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Blue Angel Motel Neon Survey document, August 12, 2017

Date

2017-08-12

Description

Information about the Blue Angel Motel that sits at 2110 Fremont St.
Site address: 2110 Fremont St
Sign owner: Bartsas Mary 22 LLC
Sign details: Motel was originally constructed c. 1956. Sits on a 2.54 acre site. Property was later changed to Club 2110, but now is vacant.
Sign condition: Unknown - Angel is being repaired by City Centennial Commision and YESCO, and will believed to be placed on medium of Fremont and Charleston once restored. 4 - Arches were repainted at unknown time from original blue to a deep forest green, "Blue Angel" was removed and "Night Club" was put up in blue angels place. "Motel" wording on flag portions of the sign was painted over and replaced with "Club 2110". doesn't have any form of lighting, appears to be in decent condition.
Sign form: Angel - Sculpted Pole Sign/ Monument Sign, Arches: Pole sign with protruding arches on either side. Originally the left side arch would have rested on the Blue Angel motel building, but when it was torn down so was the connection, so it is free hanging off the pole support system.
Sign-specific description: Angel: Pole sign with sculpture of Angel on top. Was internally illuminated, her skin, hair, halow, pole, wand, used to illuminate. Two flag signs hung off of angel pedestal, one read "Motel" other would read "Blue Angel" on opposite sides of the pole. Would of glowed with blue neon. Arches: Repainted by new owner: Arcs protruding on either side of the pole with the words "Night" and "Club" on each other arches. There are flag like components going down the pole support with stars on the opposite side of each component. Slight directional tool of the flags that point downwards to the ground. The stars do not have any lighting system of their own (no neon or bulbs). Each flag component is double sided with painted on graphics.
Sign - type of display: Neon, and internally illuminated plastic
Sign - media: Steel, fiberglass
Sign animation: Possible rotation of the angel?
Sign environment: The property is surrounded by other motels, shopping centers and gas stations
Sign manufacturer: YESCO
Sign designer: Betty Willis
Sign architect of record: C. 1956
Sign - date of installation: C. 1956
Sign - date of redesign/move: Angel - 2014 repaint, 2017 refurbishment, c. 2014 repaint of arches
Sign - thematic influences: Believed that angel was modeled after Marilyn Monroe
Sign - artistic significance: 1950s pop culture themes - Marilyn Monroe and Disney-esque angel
Survey - research locations: Motel site, www.roadarch.com, UNLV photo collections, assessor's website
Surveyor: Danny Jacobs
Survey - date completed: 2017-08-12
Sign keywords: Sculptural; Neon; Steel; Fiberglass; Pole sign; Internally illuminated; Incandescent

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Neonopolis Neon Survey document, September 8, 2017

Date

2017-09-08

Description

Information about the Neonopolis sign that sits at 450 Fremont St.
Site address: 450 Fremont St
Sign owner: Rohit Joshi leases the building from Wirrulla USA Inc.
Sign details: This building was originally constructed in 2001 as a retail store center. This location currently holds a Denny's, a vintage toy store, the Telemundo station office and an international food market. This location also held a movie theater until 2009.
Sign condition: 4.5- Sign still in relatively new looking condition
Sign form: Entrance sign
Sign-specific description: Above the main entrance way into the mall there are the letter "NEONOPOLIS" in plastic back lit signs. Each letter has a lime green border with white strip and then purple for the main color of the block letters. The letter "O" in "polis" is actually an orbit shape that is orange and purple to double as the "O". Portions of the building have neon tubes, some illuminating blue and others are purple, green, red and yellow. There are also different colored shapes of neon spread throughout the building such as yellow triangle as well as orbits showcasing red and yellow neon tubing. Many of the companies in this location have their own signs as well.
Sign - type of display: Plastic back lit sign and neon
Sign - media: Plastic and steel
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This property is on Fremont in between 4th St. and Las Vegas Blvd. Right in front on the building is the Slotzilla machine where people get onto the zipline.
Sign - date of installation: 2002
Sign - date of redesign/move: When the movie theater portion of this location closed in 2009 part of the signage was taken down and in recent years with different companies settling in there have added their own signs.
Sign - thematic influences: The name and the theme of this location being neonopolis showcases the downtown neon vibe particularly since there is a wide variety of neon display surrounding this property.
Sign - artistic significance: Showcasing the different designs with neon shows how true of an art it still is, particularly with the triangle designs and the orbits
Survey - research locations: Asessors page, https://neonjoshiassociate.wixsite.com/mysite-1 Neonopolis website, https://www.reviewjournal.com/entertainment/food/neonopolis-theaters-to-go-dark-thursday-night/ Review Journal article discussing the closure of their movie theater, https://lasvegassun.com/news/2002/may/03/long-awaited-neonopolis-opens-in-downtown-vegas/ Las Vegas Sun article talking about their opening in 2002
Survey - research notes: There used to be an 18 theater movie theater located there which shut down in 2009 and was renovated into clubs, the most recent one to open is called the Nerd.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-08
Sign keywords: Plastic; Backlit; Neon; Steel; Fascia

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Transcript of interview with Dedee (DaVeen) Nave by Claytee D. White, June 8, 2015

Date

2015-06-08

Description

Dedee (DaVeen) Nave reveals a life filled with distinguished results in the cultural evolution of Las Vegas since her move to the valley in 1971. She was a young bride and soon a mother when she arrived with her can-do energies. She was a trained educator who was eagerly looked outside the classroom for a way to make a difference in the community when she took a position with the Camp Fire Girls Over the following decades, the impact of involving Dedee in many valued projects is evident. In this interview, she provides a glimpse into her various aptitudes and the many people she has worked with to great results. Dedee Nave was born DaVeen Maurer in 1948 in Indianapolis, Indiana, to David and Virginia Maurer and has a sister, Marilyn Maurer MacCollum. Their mother was a convert to Judaism who instilled them with a solid Judeo-Christian foundation. When Dedee became the bride of a mixed marriage, she raised her daughter Alisa in the Jewish faith. Alisa, who is married to Robb Worth, is a practicing attorney in Las Vegas. A graduate of Stephens College in Columbia, Missouri, Dedee studied fine arts, considered being a theater major, modified her plans and became a skilled organizer of people and projects. This ability to envision, implement, and fundraise is seen in Dedee?s distinguished list of community programs, among them her work with: the City of Las Vegas Arts Commission; two terms on the Nevada State Arts Council; a past president of the Junior League of Las Vegas; former chairperson of the Junior League?s Endowment Fund Trustees; Lied Discovery Children?s Museum opening; and chairperson of Morelli House Public Program and many other initiatives.

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Olivia Díaz oral history interview: transcripts

Date

2020-08-31
2020-09-14

Description

Oral history interviews with Olivia Díaz conducted by Nathalie Martinez and Barbara Tabach on August 31 and September 14, 2020 for the Latinx Voices of Southern Nevada Oral History Project. In the first interview, Díaz gives her family and personal history, growing up in Las Vegas but often visiting her family in Durango, Mexico for extended stays. She recalls her matriarchal upbringing, particularly while living in Mexico, and what life was like growing up and going to school in East Las Vegas and at the University of Nevada Las Vegas (UNLV). Subjects discussed include: Mexico; Latina identity. In the second interview, Díaz talks about her English language education career for the Clark County School District (CCSD) and the events that led her to run for Nevada Assembly and Las Vegas City Council. She is presently Nevada's Assemblywoman for District 11 and Las Vegas' Councilwoman for Ward 3. Olivia concludes her interview with insights into her political and educational goals for the community and the initiatives she has focused on in light of the COVID-19 pandemic.

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The Wheel of Rotary Las Vegas Rotary Club newsletter, November 17, 1949

Date

1949-11-17

Archival Collection

Description

Newsletter issued by the Las Vegas Rotary Club

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Fort Mojave Indian School Records

Identifier

MS-00034

Abstract

The Fort Mojave Indian School Records (1890-1923) consist of correspondence, finance and administrative records, pump station blueprints, and policy implementation and fact finding records. The school served the Hualapai and Mojave Indians at a site near present-day Kingman, Arizona. The information is contained in two bound volumes.

Archival Collection

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter standards committee reports

Date

2003-01-22
2003-02-01
2003-02-19
2003-02-26
2003-04-05
2003-04-09
2003-06-07
2003-08-27
2003-10-22

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

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Claudine Williams Photograph Collection

Identifier

PH-00351

Abstract

The Claudine Williams Photograph Collection (approximately 2007-2009) consists of nine optical disks containing ninety-eight digital surrogate images dating between 1940 and 2000. The images primarily portray Claudine Williams in publicity images for various hotel and casinos Williams and her husband owned alongside prominent individuals, including Dean Martin, Hillary and Bill Clinton, and Robert Reich. Other images depict Williams in her youth and with her family members. Additional materials include images of Williams’ business cards, articles in various Las Vegas and Nevada magazines and newspapers on Williams, and images of properties Williams operated.

Archival Collection