Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 285651 - 285660 of 285905

neo000003-004

Description

Sign animation: Chasing, flashing, oscillating
Notes: The text fascia sign just to the north of the giant glass display illuminates with a background of neon tubing which chases from right to left. The pattern of colors running across are a sequence banks of red, pink purple and blue vertical neon tubing, chase each other creating a pulsating movement of the individual banks of these colors. While they are animating, the channel letters, which spell "Riviera," are dark and proceed to light up one letter at a time. Once all lit they remain lit, until the background stops with all the bars illuminated. Once all the bars are lit, the interiors of the letters turn off one at a time starting on the far right. The giant mirrored section of the building, advertising for the Splash stage show. The sequence can be best described from its dramatic powering up. The entire sign comes alive with a rapid upward chasing pattern covering the surface of the tower. Once alive, small white bulbs grow out of the end of the space on the top and bottom of the end of the "Splash" text. Once all the previous elements are illuminated, the letters in the Splash logo shut off, illuminate one letter at a time in red neon, then the white neon figure of the seal balancing a ball on the end of it's nose, lights up. The neon bordered circular raceway, then animates with the bulbs in the center chasing each other in a clock-wise sequence. Once lit the vast array of white bulbs grown out of the end of the text begin to gently oscillate, as well as the sparse assortment of floating and attached incandescent bulbs on the wall of the tower. Once the bulbs animate for a few seconds, the entire wall chases downward, becoming black as night, except for the Slash logo text. Underneath the entire front side of the western face of the Riviera, the incandescent bulbs which cover the entire surface oscillate in a wildly, while the ringed entablature on the wall animates quietly in comparison. The multi-colored rings of neon tubing chase each other from left to right, chasing the distance then repeating. The sequence then changes direction and chase from left to right. Creating the tops and bottoms of the entablature are raceways lined with incandescent bulbs that chase each other from left to right. On the surface of the west wall incandescent bulbs chase each other along the raceways which run horizontally around the internally lit cabinets. The small vertical raceways which run inside the clear plastic boxes chase each other from top to bottom, but all the raceways are offset to each other by a few seconds. At the North end of the property the signage for the Riviera's, "Nickeltown" gambling attraction, dominates the corner. He animation on the large exploding sculptural fountain lights up the entire corner. The three rocketing pieces of steel are wrapped in repeating bands of their corresponding colors of blue, purple and yellow. All three simultaneously chase from bottom to top, until completely lit. Then they begin to animate in a chasing pattern from bottom to top. After a few moments of chasing, they chase from beginnig to top once more, leaving al the tubes dark in its path. Along the circular entablature, which runs the circumference of the top mass of the fountain, incandescent bulbs chase each other from right to left, but only on the side which faces the casino. The wall, which faces north, contains the multicolored banks of vertical neon bars that animate in a specific pattern. They chase each other from right to left, then only the purple neon tubing illuminates, they chase again, then only the blue neon tubing illuminates. They chase once again, and then only the gold bars illuminate. The bars chase yet one more time, then all of the tubing illuminates, thus ending the sequence. The main entrance to nickel town is adorned with neon text and images, but only the stars higher up on the wall itself animate. The incandescent bulbs elevated above the surface of the mirrored wall, animate in a soft oscillating pattern, adding the twinkling effect. The larger five pointed stars are animated on the interior by a center of oscillating incandescent bulbs, while concentric neon shapes echo outward in the yellow, purple and blue colors seen on the adjacent wall facing north. The smaller snow-flake esque star shapes are alive with oscillating incandescent bulbs. Looking upward along the north face of the closest tower, the giant vertical, Riviera channel letters animate one character at a time, oscillate then shuts off.

Joyce Moore Papers

Identifier

MS-01040

Abstract

The Joyce Moore Papers (1958-2019) contain documents relevant to the life and career of Joyce Moore, a longtime resident of Las Vegas, Nevada. The collection contains Rancho High School yearbooks, and awards and grants from when Moore was a student at the University of Nevada, Las Vegas in the early 1990s. Materials include research papers, event posters, photographs, and business cards related to Moore's work as an archivist in the University of Nevada, Las Vegas Special Collections and Archives. The collection also contains photocopied newspapers and handwritten notes related to research done on the Las Vegas sewage system and local hospitals for Moore's academic papers.

Archival Collection

Merle Frehner oral history interviews

Identifier

OH-02062

Abstract

Oral history interviews with Merle Frehner conducted by Elisabeth Nelson Patrick January 17, 1981 and January 19, 1981 for the UNLV University Libraries Oral History Collection. In the first interview, Frehner talks about his upbringing in Littlefield, Arizona and moving to St. Thomas, Nevada. He talks about driving heavy-duty freight wagons, transporting mining supplies, and the formation of a school district in St. Thomas. Frehner remembers the entertainment in St. Thomas during the 1920s, recreational activities, and commuting to Overton, Nevada to attend high school. Lastly, Frehner describes the local businesses in St. Thomas, miners residing in the town, and the town’s growing popularity after the construction of Arrowhead Trail (U. S. Highway 91). In the last interview, Frehner discusses transporting produce to Las Vegas, Nevada and Tonopah, Nevada during the late 1920s, the construction of Hoover Dam, and Lake Mead water levels overtaking St. Thomas.

Archival Collection

Dr. James B. McMillan oral history interview

Identifier

OH-02583

Abstract

Oral history interview with Dr. James B. McMillan conducted by Perry Kaufman on April 14, 1972 for the UNLV University Libraries Oral History Project. In the interview, McMillan discusses his childhood in Aberdeen, Mississippi and his parents' experience with racial discrimination. He then talks about his own experiences with racial discrimination while living in Las Vegas, Nevada. McMillan recalls his involvement with the National Association for the Advancement of Colored People (NAACP), and the tension between community leaders and local politicians including Pat McCarran and John Russell. McMillan discusses integration and white power structures and how they affect the Black community in Las Vegas. Lastly, he discusses his relationship with other Black activists and figures in the community, including Dr. Charles West, Bob Bailey, Lubertha Johnson, and Mabel Hoggard.

Archival Collection

Imperial Royal Sovereign Court of the Desert Empire Records

Identifier

MS-00556

Abstract

The material is comprised of the organizational records of the Imperial Royal Sovereign Court of the Desert Empire and its predecessor, the Royal Barony of the Desert Empire, from 1997 to 2003. The records contain administrative and financial records such as charters, bylaws, financial reports, meeting minutes, correspondence, and publicity documenting the club’s activities in Southern Nevada.

Archival Collection

Nevada Consolidated Copper Company Records

Identifier

MS-01183

Abstract

The Nevada Consolidated Copper Company Records (approximately 1907-1978) contain the business records of the company, including correspondence, freight bills, ledgers, maps, leaching data, and books relating to mining. The majority of the records post-date the company's name change to Kennecott Mining Company.

Archival Collection

Letter from C. A. Earle Rinker to his mother, March 12, 1908

Date

1908-03-12

Archival Collection

Description

Letter from C. A. Earle Rinker to his mother, March 12, 1908

Text

Letter from C. A. Earle Rinker to his sisters, April 24, 1908

Date

1908-04-28

Archival Collection

Description

Letter from C. A. Earle Rinker to his sisters, April 24, 1908

Text