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Transcript of interview with Elaina Blake by Stefani Evans and Claytee D. White, September 19, 2016

Date

2016-09-19

Description

Coming from humble beginnings, Elaina Blake grew up in Port Orchard, Washington, where her father was in the logging industry and she involved herself in the love of horseback riding. After becoming engaged at age 16, she married the following year at 17 and moved to Las Vegas where she started as a statistical typist at the Sahara Hotel and Casino. This led to a position her to become an executive secretary at the Thunderbird where she dealt with the rampant sexual harassment that was typical of the executive office environment in the industry at the time. The rejection of those advances led her to start her career in real estate with Roberts Realty where she sold her first group of homes off of Nellis Boulevard and Tropicana Avenue. In 1976, she made the entrepreneurial move by buying into Roberts Realty, becoming an owner, and eventually buying out Young American Homes. She started giving back to the community through her service as being the first woman elected to president elect for the Chamber of Commerce in 1984 and also served on the Clark County Planning Commission for four years serving as vice chairman and chairman. She did such a wonderful job running the chamber, she was approached to run for Lieutenant Governor. Her involvement with the community increased during this time as she got involved with the United Way, saved the YMCA from closure and started the Focus School Project in 1989 with former superintendent Brian Cram where businesses adopt schools and provide money and volunteer. This project is still in operation today and has given back $8 million dollars to CCSD in volunteerism. During her time with the Chamber, she continued to work with major local builders such as Pageantry Homes, Heers Brothers, and Christopher Homes, which led to her taking another entrepreneurial milestone by taking a small team to create Blake and Associates. In 1996, Blake leveled up to become a developer starting with office buildings. As a champion for the inclusion of women, she never felt held back because of her gender and she always encouraged women in the Chamber to give more of themselves, even if it was for ten minutes because the men did so. In a male-dominated industry, Elaina Blake has been a trailblazer for women in business and the housing industry in the valley.

Text

Julian Escutia-Rodriguez (Mexican Consulate of Las Vegas) oral history interview conducted by Magdalena Martinez and Elia Del Carmen Solano-Patricio: transcript

Date

2022-05-16

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Community organization interviews file.

Text

Film strip of individuals or Hoover Dam construction, image 007: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has four images. The first one (0272_0052) with the upside-down picture, has a handwritten inscription that reads, "View of hi-line and carriages on a double cable. First used on buckets. Was a little slow. These hi-lines stretching across the dam on a huge cable. Consist of several small cables in center, weaved together. In the center, outside, the carriages ride on smooth surface of one inch wide steel strips wrapped around the cables for a tight and smooth surface." The second image (0272_0053) reads, "'Pipe fitters' raising air and water pipe to a higher elevation for easier access." The third one (0272_0054) reads "'The water bag', a very popular item on Dam. Warning signs placed around, 'Do not drink water from taps on dam'. Arsenic in the water and in the mts. Once you get an open cut, you must avoid getting water from the dam in it. You have a good chance of arsenic poisoning. A boy in my dormitory got it. He broke out in sores at some spot. After long treatments it would heal, but two or three weeks break in another spot. Once in the blood, too bad." The fourth image (0272_0055) reads "Another good view. Stiffleg making a pour on dam nearest and #7 working in a lower pour - pours are numbered - from face to upstream face. 1-2-3 etc. across from wall to wall by alphabet, the slot (center) is between J & K."

Image

Joseph LaMar Foremaster Photograph Collection

Identifier

PH-00068

Abstract

The Joseph LaMar Foremaster Photograph Collection includes black-and-white photographic prints and negatives of structures at the Old Ranch (Stewart Ranch) in Las Vegas, Nevada from approximately 1920 to 1939 when the Foremaster family lived and worked on the land.

Archival Collection

Aaron Williams Photograph Collection

Identifier

PH-00234

Abstract

The Aaron Williams Photograph Collection (approximately 1968 to 1983) consists of three black-and-white photographic prints. Two of the images are of the groundbreaking ceremony of the Senior Citizens’ Center with Las Vegas, Nevada Mayor Oran Gragson, and the third of three unidentified individuals.

Archival Collection

Stephen Nasser Papers

Identifier

MS-00898

Abstract

The Stephen Nasser Papers (1992-2018) mainly contain letters written from school children to Nasser who travels to schools, churches, and organizations around Las Vegas, Nevada to share his story of surviving the Holocaust during World War II. Materials in this collection document his captivity in various prison camps and includes photographs, awards, and newspaper clippings. Also included are speeches given by Nasser and book reviews and a teacher's guide of his book My Brother's Voice written by students of Dixie College, St. George, Utah. This collection includes a copy of Pista, a documentary film profiling Nasser's life. The collection also includes a script, flyer, and newspaper clippings about the stageplay (Not Yet Pista) adaptation of the documentary.

Archival Collection

Joe Williams Music Scores

Identifier

MS-00608

Abstract

The Joe Williams Music Scores date from 1940 to 1991 and comprise the handwritten musical scores of American jazz musician Joe Williams, born Joseph Goreed. Many of the musical scores are Williams' original arrangements.

Archival Collection