of the Rocky Flats nuclear plant in Golden, Colorado. During that time, Billy rented an apartment in Boulder, but he and Jackie maintained their Las Vegas home, where they still reside. Billy shares memories of places he and his wife used to enjoy on the Westside and tells of their longtime friends in the black community. He also talks about developing his philosophy of philanthropy through Alpha Phi Alpha Fraternity and discusses becoming a member of the Knowledge Fund Advisory Council for the Governor’s Office of Economic Development (GOED) and the advisory council for the Nevada System of Higher Education.

Rita Deanin Abbey is an Emeritus Professor of Art at the University of Nevada, Las Vegas. She taught drawing, painting, and color theory and innovated interdisciplinary courses with the sciences at UNLV from 1965 to 1987. The University of Nevada, Las Vegas, Marjorie Barrick Museum and the Palm Springs Desert Museum (presently Palm Springs Art Museum), Palm Springs, CA collaborated to present the Rita Deanin Abbey 35 Year Retrospective, which was held February 16-March 5,1988 at UNLV and March 25-June 5,1988 at the Palm Springs Art Museum. Abbey received her Bachelor of Fine Arts degree in 1952 and her Master of Arts degree in 1954 from the University of New Mexico, Albuquerque, NM. She also studied at Goddard College, Plainfield, VT; the Art Student s League, Woodstock, NY; the Fians Hofmann School of Fine Arts, Provincetown, MA; and the San Francisco Art Institute, San Francisco, CA. She was an artist in residence in the studios of Toshi Yoshida, Tokyo, Japan, John Killmaster, Boise, ID; Methow Iron Works, Twisp, WA; Tamarind Institute, University of New Mexico, Albuquerque, NM; the Mason Gross School of the Arts, Rutgers, The State University of New Jersey, New Brunswick, NJ; Shidoni Foundry, Tesuque, NM; Bill Weaver Studio, Chupadero, NM; Savoy Studios, Portland, OR; and Carlson & Co., San Fernando, CA. Abbey, who works in the areas of painting, drawing, printmaking, sculpture, porcelain enamel fired on steel, stained-glass, and computer art, has had 60 individual exhibitions and has participated in over 200 national and international group exhibitions. She is represented in private and public collections in the United States, the Middle East, Europe, and South America. Abbey has published several articles in journals, and six books: Rivertrip, Northland Press, Flagstaff, AZ, 1977; Art and Geology: Expressive Aspects of the Desert, Peregrine Smith Books, Layton, UT, 1986 (co-authored by G. William Fiero); the Rita Deanin Abbey Rio Grande Series, Gan Or, Las Vegas, NV, 1996; In Praise of Bristlecone Pines, The Artists' Press, Johannesburg (presently located in White River), South Africa, 2000; Isaiah Stained- Glass Windows, Gan Or, Las Vegas, NV, 2002; Seeds Yet Ever Secret, Poems and Images, Gan Or, Las Vegas, NV, 2013. She has been the recipient of many commissions and grants and has won several awards, including the Bicentennial Commission for the State of Nevada, 1976; the Governor's Seventh Annual Visual Arts Award for the State of Nevada, 1986; and the Chairman's Award of Excellence at the 1987 International Exhibition of Enamelling Art, Ueno Royal Museum, Tokyo, Japan. From 1988-1990, Abbey fabricated Northwind, a steel sculpture (17ft. x 27 ft. 5 in. x 25 ft. 10 in., 7 tons), installed in Las Vegas, NV. Abbey was invited by the Gallery Association of New York State to exhibit four of her works in its 1989-1991 traveling exhibition, Color and Image: Recent American Enamels. In 1992, the Markus Galleries, Las Vegas, NV, and the Nevada Symphony presented an exhibition of art by Abbey, which inspired Virko Baley s Piano Concerto No. 1. The world premiere performance of the concerto was held in 1993 at the National Opera House, Kiev, Ukraine. In 1993, Abbey constructed Spirit Tower, a cor-ten steel sculpture (20 ft., 11 tons), which was commissioned by the Las Vegas-Clark County Library District for the Summerlin Library and Performing Arts Center. Abbey was invited by the Pacific Division of the American Association for the Advancement of Science to lecture on Art and Geology at San Francisco State University for the 75th Annual Meeting, on June 19-24,1994. She was one of three artists from the United States invited to participate in the exhibition, Enamel Today, at Villa am Aabach, Uster, Switzerland, June-July, 1995. Additionally in 1995, Abbey completed a series of cast bronze sculptures at Shidoni Foundry, Tesuque, New Mexico. Commissioned in 1998, Abbey completed the Isaiah Stained-Glass Windows in 2000, sixteen 10 ft. x 2 ft. stained-glass windows for the main sanctuary of Temple Beth Sholom, Las Vegas, NV. Also in 2000, she completed Holocaust, a stainless steel sculpture (14 ft. 3 in., 4.5 tons), installed in Las Vegas, NV. In 2003 her bronze sculpture, Ner Tamid, was installed in Temple Adat Ami, Las Vegas, NV. Snakewash, a cor-ten steel ground sculpture (62 ft.), was completed in November 2003. Abbey fabricated steel sculptures and cast small and large bronzes from 2004 through the present. In 2006 she completed and installed Guardian of All Directions, a stainless steel sculpture (14 ft., 1.5 tons). The Guggenheim Hermitage Museum and Young Collectors Council visited the studio and home of Rita Deanin Abbey, Las Vegas, Nevada October 15, 2006. During March 2008, Women's History Month, Abbey was recognized for her contributions to the Arts by Mayor Goodman and Members of the Las Vegas City Council. Hidden Pass, a 2-inch steel plate sculpture (16 x 28 ft. 8 in. x 13 ft., 22 tons), was installed in 2010. Between July 16-December 23, 2011, Abbey exhibited in Blast from the Past, '60s & '70s Geometric Abstraction at Palm Springs Art Museum, Palm Springs, California. The City of Las Vegas Office of Cultural Affairs, Las Vegas Arts Commission presented Abbey the Lifetime Achievement Award for Excellence in the Arts on May 25, 2012. Balanced Arc, an outdoor bronze sculpture (8ft. 8 in. x 9 ft. x 7 ft. 4 in., 1600 lbs.), completed in 2012, was installed in April 2013. The Western Museums Association 2014 Annual Meeting in Las Vegas, NV, toured The Art of Rita Deanin Abbey at the Desert Space Museum October 5, 2014. Abbey participated in the fall group exhibition Macrocosm/Microcosm: Abstract Expressionism in the American Southwest at the Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 2, 2014-January 4, 2015. Her artwork was also shown in the Recent Acquisitions exhibition at the Marjorie Barrick Museum, University of Nevada, Las Vegas, June 19-September 19, 2015. Currently, Abbey is working on new sculptures, paintings, and enamels. vii

The preface and script for a sitcom television show conceived of by Hank Henry and Bill Willard "to evoke the spirit of fun and laughs springing out of conflict and understanding between the old comedy school and the new school."