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Casiano Corpus Jr. oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Casiano Corpus Jr. conducted by Cecilia Winchell and Stefani Evans on February 14, 2023 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Corpus Jr. details a difficult childhood in the Philippines, where society is highly socioeconomically stratified. He recalls his parents working a number of jobs to support their large family, and as soon as he finished his primary schooling, he also started working in construction. When his father was finally petitioned by his uncle to move to the United States, Corpus was at first reluctant to go, since he had a familiar life in the Philippines, but has come to love the United States and the life he created for himself. Immediately after moving to the United States, their family landed in Las Vegas, Nevada, and Corpus began working a number of jobs. He started out as a busboy at a Chinese restaurant before deciding that he wanted to work in a casino and moved to Union Plaza. His current job is as a porter at Palace Station, where he has been for the past 31 years. He has also been working to unionize Palace Station and Station casinos with the Culinary Union for the past twelve years. He talks about the hunger strike he organized, why he organizes with no fear, and what he hopes to see out of his efforts throughout the interview.
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Photographs of Stratosphere signs, Las Vegas (Nev.), March 6, 2017
Date
Archival Collection
Description
Site address: 2000 S Las Vegas Blvd
Sign owner: American Casino and Entertainment Properties
Sign details: This location was the site of Bob Stupak's Vegas World that opened in 1979. The Stratosphere opening in this location in 1996, the Stratosphere includes the tallest freestanding observation tower in the United States. Developed by Bob Stupak, the Stratosphere was meant to be a landmark for the city of Las Vegas. As the years progressed, plans for restaurants and thrill rides came to fruition and the hotel now boasts several popular attractions. From 1996 to 2010, the Stratosphere went through bankruptcy, remodeling, renovations, additions, and new ownership. The current owner, American Casino and Entertainment Properties, also owns three other properties in the Las Vegas area.
Sign condition: About 4-5, appears to have relatively low damage, if any
Sign form: Porte cochere near main entrance
Sign-specific description: Stratopshere in orange neon, three vertical, squiggly lines (red, blue) pointing up toward triangular shape; second neon sign on right side of front facade, "Stratopshere" in orange, overlaid on top of blue cloud shape and orange, poles
Sign - type of display: Neon and plastic back lit sign
Sign - media: Steel and Electronic Media Screen
Sign - non-neon treatments: Electronic Media Screen and plastic back lit sign
Sign animation: Flashing for the design behind their logo on their sign
Sign environment: Located on the North end of the strip on Sahara, just across the street from the SLS Casino.
Sign architect of record: Skidmore, Owings, and Merrill
Sign - date of installation: Circa 1996 around opening
Sign - date of redesign/move: Around 2014/15 the background colors of the sign switched from a blue sky color to a pink/purple design.
Sign - thematic influences: Design similar to radio transmission towers; Stupak compared his design to Eiffel Tower and Space Needle (Seattle).
Survey - research locations: Stratosphere website http://www.stratospherehotel.com/?&mkwid=s0JHs4Hf3_dc&pcrid=102775265532&pkw=stratosphere%20las%20vegas&pmt=p&gclid=CjwKCAjwhOvPBRBxEiwAx2nhLp_Mtg7n6c-FUkbwYgY8MD3TJzgUWEp4WX1IgzePUlk1y-Rat_wmexoCJs8QAvD_BwE, recorder's office, Assessor's page
Survey - research notes: The top of the Stratosphere has blinking lights, but it is not confirmed if they are LED or Neon.
Surveyor: Carlyle Constantino
Survey - date completed: 2017-07-12
Sign keywords: Porte-cochère; Neon; Plastic; Steel; Flashing; Video screen; Incandescent
Mixed Content
Photographs of Pabst Blue Ribbon sign, Las Vegas (Nev.), June 28, 2017
Date
Archival Collection
Description
Site address: Fremont St and Las Vegas Blvd
Sign owner: PBR Donated, but a part of Fremont Street East
Sign details: PBR held a revealing party when installed in 2015, right next to The Park on Fremont. YESCO manufactured the 30 feet tall sign is nicknamed Cool Blue. Previous to this sign in this location the Maharaja Hookah Cafe had their signage in the same location previous to 2013.
Sign condition: 5, just installed in 2015 so neon and paint are still in great condition
Sign form: Free Standing Sign
Sign-specific description: 30 feet tall, the sign is nicknamed Cool Blue. A 30 foot waiter holding his arm out with 3 beers on his arm and one in his hand. The beers are animated with them lighting up in order starting with the one closest to his body. His arm is resting on a PBR can. The waiters shirt and cheeks illuminate red neon while the rest of his body illuminates blue argon. The PBR beer can illuminates red and blue as well.
Sign - type of display: Neon
Sign - media: Steel
Sign animation: The Beer cans on the waiters arm light up in order, starting with the one closest to his body.
Sign environment: This is located in the parking lot on the corner of Las Vegas Blvd. North and Fremont St. East next to the Park on Fremont. This marks the beginning of the Fremont Street East District were other freestanding Neon signs are as well.
Sign manufacturer: YESCO
Sign - date of installation: 2015
Sign - thematic influences: The retro theme makes it look like a throwback to 1950s/60s advertisement. Also since it is for a beer company it shows that Neon does not always have to be for the Casinos here in Vegas. This is one of the first freestanding signs you see in the Fremont Street East District, thus showing that the Neon community downtown still is thriving and still defines our culture here.
Survey - research locations: YESCO website http://www.yesco.com/news/yesco-installs-pabst-blue-ribbon-neon-sign/ , Vital Vegas website https://vitalvegas.com/downtowns-fremont-east-gets-a-new-neon-sign-courtesy-of-pbr/ , google map roadside view
Survey - research notes: Since this is a freestanding sign it is difficult to find any specific information on a single owner or why this sign was placed there specifically.
Surveyor: Emily Fellmer
Survey - date completed: 2017-07-22
Sign keywords: Neon; Steel; Back to back; Monument sign
Mixed Content
Photographs of Vanguard Lounge sign, Las Vegas (Nev.), June 28, 2017
Date
Archival Collection
Description
Site address: 516 Fremont St
Sign owner: Andrew and Jennifer Wheatley
Sign details: The building was originally constructed in 1951. Previously to the lounge opening it was Fremont Street Guitars. Andrew and Jennifer Wheatley opened the lounge in 2010 after 30 years of experience together in the industry. This trendy bar has Modern-Industrial Decor, as you can see with their black building with a glass garage door entrance.
Sign condition: 5- newer sign that lights up brightly at night
Sign form: Hanging sign
Sign-specific description: Right above the entrance is a black canopy, but at night a white neon tube illuminates the perimeter of the canopy. The canopy also showcases their street address 516 in white channeled numbers. Above the canopy there is a beam which acts as a support for their main sign. Their main sign is a black rectangle which is also attached to the building. The sign states Vanguard Lounge in white skeletal neon letters. The word Vanguard is in a thick block-type print letters. Lounge is written in a smaller but similar type-font.
Sign - type of display: Neon
Sign - media: Steel
Sign environment: This is located in the Fremont East district in between Las Vegas Blvd. and 6th St. This locations storefront is located in between the Therapy restaurant and Red dance club (used to be the old Coin Insert bar).
Sign manufacturer: Valley Signs and Lighting
Sign - date of installation: 2010
Sign - date of redesign/move: Vanguard used the old sign box that the previous company used and added their logo in neon in 2010.
Sign - thematic influences: The skeletal neon showcases a simple yet classic design. It also showcases the Modern trendy vibe.
Sign - artistic significance: The sign does have a modern vibe but is staying true to the Neon culture of downtown.
Survey - research locations: Vanguard lounge website http://www.vanguardlv.com/vanguard_lounge_venue , Las Vegas Sun https://lasvegassun.com/news/2010/sep/20/vanguard-lounge-opens-fremont-street/ , Assessor's page
Survey - research notes: Definition of Vanguard is a group of people leading the way in new developments/ideas. This is possibly alluding to their theme of being different than the other bars downtown. Coincidentally there was a dance club in L.A. also called Vanguard, but no connection found between the properties besides their modern dance vibes.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-11
Sign keywords: Neon; Steel; Hanging; Pole sign; Roof Sign
Mixed Content
Transcript of interview with Eugene Brandise by Mark Mangiaracina, March 3, 1980
Date
Archival Collection
Description
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Michael Arage oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Michael Arage conducted by Dalton DuPré on November 12, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Michael Arage discusses his upbringing in the Greater Toronto Area (GTA), Ontario, Canada with his sister and his Filipino-Palestinian heritage. He talks about how his parents immigrated to the United States, his life and education in Toronto, and his relocation to Los Angeles, California where he married his wife. Michael Arage shares how the couple moved to Las Vegas, Nevada in 2012 when his wife started a job at Zappos. Because he lacked a work visa, Michael Arage began playing poker and working in sports betting. In 2019, he founded a community organization to support the people of Palestine, called Nevadans for Palestinian Human Rights. Michael Arage talks about his activism efforts, anti-Arab racism, his cultural upbringing, and of Filipino and Arabic foods and customs. He also shares his views of living in Las Vegas, the difficulties of raising a child away from her cousins, and differing governmental policies and healthcare between Canada and the United States.
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Arsya Respati oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Arsya Respati conducted by Madison Chang on December 4, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. University of Nevada, Las Vegas (UNLV) student Arsya Respati shares his childhood and upbringing in Jakarta, Indonesia and educational background. He discusses his studies at the international BINUS SCHOOL Simprug in Jakarta and his immigration to the United States with his younger brother to pursue the culinary arts at the William F. Harrah College of Hospitality at UNLV. Arsya Respati talks about his relationship with his parents and their daily communication, his "aunty" who has helped him adjust to American culture and homesickness, his Muslim faith and traditions, and his employment. He also shares his views on Indonesian politics and cultural diversity, and the diversity of Las Vegas.
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Elena Newman oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Elena Newman conducted by Cecilia Winchell and Stefani Evans on April 11, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Newman discusses her childhood in Dagupan, Pangasinan, Philippines. At the age of eighteen, she moved to Singapore for better work opportunities to help support her family. After meeting her husband, the couple moved to Las Vegas, Nevada. Since moving to Las Vegas, Newman has spent her time working as both a guest room attendant and shop steward at Mandalay Bay. She is also a part of the Culinary Workers Union, and she discusses how helpful the union is to the livelihoods of the many workers in the casino industry.
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