Dee Hicks was born in Damascus, Arkansas, in 1946. She was the tenth of 13 children born to Guy and Augusta Goff. Her father was a Baptist preacher and carpenter by trade, and her mother was a housewife. Dee's decision to become a nurse became a focal point in her life in the tenth grade. She joined the Future Nurses' Club and geared her high school classes toward nursing. Later Dee went to Oklahoma Baptist University and graduated with a bachelor of science in nursing. After marrying in 1969, Dee joined her husband in Las Vegas, who was stationed at Nellis Air Force Base. At the age of 22, she joined the staff at Sunrise Hospital. There were only 500 beds at that time, and over the course of her 35 years at that hospital, she saw it grow to 701 beds. Dee's career included starting out as staff nurse, then becoming charge nurse, house supervisor, director of adult critical care, assistant director of nurses, and finally director of nurses. She shares how she honed her skills in various workshops and courses, observed various surgeries, and witnessed the evolution of nurses' uniforms from formal whites to colorful scrubs. In addition to her nursing duties, Dee also served on the State Board of Health and on many nursing boards. She did volunteer work with Street Teens, helped pass a bill that allows LPNs to do IV interventions with patients, and took training to be a parish nurse so she could volunteer to help sick people in her congregation. She stands ready today to help her community in whatever way she can.
Oral history interview with J. K. Russ conducted by Claytee D. White on December 22, 2017 for the Remembering 1 October Oral History Project. In this interview, Russ discusses her early life in New Zealand and growing up on a tobacco farm. She remembers arriving to the United States and establishing a career as an artist. Russ talks about the 1 October shooting, creating an art exhibit using cards and letters received from people all over the world, and Las Vegas’ response to the tragedy. Lastly, Russ describes the art community in Las Vegas and the Arts District.
D. Taylor knew from the time he graduated Georgetown University he wanted to make his career in the labor movement. He credits his Virginia-born mother as an early mentor; she was at once “nice,” “tough,” “genteel,” and “liberal,” and she instilled these values in her son. As a new college grad, Taylor headed west to Lake Tahoe, where he was hired in 1981 by the Culinary Union to organize workers and oversee an eleven-and-a-half-month strike. Culinary then sent him to organize Las Vegas in 1984, a few years after Ronald Reagan crushed the 1981 Professional Air Traffic Controllers Organization strike and only months after the Amalgamated Transit Union strike against Greyhound went down in defeat. In this interview, Taylor recalls that in 1984, most Las Vegas casinos were no longer owned by individuals and families but by multinational corporations that refused to negotiate improved health insurance coverage for their workers. Taylor led a citywide strike that ultimately cost the union six casinos and about eight thousand members. In 1987, Culinary sent him back to Las Vegas, where he has remained. He tells the history of the union in Las Vegas and its leadership, especially crediting Al Bramlet in the 1970s for recruiting a diverse workforce and promoting casino hiring through the union. In 1987 Taylor changed the union rep structure to give a larger voice to Las Vegas’s racially diverse workforce and began recruiting potential leaders of color (like Hattie Canty)—thus, he followed Bramlet’s lead but pushed it further to create a truly bottom-up organization. The husband and father is especially proud of the various programs Culinary Workers Union Local 226 has implemented to improve the lives of Las Vegas union workers and their families but sees widening gaps in the city between those who have great wealth and those who do not. To Taylor, his work is “always about the members. They endure so much. They sacrifice so much.”
The Towne and Country Motel sign sits at 2033 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Sheet. Site address: 2033 Fremont St Sign owner: Huang Hsiu Ping Sign details: Sold in 2009 for $1 millon. It a .66 acre lot with an original construction year of 1958, with additions in 2000 and 2007. Sign condition: 2 - O Panel knocked out, broken lexan covering the Pool wording of neon, heavy discoloration of the letter T and the E is almost completely worn off. Sun damage in the paint, otherwise looks functional. Sign form: Back to Back Pole Sign Sign-specific description: Pole sign that is double sided, Motel reading on either side with flag like components hanging off the support pole, each letter with its own component. A giant red check-mark shaped arrow in the center of the sign grabs the visitor's attention with its bright vibrant red color and its neon tubing filling it its shape, used as a directional tool into the parking lot. Underneath the arrow is a tiny reader board with cutout letters listing the amenities available in each of the rooms. Underneath the reader board is a little component that spells Pool with neon outlining the letters. The color scheme ranges from pale baby blue for the framework of the letters and reader board, and the bright red of the arrow. Sign - type of display: Neon, internally lit "Motel" letters, and reader board Sign - media: Steel and Plastic Sign environment: Surrounded by other motels and hotels, and near a residential area Survey - research locations: Motel website, and conversation with owner Survey - research notes: Owners seemed aggravated by survey Survey - other remarks: Open from 8 am to 4 pm, they close on Mondays entirely Surveyor: Danny Jacobs Survey - date completed: 2017-08-12 Sign keywords: Neon; Steel; Plastic; Reader board; Pole sign; Back to back; Internally illuminated
The Donn Arden Photographs (approximately 1920-1989) contain photographs, negatives, and photographic slides of dancer and choreographer Donn Arden. The photographs primarily document Arden's life as a dancer and choreographer in Las Vegas, Nevada and in Paris, France, including performances at the Stardust Hotel, Desert Inn, and MGM Grand in Las Vegas and the Lido in Paris. The photographs also depict rehearsals, dancers, showgirls, Arden's friends and family, and performance locations.
The Clinton Wright Photographs (1964-2018) contains black-and-white photographic negatives of various sizes, dating from 1964 to 1971. The images document the Black experience in Las Vegas, Nevada during the 1960s and 1970s, and capture scenes of everyday life in the historic Black neighborhood known as the Westside, social events such as weddings and parties, and events hosted by local churches. The collection also contains a photograph of Clinton Wright from 2017 when he visited the University of Nevada, Las Vegas Special Collections and Archives, and a memorial program for his wife, Joyce Wright, who passed away in 2018.
Includes meeting agenda and minutes with additional information about the requests for funds, tentative schedule, posters, and the judicial council meeting.